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Notes On Flute Music Of Boehm, Muczynski, Telemann, And Feld, Anna Lisa Davidson May 1997

Notes On Flute Music Of Boehm, Muczynski, Telemann, And Feld, Anna Lisa Davidson

Undergraduate Honors Capstone Projects

Theobald Boehm is most well known for his contribution to the structure of today's standard flute key system. He was born in 1794 to a goldsmith, who intended him to follow the trade. Boehm became skilled at gold smithing while also pursuing musical studies, using a flute to improve his weak lungs. He learned to play the flageolet and one-keyed flute in childhood. He grew unhappy with the construction of these and made himself a copy of a four-keyed flute by Grenser of Dresden. In 1812, he became principal flautist at the Isartor Theater. He was able to continue both …


Music And War Throughout The Ages, Brent Thomas Yorgason May 1997

Music And War Throughout The Ages, Brent Thomas Yorgason

Undergraduate Honors Capstone Projects

War has always had a powerful influence on music. At times it has the ability to motivate composers even more than love, religious belief, or money. Throughout the ages, both war and music about war have changed dramatically. The destructive power of war has reached its ultimate capabilities -- the potential to eliminate all life. As war has become more and more horrible, and has caused unprecedented amounts of needless deaths, the world's view of war has changed completely. This change in attitude toward war is evident also in the development of war music.


Interpretive Implications Of Architecture In Musical Performance, Shane Fellows May 1997

Interpretive Implications Of Architecture In Musical Performance, Shane Fellows

Undergraduate Honors Capstone Projects

The purpose of the present essay is to attempt the formulation of a plausible approach to the interpretive performance of music. Such, if successful, would be of special import in the effective and thoughtful rendition of all music; but especially in those numerous cases where application of performance practice is conjectural. This does not constitute an attempt at the definition of "authentic performance". Rather it is an effort in the direction of the establishment of defensible and especially of objective interpretive guidelines. By no means do I submit that this approach is the only plausible one; but the one which …