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Beisswenger, Donald Andre (Fa 1), Manuscripts & Folklife Archives
Beisswenger, Donald Andre (Fa 1), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 1. Project titled "White Gospel Music in Logan County" conducted by Donald Andre Beisswenger for a folk studies class at Western Kentucky University. Includes interviews with Jeff and Gwen McKinney and Chester Whitescarver about singing schools and white gospel music. Transcript of McKinney interview included as well as a tape summary for the Whitescarver interview.
White, Arthur Carlton, Jr. (Sc 2314), Manuscripts & Folklife Archives
White, Arthur Carlton, Jr. (Sc 2314), Manuscripts & Folklife Archives
MSS Finding Aids
Finding aid only for Manuscripts Small Collection 2314. Paper: "Professor Franz Joseph Strahm" written by Arthur Carlton White, Jr. for an "American Music" class at Western Kentucky University.
Stoner, Joel, B. 1950 (Fa 492), Manuscripts & Folklife Archives
Stoner, Joel, B. 1950 (Fa 492), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 492. Interviews, transcriptions, photographs, and miscellaneous data collected by Joel Stoner pertaining to the Bowling Green, Kentucky music scene in the 1970s.
Moody, Thomas Newton, 1938-2024 (Mss 287), Manuscripts & Folklife Archives
Moody, Thomas Newton, 1938-2024 (Mss 287), Manuscripts & Folklife Archives
MSS Finding Aids
Chiefly letters from Moody, a Franklin, Kentucky native, written to his parents while attending college at Southwestern at Memphis and the University of Kentucky, and while teaching afterward in Elizabethtown. Also includes letters of the family of Moody’s grandmother, Drucilla Jane (Harris) Short.
Mixing For Parlak And Bowing For A Büyük Ses: The Aesthetics Of Arranged Traditional Music In Turkey, Eliot Bates
Mixing For Parlak And Bowing For A Büyük Ses: The Aesthetics Of Arranged Traditional Music In Turkey, Eliot Bates
Publications and Research
In this paper I explore the production aesthetics that define the sound of most arranged traditional music albums produced in the early 2000s in Istanbul, Turkey. I will focus on two primary aesthetic characteristics, the achievement of which consume much of the labor put into tracking and mixing: parlak (“shine”) and büyük ses (“big sound”). Parlak, at its most basic, consists of a pronounced high frequency boost and a pattern of harmonic distortion characteristics, and is often described by studio musicians and engineers in Turkey as an exaggeration of the perceived brightness of the majority of Anatolian folk instruments. Büyük …