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Verdi At 200: Recent Scholarship On The Composer And His Works, Linda B. Fairtile
Verdi At 200: Recent Scholarship On The Composer And His Works, Linda B. Fairtile
Verdi Forum
No abstract provided.
Sources, Linda B. Fairtile
Sources, Linda B. Fairtile
University Libraries Faculty and Staff Publications
Sources of instrumental music and of non-dramatic vocal music are generally understood to include preliminary sketches and drafts, manuscript and printed scores, performing parts, and, in the latter case, materials related to the choice or development of the vocal text. Letters, diaries, administrative papers, and even journalistic reviews can also be considered sources. Opera, as a collaborative fusion of music and drama, expands this list to include such materials as set and costume designs, staging manuals, lighting plots, and prop lists. Technology has further augmented the inventory, first with still photographs, and later with audio and video recordings. This chapter …
American Institute For Verdi Studies, Linda B. Fairtile
American Institute For Verdi Studies, Linda B. Fairtile
University Libraries Faculty and Staff Publications
The AIVS was founded in 1976, in response to a tide of scholarly interest in Verdi. Its first director, Martin Chusid, assembled an archive of materials at New York University's Elmer Holmes Bobst Library.
Iago, Linda B. Fairtile
Iago, Linda B. Fairtile
University Libraries Faculty and Staff Publications
An alternate title for Otello, used intermittently throughout much of its composition, possibly to avoid comparison to Rossini's opera of the same name.
Unni E I Romani, Gli, Linda B. Fairtile
Unni E I Romani, Gli, Linda B. Fairtile
University Libraries Faculty and Staff Publications
A censored version of Attila first performed at Palermo's Teatro Carolino in 1854.
Otello, Linda B. Fairtile
Otello, Linda B. Fairtile
University Libraries Faculty and Staff Publications
Verdi's penultimate opera represents his first new work for the stage after a nearly sixteen-year hiatus. As battles raged over the future of Italian opera-whether it should remain rooted in song or follow foreign trends that assign a greater role to the orchestra-Giulio Ricordi and Boito patiently lured Verdi back into the fray. Boito's libretto, an ingenious and at times eccentric adaptation of Shakespeare's Othello, inspired the composer to a highly personal fusion of tradition and innovation. At its premiere Otello was widely hailed as a masterpiece, an emphatic and fundamentally Italian answer to the debate over music and …
Verdi At 200: Recent Scholarship On The Composer And His Works, Linda B. Fairtile
Verdi At 200: Recent Scholarship On The Composer And His Works, Linda B. Fairtile
University Libraries Faculty and Staff Publications
The 100th anniversary of Verdi’s death, observed in 2001, inspired nearly a dozen academic conferences. At the dawn of his 2013 bicentennial, a celebratory year shared with Richard Wagner, hundreds of recent studies assess Verdi’s life, his works, and his impact. The present article surveys a selection of books and articles published between these two commemorations. A popular topic is Verdi’s role as a national icon, the calculated product of Italy’s search for a postunification identity. His engagement with foreign cultures has also received attention, for his German literary sources, his forays into French grand opera, and his use of …
Appropriation In Opera : Modern Performance Practice Of Racially Evocative Works, Katelin French
Appropriation In Opera : Modern Performance Practice Of Racially Evocative Works, Katelin French
Honors Theses
The repertoire of a classically trained singer has developed over centuries of cultural influence. As singers prepare for recitals, they decide which pieces they will include and how to perform each one. Many factors are essential for these decisions. In the 21st century, our environments challenge us to explore these conditions of creating a recital program. In a post-civil rights era, factors of race and ethnicity should become more important to programming than they were before. The consideration is not whether minority populations are portrayed, but how they are evoked on stage. In the following exposition, I will consider how …
Revising Cio-Cio-San, Linda B. Fairtile
Revising Cio-Cio-San, Linda B. Fairtile
University Libraries Faculty and Staff Publications
Some of the mast extensive and significant textual changes in all of Puccini's operas appear in the published revisions of Madama Butterfly. Many of these verbal modifications, together with cuts and additions to the score, influence the dramatic depiction of the protagonists. Changes to Pinkerton's character soften an insensitive and even offensive figure who, after all, needs to be convincing as the object of Butterfly's love. For Cio-Cio-San, three rounds of revision mean a gradual loss of complexity on any fronts, bringing an exotic, mercurial heroine closer to operatic convention. The Butterfly that we know today has a more …
Toscanini And The Myth Of Textual Fidelity, Linda B. Fairtile
Toscanini And The Myth Of Textual Fidelity, Linda B. Fairtile
University Libraries Faculty and Staff Publications
Changes in the public perception of performing artists make for fascinating study. There once was a time when the Three Tenors were considered mere mortals. And there was a time when a conductor, Arturo Toscanini, was considered the living embodiment of the composers whose music he performed. Largely through the efforts of the press and the National Broadcasting Company, Toscanini came to be known as the only musician with the integrity and modesty to perform a composition exactly as it was notated in the musical score. Thanks to the existence of recorded performances, as well as the reminiscences of some …
The Works Of Giuseppe Verdi: A Consideration Of Its Impact, Linda B. Fairtile
The Works Of Giuseppe Verdi: A Consideration Of Its Impact, Linda B. Fairtile
University Libraries Faculty and Staff Publications
The rationale for preparing a critical edition of Verdi's works is by now well known. The unavailability of printed orchestral scores for some operas, disagreements among performing materials for others, and a proliferation of new scholarship illuminating the complex Verdian source situation all point to the need for a scholarly edition of the complete works of this extremely popular composer. In 1983 the University of Chicago Press and Casa Ricordi began jointly producing scores and other performing materials in a series entitled «The Works of Giuseppe Verdi» («WGV»). Rigoletto was the first volume to appear, followed by Ernani, Nabucco, …
Bibliografia Degli Scritti Su Giacomo Puccini: Aggiornamenti 1997-99, Linda B. Fairtile
Bibliografia Degli Scritti Su Giacomo Puccini: Aggiornamenti 1997-99, Linda B. Fairtile
University Libraries Faculty and Staff Publications
Bibliography of studies about Puccini (1997-1999).
A Fragment From Act Ii Of Giacomo Puccini's La Boheme, Linda B. Fairtile
A Fragment From Act Ii Of Giacomo Puccini's La Boheme, Linda B. Fairtile
University Libraries Faculty and Staff Publications
This manuscript transmits ten measures from the so-called "Sextet" in the opera's second act, corresponding to pages 207 (measure 2) through 210 (measure 1) of the current published orchestral score. The passage forms part of the middle section of a tripartite structure that begins and ends with the renowned "Musetta's Waltz" ("Quando m'en vo"). At this point in the plot, the inhabitants of Paris's Latin Quarter, gathering to celebrate Christmas Eve at the Cafe Momus, witness the spectacle of Musetta's successful attempt to win back her lover. The section as a whole presented a problem for Puccini's librettists, who had …
The Violin Director And Verdi's Middle-Period Operas, Linda B. Fairtile
The Violin Director And Verdi's Middle-Period Operas, Linda B. Fairtile
University Libraries Faculty and Staff Publications
The operas of Verdi provide an excellent laboratory for studying the transition from violin director to conductor. By the mid 1860s, some two dozen of his works had been presented hundreds of times throughout Italy. Information on many of these performances is currently available in periodicals, theater histories, and other chronicles. In addition, the American Institute for Verdi Studies (AIVS) has microfilmed over sixty documents that offer a unique perspective on the role of the violin directors, namely, the parts from which they performed. These parts are enlightening both for what they contain and what they omit, suggesting in greater …
Verdi's First "Willow Song": New Sketches And Drafts For Otello, Linda B. Fairtile
Verdi's First "Willow Song": New Sketches And Drafts For Otello, Linda B. Fairtile
University Libraries Faculty and Staff Publications
The genesis of Verdi's Otello is a familiar episode in the history of Italian opera. The semiretired composer's reluctance to reenter the operatic fray, his gradual interest in Arrigo Boito's draft libretto, and the astonishing speed with which he composed the music have been the subject of both musicological and biographical study. Letters between librettist and composer detail the textual modifications that Boito made to accommodate Verdi's needs. Up until now, however, we have had few corresponding musical documents readily available to illustrate how Verdi grappled with the challenges of Boito's libretto. Beginning with his draft text, dispatched to Verdi …
A New Sketch For Verdi's 'I Due Foscari', David Lawton
A New Sketch For Verdi's 'I Due Foscari', David Lawton
Verdi Forum
No abstract provided.
Two Appendices For Thomas G. Kaufman's 'Verdi And His Major Contemporaries', Linda B. Fairtile
Two Appendices For Thomas G. Kaufman's 'Verdi And His Major Contemporaries', Linda B. Fairtile
Verdi Forum
No abstract provided.
How Verdi's Serious Operas End, David Rosen
Thematic Similarities In Early And Middle Verdi, Clifford D. Alper
Thematic Similarities In Early And Middle Verdi, Clifford D. Alper
Verdi Forum
No abstract provided.
Abstracts, James Hepokoski, David Lawton, Martin Chusid, Andrew Hornick, John Nádas, Gary Tomlinson, Leonard Garrison, Harold S. Powers, Gregory W. Harwood, Richard B. Beams, William P. Cole, Albert O. Cordell, Marianne Davis, Loryn E. Frye, Ben King, James Mason, William E. Mccauley, Stephen Town
Abstracts, James Hepokoski, David Lawton, Martin Chusid, Andrew Hornick, John Nádas, Gary Tomlinson, Leonard Garrison, Harold S. Powers, Gregory W. Harwood, Richard B. Beams, William P. Cole, Albert O. Cordell, Marianne Davis, Loryn E. Frye, Ben King, James Mason, William E. Mccauley, Stephen Town
Verdi Forum
Abstracts of papers about Giuseppe Verdi and his works, presented at joint meetings of the AIVS and Greater NY Chapter of the American Musicological Society, 1979-81 (Hepokoski, Lawton, Chusid, Hornick, Nádas, Tomlinson, Garrison, Powers), at the 1982 national meeting of the American Musicological Society (Harwood), and at an NEH-sponsored summer seminar at NYU in 1980 (Beams, Cole, Cordell, Davis, Fry, King, Mason, McCauley, Town).
A Newly-Discovered Letter From Verdi To Leon Escudier, Stephen Casale
A Newly-Discovered Letter From Verdi To Leon Escudier, Stephen Casale
Verdi Forum
No abstract provided.
Other Conferences
Verdi Forum
Brief summary of some recent conferences related to Giuseppe Verdi.
Operas, Martin Chusid, John Nádas, Luke Jensen
Operas, Martin Chusid, John Nádas, Luke Jensen
Verdi Forum
Brief inventory (circa 1979) of scores and librettos for Verdi's operas in the microfilm collection of the American Institute for Verdi Studies.
From The Director's Desk, Martin Chusid
Casts For The Verdi Premieres In London, 1845-1977 (Part 2), Martin Chusid
Casts For The Verdi Premieres In London, 1845-1977 (Part 2), Martin Chusid
Verdi Forum
No abstract provided.
Recordings, Kenneth Furie
Maddalena's Aria, Patric Schmid
Casts For The Verdi Premieres In London, 1845-1977 (Part 1), Martin Chusid
Casts For The Verdi Premieres In London, 1845-1977 (Part 1), Martin Chusid
Verdi Forum
No abstract provided.