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Reimagining Haydn’S Seven Last Words For String Quartet: Recasting, Retelling, And Reorchestrating For A Modern Audience, Jeremy J. Kienbaum

Dissertations, Theses, and Capstone Projects

Joseph Haydn’s Seven Last Words of Christ on the Cross stands as an anomaly not just in Haydn’s oeuvre but in the catalogues of all formidable composers over the past three hundred years. It is unique in its construction: seven slow sonata form movements sandwiched by an introduction and a surprising earthquake finale; and even more outstanding that Haydn published three distinct versions of the work over a ten-year period. Further, the transformation of the Seven Last Words from a sacred to secularly performed work in Haydn’s time warrants further discourse, especially considering its present-day performance practice and reception.

This …

Reconciling Macro- And Micro-Levels In The First Movement Of Brahms’S Piano Concerto In D Minor, Op. 15: A Schenkerian Reading, Alexandra Joan

Dissertations, Theses, and Capstone Projects

This dissertation examines the first movement of Johannes Brahms’s Piano Concerto no. 1, op. 15, through a Schenkerian lens. Concertos are relatively unexplored in Heinrich Schenker’s theoretical work. Surprisingly, although Schenker put Brahms on a pedestal throughout his life, he left only a few published analyses of the composer’s music.

Chapter 1 explores the kinship between Schenker and Brahms. Both conceived of the musical work as an organic entity. They also shared an approach to the tonal language based on an eighteenth-century tradition of figured bass and counterpoint. Op. 15 also exhibits an approach to musical form grounded in the …

Metric Schemas And Projections In Three Colombian Folk Genres, Lina S. Tabak

Dissertations, Theses, and Capstone Projects

This dissertation explores how stylistic expertise can affect metric perception, through the analysis of three Colombian folk genres—cantos de boga and currulaos from the Pacific region and joropos from the Eastern plains bordering Venezuela. Specifically, it considers the tension between metric perceptions which arise from bottom-up mechanisms for entrainment (such as projections), and those which are based on top-down mechanisms (such as schemata). This tension is at play when more and less musically enculturated listeners perceive entirely different metric structures when listening to identical music.

Taking bottom-up and top-down metric perception as a thread, this dissertation isolates three additional metric …

The Reciprocal Interaction Of Musical Performance And Analysis, Gregory Hartmann

Dissertations, Theses, and Capstone Projects

Musicians can generally be divided into one of two kinds: practitioners who compose or perform music, and thinkers who analyze or write about music (theorists, musicologists, and critics). These roles might seem to be of approximately equal importance, so the perspectives of each should be given proportionate consideration. Yet the existing music-theoretical literature consistently relegates the performer to an inferior position. When performance is discussed, it is usually done in objective terms; an analysis is presented as a rationale to judge a performance as right or wrong. My dissertation challenges this perspective and provides an alternative. By marrying rigorous, theory-based …

Articulatory Activity Of The Tongue, Jaw, And Lips During The Second Passaggio Transition Of The Soprano Voice, Richard C. Lissemore

Dissertations, Theses, and Capstone Projects

This dissertation describes three experiments designed to explore the acoustic and articulatory activity of a perceptible change in the soprano voice known as the secondo passaggio, or second transition, which typically occurs for the [ɑ] vowel between D♮5 (587 Hz) and F♮5 (698 Hz). Acoustically, the transition involves a shift in resonance strategy from second resonance tracking of the second harmonic (f_R2/2f_o) to first resonance tracking of the fundamental frequency (f_R1/f_o). To quantify the acoustics of the transition, we employed the measure L₁-L₂, the …

Me And Mathematics: “Doing What You’Re Talking About”: In Dialogue With My Family, Eden Morris

Dissertations, Theses, and Capstone Projects

This paper is a philosophically oriented accompaniment to my audio project (accessible through the following link: https://cuny.manifoldapp.org/projects/me-and-mathematics). Working together, the paper and audio collages form a call to action and a resource. My primary finding is the importance of doing what you’re talking about or exploring and implementing your ideas experientially. Doing what you’re talking about is important for effective teaching/learning and feeling in line with oneself. This working concept came to my attention during my research conversation with my oldest living relative, and then, again, with my youngest (non-baby) relative. This doing what you’re talking about is a way …

The Migration Of South Asians From India To Guyana: The Journey, Struggles In A New Land, Reasons For Changes Over Time And Their Cultivation Of A New Culture., Cynthia C. Harry

Dissertations, Theses, and Capstone Projects

Indians from different regions of India arrived in Guyana through indentureship in 1838. They were under a five-year contract and had to work on the sugar plantations for the duration of their indentureship. While they tried to persist their Indian culture, assimilation in their new environments and interaction with people of different cultures, allowed them to develop a culture unique to Indo Guyanese heritage.

This thesis focuses on the history of Indian diaspora in Guyana. It evokes the struggles they faced on the ships, and during and after indentureship. It also touches on the political and racial issues they had …

Unveiling Iolanta: Blindness In Nineteenth-Century Opera, Nafset Chenib

Dissertations, Theses, and Capstone Projects

This dissertation explores the main tropes of representing and narrating blindness in nineteenth-century opera and fictional literature with a particular emphasis on Tchaikovsky’s 1892 one-act opera Iolanta, with its blind protagonist. Examination of the production history of Iolanta reveals that misrepresentations and misconceptions ingrained within Tchaikovsky's libretto and music have governed directorial choices, consequently giving rise to a homogeneous, predominantly unfavorable portrayal of blindness on the stage. I suggest an approach to the opera that is more consonant with the lived experience of blindness.

Benumbed Compulsion, Philip E. Stern

Student Theses

Benumbed Compulsion is a musical representation of the intense emotions that we live with and become used to carrying. Though we become desensitized to these feelings, they may pour out of us either subtly or explosively. The tidal dynamics and back-and-forth motion between the two dominating harmonies express the emotions we feel compelled to experience but often become numb to their effect.

Ways Of Silence And Other Absences In The Music Of George Crumb, Jean-Patrick Besingrand

Dissertations, Theses, and Capstone Projects

The music of American composer George Crumb (1929-2022) is undeniably singular in the musical landscape. His aesthetic is often characterized by his exploration of timbre, his graphic scores, his use of quotation, his theatricality, and his interest in unusual instruments. This study proposes to take a different approach to Crumb’s aesthetic through the spectrum of silences and other absences. The concept of silence will be broken down and reconstructed through the Japanese concept of ma (間) and of empty spaces. Multiple types of silences and absences will be considered throughout this dissertation, expanding thus the concept of silence not only …

Sonorous Movement: Cellistic Corporealities In Works By Helmut Lachenmann, Simon Steen-Andersen, And Johan Svensson, John Popham

Dissertations, Theses, and Capstone Projects

In Sonorous Movement: Cellistic Corporealities in Works by Lachenmann, Steen-Andersen, and Svensson, I analyze three compositions that foreground the cellist-body, its physical gestures, and instrumental interactions: Helmut Lachemann’s Pression für einen Cellisten (1969/2010), Simon Steen-Andersen’s Study for String Instrument #3 (2011), and Johan Svensson’s marionette for string instrument, electro-mechanical devices and lights (2018). These works center sound production and the performing body as sites of ontological and creative exploration. Their physical gestures serve multiple sensorial functions, heightening the visual and kinesthetic dimensions of a traditionally aurally oriented practice. For each work, I develop a corresponding analytical method based on …

André Mocquereau's Theory Of Rhythm, Charles Weaver

Dissertations, Theses, and Capstone Projects

This dissertation examines the theory of rhythm developed by Dom André Mocquereau (1849–1930), a French Benedictine monk. Mocquereau’s theory was originally conceived as a method for performing Gregorian chant and has been the source for numerous publications and recordings since the beginning of the twentieth century. This dissertation places Mocquereau’s theory in the context of both the evolving performance practice of medieval monophony and the history of music theory in the nineteenth and twentieth centuries. Chapter 1 surveys the history of the notation of Gregorian chant, introducing the problem of constructing a rhythmic practice from historical sources. Chapter 2 examines …

Form In Hip-Hop Music: Sections, Songs, And History, Stephen M. Gomez

Dissertations, Theses, and Capstone Projects

This dissertation explores musical form in recorded hip-hop music from 1979–present. Form, defined as the large-scale organization of songs, is a parameter that artists consider in the creative process and fans experience while listening. Hip-hop’s historical foundation as a live, improvised, party-oriented genre influenced formal functions and patterning from the earliest days of its popular recorded life, beginning with the Sugar Hill Gang’s “Rapper’s Delight” in 1979. While many of the section and song form labels used by scholars of pop-rock music are transferable to the analysis of hip-hop, the latter genre conveys a unique sense of time rooted in …

Covering The Beatles: Tribute, Tradition, And Transformation, Alexander J. Prezzano

Theses and Dissertations

This thesis focuses on cover songs as they relate to the music of The Beatles. Before and after the 1969 break-up of the band, the number of Beatles songs that have been covered by artists of various genres and in different eras is immeasurable. The implications of the cover song phenomenon of the 20th century crosses musical, cultural, political, and global borders. From the view of cover songs, this thesis will analyze The Beatles' continued influence on popular music, and the way their music has become a template, or pedagogical device for composers and songwriters in the postmodern era.

Beyond The Songs On The Vistula: Chopin And Poland, A Mythical Construction, Juan Carlos Fernandez-Nieto

Dissertations, Theses, and Capstone Projects

Poland and Chopin are two concepts that cannot be separated, for they form an entity of their own. However, the story of both subjects has often been manufactured to offer a view of the patriotism and the connection of Chopin with his country, which promoted the creation of the nation. At the same time, the circumstances that propitiated the rise of nationalism and the social unrest that ended with World War I were the same that promoted the myth of Chopin. Therefore, this research is focused on the analysis of the facts and the context that created the myth of …

Beat Construal, Tempo, Metric Dissonance, And Transgressing The Groove In Heavy Metal, Drew Fleming

Dissertations, Theses, and Capstone Projects

This dissertation explores the relationship between the metric practices of heavy metal and the elements and processes of the musical quality known as “groove.” Although heavy metal is not often expressly associated with groove per se, it occupies a historical position within the stylistic milieu for which groove music has established the primary, referential conditions. In order to uncover this connection, then, I begin with an analysis of groove in relation to established groove-music styles, defining it as an embodied and encultured knowledge of a set of cognitive, social, kinetic, aesthetic, and musical behaviors extending in practice from African-American popular-music …

Play Makes Perfect: An Exploration Of Game And Play Elements In Composition And Performance, Gabrielle Chou

Dissertations, Theses, and Capstone Projects

This dissertation aims to explore the intersection of play and games in Western classical music and define a new category of pieces, “ludic pieces,” which contain play structures and game mechanics within their composition. Starting with surveying perspectives in ludology and ludomusicology, including those by Roger Caillois, Johan Huizinga, Jesper Juul, Katie Salen, and Eric Zimmerman, I will examine various definitions of a “game” and what its qualifying aspects are. I will then turn to music and consider pieces that interact with play and games without containing game structures, including examples of musical humor and pieces which evoke the imagery …

Germanic Latin Lyric Diction: Regional Variations In Germany, Switzerland, And Austria, James A. Worley

Dissertations, Theses, and Capstone Projects

In this dissertation, I discuss the various regional Latin lyric diction practices in Germany, Switzerland, and Austria and the extent to which Germanic Latin diction (also termed German Latin diction), Italianate Latin diction, and Roman Latin diction are performed beginning circa 1950 until 2022. I argue that Germanic Latin lyric diction is not standardized throughout Germany, Switzerland, and Austria. First, I explore Roman and Italianate lyric diction practices compared across various sources in order to distinguish between Latin pronunciation choices, then I discuss trends in Germanic Latin lyric diction “rules.” Extensive tables in appendices A (Roman Latin) and B (Germanic …

Three Settings Of "Cruda Amarilli:" Examining Melismatic Cadences And Word Repetitions That Convey Meaning, Peter Richardson

Theses and Dissertations

The objective of this thesis was to do a comparative analysis between three settings of “Cruda Amarilli:” one by Monteverdi in 1605, and two by D’India in 1606 and 1609, and to interpret my findings. I focused on each composers use of melismatic cadences and word repetitions in each setting.

Grouping Against The Groove: Metrical Dissonance In Hiromi's "Voice", Sam Falotico

Theses and Dissertations

This thesis engages theories of rhythm, meter, and groove in an analytical study of Japanese-jazz pianist/composer Hiromi Uehara’s tune “Voice.” In doing so, it examines not only the techniques of this specific artist, but it also explores general issues regarding how a sense of embodied, forward propulsion—that is, a “groove”—may manifest in a jazz work that uses odd meters, and how metrical dissonances function in this context.

The Flex Voice In The Soundtracks For The Nintendo Game Boy, Matthew Dineiro

Theses and Dissertations

The Nintendo Game Boy had a sound chip which allowed for only three pitched voices and one unpitched percussive voice. These limitations affected the music that was written for this video game system. Of the three pitched voices, one voice typically performs the melody, and one voice typically is the bass and harmonic foundation. This thesis analyzes the third voice, typically in the middle of the musical texture, and the various functions that it can hold. As is discussed, the middle voice sometimes pairs in harmony with the melody or the bass. In other cases, however, it forms a musical …

Made In Italy: Gli Effetti Della Musica Italiana (T)Rap Sulla Società E Sulla Lingua, Paraskevi Z. Gkana-Alberico

Theses and Dissertations

This paper explores the history of Italian (t)rap music, and uses the lyrics of famous songs in an attempt to examine the effects the sometimes vulgar and explicit themes, which are usually accompanied by the use of foreign languages, could have on society and the Italian language.

Music Lessons, Cecilia-Rose Louise Bender

Dissertations, Theses, and Capstone Projects

music lessons is a digital chapbook that explores the relationships between James Baldwin’s writing and Beauford Delaney’s paintings through music. From Delaney’s “Composition 16” (1954-56) to Baldwin’s “The Uses of the Blues” (1964), their collaboration with the core elements of jazz music gives their work rhythm and melodic contour that any/body can vibe with. Absorbing the influences of artists Ella Fitzgerald, Miles Davis, Ray Charles, and putting them to paint and text, music lessons demonstrates how music not only transforms the ways we experience and move our bodies but also the ways that we perceive space, relationships, and time. What’s …

“All The Evil Music Has:” Musical Representations Of The Vamp In Interwar American Popular Media, Martha Schulenburg

Dissertations, Theses, and Capstone Projects

This dissertation explores the vamp as a symbol of sociosexual deviance in film and American popular music of the 1910s and ‘20s. Abbreviated from vampire, “vamp” came to be used as a term for sexually voracious and predatory women in the early 20^th century. Following the unprecedented success of the 1915 film A Fool There Was, vamps then became a staple in American popular media. My project examines the process of remediation and cultural dissemination at the dawn of mass media via the vamp in music. Vamps were pervasive in cinematic accompaniment, vaudeville, jazz, and Tin Pan Alley …

Voice Leading In Fugue, Yuval Shapira

Dissertations, Theses, and Capstone Projects

This dissertation examines voice leading in the fugues of J. S. Bach’s Well-Tempered Clavier from a Schenkerian perspective. In Bach’s fugues, thematic material usually permeates all the parts, making the surface diminutions unusually complex. Given the predominance of the subject, there is a tendency in the Schenkerian tradition to base the voice-leading analysis of a fugue on an a priori analysis of the subject by itself. Based on the subject’s outline, one might expect to find the fugal thematic layout reflected in the underlying voice leading, conceiving the fugal surface as an elaboration of a simpler quasi-fugal substructure. I argue …

Identity And Complexity In Chaya Czernowin’S Ina, Eliav Kohl

Dissertations, Theses, and Capstone Projects

Chaya Czernowin’s Ina (1988) for solo bass flute and six pre-recorded flute parts, unfolds the drama of a protagonist battling her conflicting inner voices. Czernowin interrogates the concept of identity and asks the questions—what is an identity? To what extent can a particular identity endure its own complexities? My analysis demonstrates how the growing levels of musical complexity represent the growing independence of Ina’s multiple inner voices, and how musical simplicity enables their unification. I present two oppositional forces: an intertwining force, and a splitting force. The intertwining force acts very much like a gravitational force in the musical domain—it …

Does Gender Matter? Gendered Relations In The Recording Studios, Diane Wong

Theses and Dissertations

Only 8.6% of all recording engineers currently employed in the United States are women. To understand the influence of a woman’s gender in their recording career, this study presents their experiences from multiple angles – the recording studio business, women engineers’ obstacles, the recording education pipeline, and diversity and inclusion in the industry.

New Music For A New World: Robert Ashley’S Television Operas, Nicole Kaack

Theses and Dissertations

Robert Ashley defined the majority of his works as “television operas”—spoken narrative music for television broadcast. Analyzing Ashley’s works through their cross-disciplinarity, this thesis addresses the development of Ashley’s chosen medium; assesses his use of visual, linguistic, and musical structures; and interprets their basis in American cultural identity.

Monarch Butterflies, Ralph Mendoza

Theses and Dissertations

This piece is a continuation of capturing my experience from my trip to Paraguay. This first part, of a three part movement, attempts to describe the beginning relationship between Human and Nature. This piece focuses on the feeling of tranquility, anxiousness and destruction.

Bad Bunny, Un Fenómeno Imparable Sin Etiquetas, Lucy M. Cabrera

Capstones

Bad Bunny es la estrella del momento y este artículo investigativo busca encontrar la raíz de su fama y el porqué se ha ganado al público tan rápido sin importar género, raza o edad. El profesor Rojo Robles. Ph.D., escritor, dramaturgo y cineasta puertorriqueño y profesor de Black and Latino Studies en Baruch College nos explica algunas razones por las cuales la gente de Puerto Rico lo ama y como ha sido su evolución musical mientras se ha inspirado en artistas como Tego Calderon o Arcangel.

La Tiktoker Angela Diatiano Luna, que cuenta con 32.5K de seguidores en esta plataforma …