Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 4 of 4
Full-Text Articles in Entire DC Network
John Philip Sousa And The Wagner Overture: A New Transcription Of The Overture To Der Fliegende Holländer For Wind Orchestra, Stephen H. Goldeck
John Philip Sousa And The Wagner Overture: A New Transcription Of The Overture To Der Fliegende Holländer For Wind Orchestra, Stephen H. Goldeck
UNLV Theses, Dissertations, Professional Papers, and Capstones
This research examines John Philip Sousa’s 1893 wind band transcription of Richard Wagner’s overture to Der fliegende Holländer, and focuses specifically on how Sousa reconceived orchestral sonorities and solved particular problems posed by Wagner’s complex orchestrational textures. Findings include that, while appropriate for the era and instrumentation of Sousa’s band, his transcription contains certain limitations for the twenty-first-century wind orchestra. Due to the fact that Sousa’s compositions, arrangements, and transcriptions were written to accommodate frequent outdoor performances, Sousa’s transcription uses more doubled voicings than would be necessary in an indoor concert hall setting. Further, while Sousa’s instrumentation approximates that of …
Tres Danzas Cubanas By Alejandro García Caturla: A Transcription For Wind Orchestra With Accompanying Biographical Sketch And Transcription Method, Darrell Brown
UNLV Theses, Dissertations, Professional Papers, and Capstones
Alejandro García Caturla was a Modernist Cuban composer of the early 20th Century. In his compositions and orchestrations, Caturla predominantly featured woodwind, brass, and percussion instruments (and incorporated Afro-Cuban percussion instruments). Caturla’s musical vernacular is a hybridization of styles, not just of the colloquial idioms of Cuba and the music of the European avant-garde, but of the unification of the island’s musical cultures. One of Caturla’s earliest, international successes was his orchestral work Tres danzas cubanas written in 1929. This document includes the creation of a new transcription for wind orchestra of the three-movement work. A biographical sketch of Caturla’s …
Bach's Goldberg Variations: Suggestions For Redistributing The Notes Between The Hands To Facilitate Performance On The Modern Piano, Kia Hadipour
LSU Doctoral Dissertations
In Goldberg Variations, Bach has written overlapping voices originally intended for bi manual harpsichord. However, playing the piece on the modern piano causes the hands to collide in those segments,creating a technical challenge that remains unresolved in available editions. In this thesis, I propose a method to reduce the hands’ overlap by re-distributing the notes between them. This solution also improves readability of the score by obviating the need for a clef change at each voice cross. I further use a few examples in the piano repertoire to examine how hand and finger re distribution may facilitate performance. As an …
Eduardo Gamboa's Life, Music, And Inspiration. Understanding The Influence Of Folk Music On His Work "Transparencias:" An Analysis, Performance Guide, And Violin Transcription, Perla Del Rocio Fernandez Lopez
Eduardo Gamboa's Life, Music, And Inspiration. Understanding The Influence Of Folk Music On His Work "Transparencias:" An Analysis, Performance Guide, And Violin Transcription, Perla Del Rocio Fernandez Lopez
LSU Doctoral Dissertations
The purpose of this dissertation is to explore the life and music of Mexican living composer Eduardo Gamboa. This study intends to fill a void on the research of Gamboa. This document provides detailed biographical information, information about the influences on his music, and an edition of Transparencias for violin. The first chapter provides a broad biography of the composer including his musical formation, folk experience, and a complete catalog of his works. The second chapter is an introduction about Transparencias and contains the point of view of the composer and of the flutist Tadeu Coelho, to whom Gamboa dedicated …