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Mass, Michael J. Miller

Masters Theses

MASS is a musical setting of the ordinary parts of the mass: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. These five texts constitute the bulk of Christian liturgy for well over the past millennia. MASS is scored for SATB chorus and small chamber orchestra.

The primary concept from which the movements derive their harmonic material is "chiasmus." A chiasmus is an inverted relationship between the syntactic elements of parallel phrases, as in the phrase "to stop too fearful, and too faint to go." It is a rhetorical device that is the basis of much Hebrew thought and permeates …

Piano Concerto, Ho Jun Lee

Masters Theses

This composition, Piano Concerto, represents the form of theme and variations. This composition is comprised of nine sections: Introduction, Theme, and seven variations. The theme comes from Korean folk song "Saeya Saeya Pahrahng Saeya," having a three-note melody that utilizes a three-note scale. Each variation features different variation techniques or combination of different techniques. These include rhythmic transformation, melody squeeze, contrapuntal technique, harmonic changes, meter changes, pattern changes, texture differentiation, and timbre changes.

Nunc Dimitiis, Jeremy S. Ribando

Masters Theses

The Nunc Dimittis, canticle of Simeon (St. Luke ii, 29-32), is the last in historical sequence of the three great Canticles of the New Testament, the other two being the Magnijicat (Canticle of Mary) and the Benedictus (Canticle of Zachary). Numerous composers have set all three canticles from various classical time periods, all of which utilize the text from the specific canticle to create the musical work. This work is usually written for choir and orchestra or choir alone.

As I begun this work, I worked with the text of the Nunc Dimittis in mind, but rather than …