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Death Becomes Her: Rejecting The Muse And Reclaiming The Female Body In Leonor Fini’S Skeleton Women, Janna Singer-Baefsky
Death Becomes Her: Rejecting The Muse And Reclaiming The Female Body In Leonor Fini’S Skeleton Women, Janna Singer-Baefsky
Theses and Dissertations
This thesis is organized through the varied ways Fini incorporated death imagery, like the skeleton, into her art. I trace how she changed her interpretations of death from being a symbol in earlier works to then rendering death as the subject itself and concluding with depicting herself as death.
Los Días De La Calle Gabino Barreda: The Social Circle Of Remedios Varo And Benjamin Péret In Mexico, 1941-1947, Esther R. Levy
Los Días De La Calle Gabino Barreda: The Social Circle Of Remedios Varo And Benjamin Péret In Mexico, 1941-1947, Esther R. Levy
Theses and Dissertations
This thesis explores the social circle of Surrealist exiles that formed at the home of Remedios Varo and Benjamin Péret on Calle Gabino Barreda between 1941 and 1947. This group is immortalized in Gunther Gerzso’s painting Los Días de la Calle Gabino Barreda (1944) and includes Gerzso, Varo, Péret, Esteban Francés, and Leonora Carrington. This thesis argues that the environment cultivated on Calle Gabino Barreda provided these artists with a place to expand on what they learned in Europe to develop their Surrealist practice in Mexico.