Digital Commons Network^™

2021-2022 Cali Immersive Residency Program, John J. Cali School Of Music

2021-2022

No abstract provided.

Carlo Barone (1955–2022), Adrian Walter

Soundboard Scholar

Carlo Barone (1955–2022) was a pioneering performer, researcher, and educator in the nineteenth-century performing practice of the guitar. In this tribute, his friend and collaborator Adrian Walter describes Barone's career.

Issues In Transcribing German Lute Tablature, Kurt Dorfmüller

Soundboard Scholar

Kurt Dorfmüller's essay is from Le luth et sa musique, a volume of proceedings from the 1957 research symposium of the same name that gathered a number of eminent scholars at the beginning of the modern era of lute scholarship and performance revival. In it, he inquires into the unique nature of German lute tablature, its mostly latent capacity for expressing polyphony, and the types of music for which it is more or less suited. He ends by proposing a set of guidelines for establishing a "mainstream practice" for transcription not only from German tablature but also from tablature …

Bad Bunny, Un Fenómeno Imparable Sin Etiquetas, Lucy M. Cabrera

Capstones

Bad Bunny es la estrella del momento y este artículo investigativo busca encontrar la raíz de su fama y el porqué se ha ganado al público tan rápido sin importar género, raza o edad. El profesor Rojo Robles. Ph.D., escritor, dramaturgo y cineasta puertorriqueño y profesor de Black and Latino Studies en Baruch College nos explica algunas razones por las cuales la gente de Puerto Rico lo ama y como ha sido su evolución musical mientras se ha inspirado en artistas como Tego Calderon o Arcangel.

La Tiktoker Angela Diatiano Luna, que cuenta con 32.5K de seguidores en esta plataforma …

"Overture" (For Emmanuel), Katherine Gordon

Theses and Dissertations

“Overture” (For Emmanuel) is a piece derived from twelve melodies from the composer’s original musical, Emmanuel. The piece is for full orchestra, and is five minutes and forty-seven seconds long.

Scores Of Nature (Volume 2), Anthony Elia

Bridwell Library Research

Scores of Nature (Volume 2) is a collection of experimental notation and scores, which are created through serial, unplanned, and partially planned musical sequences overlaid onto natural scenes, spaces, or objects that the composer has taken photographs of in different places. This sequence is of five sets of images, many of them with curvature or lines that can be redesigned within an imaginative or manipulated musical staff with parallel or intersecting lines, clefs, time signatures, and other elements of a traditional score. In some cases the composer has offered a possible interpretation of the experimental score and notation through traditional …

Perspectives Of Middle School Band Members On High School Band, Frank J. Poolos

Doctoral Dissertations and Projects

Student retention is essential for band programs at any level to succeed and grow. This study includes results of student surveys of current high-school students who took band during their middle school years, seeking essential factors affecting student perceptions about continuation into high school band programs. Research into band student enrollment and retention exist, yet limited resources focus on transitioning from middle to high school. Studies indicate that participation in large music ensembles, such as bands, provides social, emotional, and academic benefits. Increasing student retention across this transition could yield improved student experiences and achievement in music and beyond. Existing …

“Americanized” Worship In Brazilian Churches, Leon C. Neto

Masters Theses

Motivated by the marketability of high-profile artists and bands, Christian churches worldwide may see the inclusion of profit-driven worship songs as a recruiting tool for their communities. This process of globalization or "Americanization" around the world, propagated by mass media, is yet to be thoroughly investigated. This trend is likely decreasing the use of indigenous styles in Christian worship. The primary purpose of this current study is to produce scientific data suggesting that “Americanized” worship is a trend in Brazil and is affecting the production of indigenous worship repertoire. An online questionnaire was developed and applied to Brazilian worship leaders. …

The Criteria Of Liturgical Worship And Analysis Of Wesley‘S Theology And How His Approach Challenges Contemporary Christians, Especially In Terms Of Worship, Eunice H. Ahn

Masters Theses

Although liturgical traditions were introduced during the Modernism Era, they continue to play an influential role in churches today. The worship and teaching practices applied in Roman Catholic Churches reflect how important traditional liturgy is in the Post-Modernism Era. While many catholic congregations are aware of the significance of liturgy, many Christian and Protestant Churches are not. There is missing knowledge regarding liturgical traditions in these churches. This study will propose liturgical worship in contemporary Christian and Protestant congregations as an alternative proposal from the perspective of John Wesley. This proposal will discuss the criteria of liturgical worship and analyze …

Researching Technological Advancements Through Alternative Methods Of Music Education To Engage Students In The Digital Age, Olivia Thornton Thompson

Masters Theses

While the music industry has significantly incorporated technology into music composition and production, music education is slow to teach how to use these technical methods for students living in the digital age. Current music education methods have established successful results in past music compositions; however, those methods are becoming impractical. Although music education taught in schools has been primarily successful through traditional methods, students learning in the digital age have yet to learn how to strengthen their musical abilities through technology. This secondary analysis aims to look at the different studies on incorporating technology in a music education setting to …

The Effect Of Video Recording On Self-Assessment Of High School Vocal Music Students, Julia Christine Sterba

Masters Theses

This research project is designed to examine the effects that video recording and evaluation have on the high school choral music students' skill development of tone, dynamics, rhythm, and pitch and provide information about self-assessment as a directional learning tool for singers to increase student achievement through self-regulated learning. Research indicates the power of self-assessment as an evaluation in the classroom. It has provided educators with tools to implement effective self-assessment practices that promote performance and self-efficacy. This research project will define self-assessment, address what skills are being assessed, and specify the methods of assessment that will be implemented. Models …

The Need And Value Of Adding A Gifted Music Curriculum To Education Using Music Technology, Haven K. Clippinger

Masters Theses

Research in music education has increased drastically since its emergence in the 20th century. Philosophers developed detailed music education philosophies, and music education changed in American education. In addition, the 20th century also brought an increased awareness of gifted students in the school system. Musical talent has been considered a gifted quality, yet there appears to be minimal research on gifted students in music classes. Initial research was conducted to examine literature on gifted music. This research served to provide a greater link between music and gifted education by utilizing a music technology curriculum for gifted music students. This project …

Tell Me A Story: A Multi-Model Analysis Of Select Lester Young Solos, Rabon Michael Bewley

Doctoral Dissertations and Projects

A long history exists between improvisational analysis models and the jazz improvisation they seek to examine and evaluate. Though often undertaken as a comparison among a varied group of soloists, this qualitative research study employs existing research on improvisational analysis models to examine and analyze select solo transcriptions of tenor saxophonist Lester Young. The purpose of this research is to determine not only the presence and applicability of existing improvisational analysis models to his improvisational work but also identify the multiple unique characteristics of his influential improvisational approach and illuminate those accessible strategies musicians may implement to improve their improvisational …

Using Popular Music To Engage The Multiculturally Diverse Secondary School Band, Todd Waldon Murphy

Doctoral Dissertations and Projects

Despite the increasing acceptance and enthusiasm for multicultural popular music in some high schools in the United States, traditional music teachers are often hesitant to embrace this trend. Even though the United States is responsible for creating many popular music styles, European music education philosophy is ahead with popular music education. Because of the United States' changing demographics, a new strategy must be developed to address this issue and implement it to the band director's advantage. Ethnic diversity and multiculturism have been creative factors in the United States, which explains why American culture has produced a wide variety of musical …

Through The Looking Glass: Worship Music With Indigenous Sounds In Los Angeles And Manila, Maria Rica Bartolome Silbol

Doctoral Dissertations and Projects

Despite the Philippines’ wonderful indigenous music and talents, Manila Baptist and Los Angeles Baptist churches do not utilize indigenous sounds in typical worship practices. This paper contends that the untapped resources of cultural sounds may contribute to a dynamic worship experience that resonates more effectively as Filipino. This study investigates the absence of indigenous sound in two Filipino Baptist churches from Los Angeles and Manila (QC). It analyzes relevant ethnic music components and each church’s response to the fusion of indigenous and traditional music in the worship experience. The explanatory sequential mixed method will focus on an artistic-creative study to …

Competing With Small Town Football: The Challenges Of Teaching High School Band In Rural America, Christopher John Libby

Doctoral Dissertations and Projects

This project explored the many challenges band directors face while teaching in the rural United States. Despite the abundance of articles about recruiting for high school band programs, few have addressed high schools in the rural United States. The untold perspectives of novice and experienced band directors matter because it is a topic not addressed in undergraduate studies. This study highlights the perspectives of band directors and scholars who have firsthand experience building band programs in rural counties. Guided by scholarly journal articles, personal interviews, and other research, this qualitative research study identified perspectives that have not yet been explored …

Scores Of Nature (Volume 1), Anthony Elia

Bridwell Library Research

1. Bone & Stone Sonata;

2. Jellyfish & Seaweed Suite;

3. Bonfire Bay Sonata;

Three works of experimental music and notation are included in Scores of Nature (Volume 1), which include pieces written on beaches with fishbone and pebbles, a bonfire and bay in Sointula, and a piece recommended for solo 'cello, where the score is an image of a beached jellyfish in a bedding of seaweed, in which the musician needs to react to the image and play what they are imagining from that image. From the description provided in the score text: "In this piece, Jellyfish & …

Toward An Informal Informed Classrooms: Professional Musicians' Informal Music Learning Experiences, Rachel M. Smith

Masters Theses, 2020-current

Authors have studied informal music learning with different age groups. Lucy Green (2005) studied the topic with adolescents and identified it an intuitive and natural way children learn. Chad West and Radio Cremata (2016) studied informal music learning at the collegiate level, and Martina Vasil (2019) studied secondary music teachers who implemented informal music learning strategies in their teaching practices. Informal music learning in adults is relatively under-explored compared to adolescent and collegiate age groups. Utilizing lenses drawn from John Dewey’s curricular ideas to help students find meaning in learning and motivation as viewed through Self-Determination Theory, I sought to …

Musikah V’Ḥalil, “Music And The Flute”: The Use Of Jewish Prayer In Flute And Piano Music, Kathryn L. Rudnik

Dissertations, 2020-current

Music has been a part of Jewish life since Biblical times and remains an integral part of the culture. Within Jewish music, instruments have also played an important role historically. The flute has been traced through Judaism back to Biblical times; however, it has lost prominence in modern synagogue and religious services. As Western music has developed into the twenty-first century, composers, both Jewish and Gentile, have been exposed to the music of the Jewish communities, some of whom have utilized it in their own compositions. Compositions based on Jewish prayer melodies have brought up the question of whether the …

Deanne Bryant Conducts Iso Holiday Pops That Seats Young Musicians With The Pros, Lauren Warnecke

Interviews for WGLT

ISO Holiday Pops seats young musicians with the pros — and hosts a Christmas sing-along for all. Deanne Bryant leads the orchestra.

Estás En La Sintonía De La Gozadera: En Vivo Desde Cumbiayork, El Movimiento Sonidero Del Futuro, Vita Dadoo

Capstones

For 30 years, New York's sonideros have been making noise on the central avenues of the city's Mexican and Latino ecosystems. The movement, made up of the sonidero (translated literally as "soundman"), his assistants, promoters, fans and dancers, has created a subculture that for a long time defined the relationship between the migrant and his native home in Mexico. Thirty years later, I explore how the movement has evolved, the traits that have distinguished it from the Mexican sonidero movement, and how it continues to flourish under a new generation of deejays.

Beginning Band: First Steps Instructing Students With Wind Instruments, Christine N. Lovell

Electronic Theses & Dissertations

One of the most important moments in beginning band is when a student first learns how to assemble and hold the instrument. As a band director, it is vital to be precise in explaining each element of this process. If steps are skipped over in this process, bad habits can form quickly and will cause more issues for the director. Instrument assembly and holding the instrument are covered in detail to help young band directors know how to explain this process. Additionally, this will help to find the bad habits quickly so problems do not snowball over time. It is …

"I, Too": A Graduate Voice Recital Celebrating The Works Of Four Black Female Composers, Xavier Moore

Electronic Theses & Dissertations

This thesis is an extension of Mr. Moore’s graduate vocal recital program notes, highlighting the works of four Black female composers. Each chapter includes biographical information about each composer, analysis of each piece, information about the larger works, and an argument about why the works of these composers should be included in the vocal cannon.

Native American Boarding School Bands And Their Bandmasters. Project File 4: Biographical Sketches Of Important Bandmasters, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

This is the fourth of five on-line text files in which I assemble my research notes about boys’ bands and their bandmasters at the US government’s Native American off-reservation inter-tribal boarding schools. It is material that covers a span of about fifty years from the 1880s to the 1930s. I principally have put into some kind of order a mass of data that draws upon online digital newspapers and genealogy databases. What follows here is not a finished, polished document. Everything on offer is still work in progress, inconsistent in formatting and with missing data and the occasional typographical error. …

Native American Boarding School Bands And Their Bandmasters. Project File 2: Bands At The Omaha Indian Congresses, 1898 & 1899, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

This is the second of five on-line text files in which I assemble my research notes about boys’ bands and their bandmasters at the US government’s Native American off-reservation inter-tribal boarding schools. In general, it is material that covers a span of about fifty years from the 1880s to the 1930s, though the present document concentrates on the Omaha expositions of 1898 and 1899. I principally have put into some kind of order a mass of data that draws upon online digital newspapers and genealogy databases. What follows here is not a finished, polished document. Everything on offer is still …

Native American Boarding School Bands And Their Bandmasters. Project File 5: Native Americans On The Chautauqua Circuits: The Role Of Thurlow Lieurance And Lincoln’S University School Of Music, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

This is the fifth of five on-line text files in which I assemble my research notes about boys’ bands and their bandmasters at the US government’s Native American off-reservation inter-tribal boarding schools. The present document began as an off-shoot from that project into local history concerning the School of Music associated with the University of Nebraska in Lincoln, NE around 1915-1925 and its role in preparing Native American young adults to appear on Circuit Chautauqua programs. They were often graduates of boarding school band programs, and the Haskell school band, in particular, made major Circuit Chautauqua tours with Native American …

Native American Boarding School Bands And Their Bandmasters: Project File 1: General Topics, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

To establish a context for the Native American boarding school bands, we start with an important generalization. In the great Victorian era of bands, most were amateur, adult, white, male, community- or workplace-based recreational ensembles. With few exceptions, bands in the 19th century were not ensembles of children or women or family members, and they did not have a home in public primary or secondary schools. With roots in the military band tradition, civilian bands were mostly social organizations for adult males---grown men---"discoursing sweet music" as a kind of fraternal club with voluntary civic functions. Adult amateur men’s bands peppered …

Native American Boarding School Bands And Their Bandmasters. Project File 3: The Principal Schools And Their Bands, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

This document sketches the histories of the boys’ bands and their bandmasters at eight of the most prominent of the US Government’s off-reservation inter-tribal Native American boarding schools. It is material that covers a span of about fifty years from the 1880s to the 1930s. I principally have put into some kind of order a mass of data that draws upon online digital newspapers and genealogy databases. What follows here is not a finished, polished document. Everything on offer is still work in progress, complete with missing data and the occasional typographical error. The author welcomes queries, additions, and corrections, …

Can Current Stereo Recording Techniques Improve? A Creative Analysis And Experiment On Stereo Recording, Gabriel Asher Jones

Honors Theses

Listening to music in stereo has become the societal norm and because of its popularity, it has become, “invisible by its own success” (Théberge 1). Contrary to its growth, the older and more commonly used stereo microphone techniques are still being used today and very few new and unique techniques have made a similar impact. To test if the commonly used techniques have room for improvement this project compares them to brand-new ones. In order to understand and utilize stereo microphone placements numerous fundamental ideas need to be considered to achieve a certain sound and level of quality. Every microphone …

Le Donne E La Chitarra, James Akers, Romantic Guitar, Ellwood Colahan

Soundboard Scholar

No abstract provided.