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Volume 18, Number 11 (November 1900), Winton J. Baltzell
Volume 18, Number 11 (November 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Slow Practice
Difference in Fractions
Teaching: Its Purpose and Its Influence upon Music at Large
Ideas for Teaching Children
True Basis of Teaching
Playing or Non-Playing Teachers
Mental Attitude of Teacher and Pupil
Letter to a Young Composer
Primary Teaching, Part 2
How to Begin the Study of Bach
Teacher's Fertility
Home-Circle Critics
Some Points of Success
Talking Lessons Not All
Rapid Memorization of Key Signatures
Art of Holding Pupils
Look up to Bach
Volume 17, Number 03 (March 1899), Winton J. Baltzell
Volume 17, Number 03 (March 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Loving-Cup to Dr. Mason
What a Composition Means
Education and Its Demands Upon the Modern Teacher
People to Cultivate
Training of the Ear
Popularity of Vocal Over Instrumental Music
Common-Sense Chat
Good Teacher Versus Good Player
Transformation of a Genius from a Musician's Diary
Opposition to the Violin for Girls
How to Get People to Attend Pupils' Recitals
Teaching as a Specialty
Status of Music-Study in America
Rubinstein's Theory of Practice
Curved Thumb
How to Treat Pupils Who Have Previously Studied with Another Teacher (Symposium)
Matter of Temperament
On Special Editings and Annotations
Some Salient Points in Leschetitzky's Teaching
Concerts …
Volume 16, Number 09 (September 1898), Winton J. Baltzell
Volume 16, Number 09 (September 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
John Comfort Fillmore (obit)
Frivolous Pupils
Scherzoso
Capacity for Teaching
Musical Taste
Why?
Minor Scales
Conservatory the Public School of Music
Twelve Business Maxims
New Teaching Season
How to Buy a Piano
Reading at Sight vs. Artistic Playihg
Mechanical Aids to Piano Study
Another Teaching Ability
Modernizing Classics
How to Understand Music
Parental Interference
Value and Practice of Advertising Among Professional Musicians
Pedalmania
Time Brings Changes
Teaching the First Piece
Anton Rubinstein
Rubinstein as I Knew Him
On Selecting a Teacher
Introspect
Principles of Musical Pedagogy
Self-Criticism
True Music Teachers vs. Pin-Money-Makers
Charlatanism in Music
Aimlessness Among Musicians
Inspiration
Song …
Volume 16, Number 08 (August 1898), Winton J. Baltzell
Volume 16, Number 08 (August 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
Cultivate the Love of Nature
The Subjective Player
Music and Progressiveness
Rusting and Rusticity
Culture: A Suggestion for Summer
The Teacher Not Everything
Pioneer American Pianist: Gottschalk—His Work, Artistic Standing, and Financial Circumstances; A Statement as to His Poverty Corrected
Letter from Sousa
Value and Practice of Advertising Among Professional Musicians
Professional Courtesy
Environment as an Educational Factor
Encores
Individuality in Art
Teaching a Necessity
Present and Abiding Duty for the Music Teachers
Rhythm the Basis of Melody
Gladstone's Interest in Music
Prize Medal System
Two Schools of Organ Playing
How to Make Music Studios Attractive
Studio Experiences
Advantages for …
Volume 16, Number 02 (February 1898), Winton J. Baltzell
Volume 16, Number 02 (February 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
How to Make a Living
American Student
Principles of Musical Pedagogy
Life of a Pianoforte—How to Preserve It
Musical Listener
Children and Music
Music Teacher Analyzed
Thumb
How a Composer Works
Stumbling Blocks
In My Easy Chair
Romantic Side of Bach
How to Work up Concerts in the Smaller Cities
Mental Technic: A Suggestion
Key-Character a Fallacy
Ear Training
Advantages for Music Students in Various European Centers
Pen Picture
Crime Against Art
Open Your Eyes
How to Maintain Pupils' Interest
Happy Medium
Old Italian Method
Study of Musical Literature
Listening Well
Professional Code