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You Can Go Home Again: The Misunderstood Memories Of Captain Charles Ryder, Monica M. Krason
You Can Go Home Again: The Misunderstood Memories Of Captain Charles Ryder, Monica M. Krason
ETD Archive
Critics have frequently commented on the nostalgic tone of Brideshead Revisited. Their assessment has been largely negative, with most considering Brideshead too sentimental about England’s aristocratic past. This current characterization fails to recognize Waugh’s critiques of such thinking in Brideshead, wherein he upends the nostalgic tropes of popular Oxford novels, illustrates the dangers of both insulated upper class living and thoughtless presentism through his depictions of various characters, and proposes a greater metaphysical drama through memory is at play in the novel. Brideshead offers nostalgia as an enlivening force which allows Charles Ryder to maintain a vibrant understanding for who …
The Sellout By Paul Beatty: “Unmitigated Blackness” In Obama's America, John E. Davies
The Sellout By Paul Beatty: “Unmitigated Blackness” In Obama's America, John E. Davies
ETD Archive
Visibility and invisibility are long-standing tropes in the African-American literary tradition. Frequently they are presented in satiric language. I argue that Paul Beatty's Mann Booker Award-winning novel The Sellout now holds an important role in this tradition. Specifically, The Sellout hearkens specifically to Ralph Ellison's Invisible Man and to Paul Beatty's earlier novel The White Boy Shuffle. Further, The Sellout exposes the ongoing presence and function of racism in an America that has elected its first African-American president, Barack Obama, and that now claims to be "post-racial," even as its spectral reproduction and commodification of blackness persist. By analyzing the …