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The Portrayal Of Race And Gender In Revolutionary Cuban Cinema, Sarah Bartley
The Portrayal Of Race And Gender In Revolutionary Cuban Cinema, Sarah Bartley
Honors Theses
Cinema has been one of the most useful tools to portray the political and social beliefs prevalent during a given point in history. Following the Cuban Revolution, once-marginalized communities were given far more opportunity to participate in education, in the workforce, and in society. Institutionalized racism and sexism were combatted as Fidel Castro’s major areas of focus after the Cuban Revolution’s 1959 victory. Class issues were improved as the wealth inequality that had defined pre-Revolutionary Cuba was minimized following the nationalizing of private property. Despite these improvements, however, there remained sentiments of dissatisfaction regarding social issues in Revolutionary Cuba, including …
La Sensibilidad De La Lente Crítica: Las Dinámicas De Poder Y Los Papeles De Género En El Cine Mexicano Contemporáneo, China Campagnuolo
La Sensibilidad De La Lente Crítica: Las Dinámicas De Poder Y Los Papeles De Género En El Cine Mexicano Contemporáneo, China Campagnuolo
Honors Theses
This project explores the socio-cultural evolution of gender dynamics through the analysis of four contemporary Mexican films: Amores perros (2000) directed by Alejandro González Iñárritu, Y tu mamá también (2001) directed by Alfonso Cuarón, Las elegidas (2015) directed by David Pablos, and Roma (2018) also directed by Cuarón. These directors are part ofMexico’s cinematic “New Wave,” a modern resurgence of Mexican film that depicts a realistic side of the nation’s political, social, and economic issues. In the opening chapter, I analyzeAmores perros and Y tu mamá también, two earlier films of the “New Wave.” These movies areheavily focused on toxic …