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Developing A Mathematically Informed Approach To Musical Narrative Through The Analysis Of Three Twentieth-Century Monophonic Woodwind Works, Wesley James Bradford
Developing A Mathematically Informed Approach To Musical Narrative Through The Analysis Of Three Twentieth-Century Monophonic Woodwind Works, Wesley James Bradford
LSU Doctoral Dissertations
This project applies mathematically informed narrative to monophonic music in the twentieth century, with a focus on three works for solo woodwinds: Debussy’s Syrinx (flute), Stravinsky’s Three Pieces for Clarinet, and Britten’s “Bacchus” from Six Metamorphoses after Ovid, Op. 49 (oboe). This music poses difficulties for traditional analytical methods due to a lack of explicit harmonies and unusual pitch language that is neither functionally tonal nor serially atonal. Additionally, these pieces present a variety of challenges due to differences in length, number of movements, and presence or absence of programmatic elements. Therefore, nontraditional methods could be beneficial for understanding these …
Analysis And Expressive Performance : Four Selected Works By Chopin, Timothy David Saeed
Analysis And Expressive Performance : Four Selected Works By Chopin, Timothy David Saeed
LSU Doctoral Dissertations
In this dissertation, I examine four works by Chopin and address issues of expressive performance derived from principles of the nineteenth-century Swiss theorist, Mathis Lussy (1828-1910). Lussy’s systematic approach into the understanding and organization of the individual phrase in relation with performance practice resembles many recent theories of rhythm and performance methodologies. As have several recent theorists, Lussy sought the causes of expressive performance in the structure of the musical phrase, rather than a performer’s artistic intuition, and identified a tripartite classification of accent. The purpose of this study is to adapt and expand the application of Lussy’s theory of …
Harmony, Voice Leading, And Drama In Three Sondheim Musicals, Adam M. Hudlow
Harmony, Voice Leading, And Drama In Three Sondheim Musicals, Adam M. Hudlow
LSU Doctoral Dissertations
This study presents an analytical approach to three works by American musical theater composer-lyricist Stephen Sondheim: Sunday in the Park with George, Into the Woods, and Assassins—each of which Sondheim developed largely at the Playwrights Horizons theater in New York. Using an eclectic, neo-Schenkerian approach that draws upon recent work by pop-rock and stage music analysts, it examines the intersection of melodic and harmonic events with dramatic occurrences in the text to determine how Sondheim heightens dramatic narrative within each song analyzed. Sondheim’s work has been a fixture of the upper echelon of the Broadway musical for over half a …
Transcription And Analysis Of Ravi Shankar's Morning Love For Western Flute, Sitar, Tabla And Tanpura, Bethany Padgett
Transcription And Analysis Of Ravi Shankar's Morning Love For Western Flute, Sitar, Tabla And Tanpura, Bethany Padgett
LSU Doctoral Dissertations
The purpose of this study is to provide a transcription and musical analysis of Ravi Shankar’s Morning Love for Western flute, sitar, tabla and tanpura. This document provides a discussion of Ravi Shankar’s biography, a theoretical context for the piece including an introduction to Hindustani musical characteristics, and prescriptive transcriptions of Morning Love in Western and Indian notation. A detailed analysis of the piece applies the Hindustani classical musical characteristics discussed. Morning Love is one of only two pieces for Western flute composed by Ravi Shankar as a result of his collaboration with French flutist Jean-Pierre Rampal. Prior to this …
"Chromatic Fantasy Sonata" By Davide Brubeck, Vasil Atanasov Cvetkov
"Chromatic Fantasy Sonata" By Davide Brubeck, Vasil Atanasov Cvetkov
LSU Doctoral Dissertations
Dave Brubeck (b. 1920) is best known as a jazz composer, pianist, and bandleader, but he has also composed dozens of works that reach beyond the realm of jazz. His Chromatic Fantasy Sonata represents a milestone in his compositional activity, artfully fusing elements from European art music and the American jazz idiom. The work's subtitle ("inspired by J. S. Bach") makes clear the influence of the Baroque master, but gives no hint of the thoroughgoing jazz influences Brubeck also included in the piece. The Chromatic Fantasy Sonata was originally commissioned in 1988 by the chamber group An die Musik (oboe, …
An Original Composition, Symphony No. 1, Pollock And An Analysis Of The Evolution Of Frank Zappa's "Be-Bop Tango", William Morris Price
An Original Composition, Symphony No. 1, Pollock And An Analysis Of The Evolution Of Frank Zappa's "Be-Bop Tango", William Morris Price
LSU Doctoral Dissertations
Part one of this dissertation is an original composition, Symphony No. 1, Pollock. It uses as a conceptual impetus the abstract expressionism of Jackson Pollock’s paintings from the 1950’s. It employs the following instrumentation: (2-2-2-2, 4-3-3-1, 3 percussion, piano, harp, and strings). The work is composed in one movement, which is divided into four major sections (A-B-A/C-B) that are distinct from each other with respect to style and tempo. The first major section of the composition serves as a slow introduction. The second major section serves as a contrast and is based conceptually on Pollock’s abstract works and formally on …