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Experiencing Defeat, Remembering Victory: The Army Of Tennessee In War And Memory, 1861-1930, Robert Lamar Glaze

Doctoral Dissertations

This dissertation explores the meaning of the Civil War in the South by examining white Southerners’ perceptions of the Army of Tennessee from 1861 to 1930. While scholarship on the war’s memory is immense and growing, little of this literature examines the memory of the Confederacy's war effort in the western theater—the area of operations military historians now deem central to the war's outcome. This project rectifies that oversight by examining white Southerners’ memory of the Army of Tennessee in the post-war decades. Unlike Robert E. Lee’s Army of Northern Virginia, the Confederacy’s primary western field army suffered a near …

The Poet's Corpus: Memory And Monumentality In Wilfred Owen's "The Show", Charles Hunter Joplin

Master's Theses

Wilfred Owen is widely recognized to be the greatest English “trench poet” of the First World War. His posthumously published war poems sculpt a nightmarish vision of trench warfare, one which enables Western audiences to consider the suffering of the English soldiers and the brutality of modern warfare nearly a century after the armistice. However, critical readings of Owen’s canonized corpus, including “The Show” (1917, 1918), only focus on their hellish imagery. I will add to these readings by demonstrating that “The Show” is primarily concerned with the limitations of lyric poetry, the monumentality of poetic composition, and the difficulties …

The Reality Of Combat!: An Analysis Of Historical Memory In Broadcast Television, Kaleb Q. Wentz

Undergraduate Honors Theses

This thesis is an analysis of the World War II television drama COMBAT!, which ran from 1962 to 1967, and how this program dealt with and addressed the national memory of the Second World War. The way in which the “Good War” is remembered has changed over time. In the years of the conflict and immediately following its conclusion, there was a sense of zealous patriotism surrounding the war, but as our culture changed, a more critical approach was taken.

This paper examines the way in which the show deals with its two main subjects – the American forces …

"The Fate Which Takes Us:" Benjamin F. Beall And Jefferson County, (West) Virginia In The Civil War Era, Matthew Coletti

Masters Theses

This thesis analyzes the editorial content of a popular regional newspaper from the Shenandoah Valley, the Spirit of Jefferson, during the height of the Civil-War Era (1848-1870). The newspaper’s editor during most of the period, Benjamin F. Beall, was a white, southern slaveholder of humble origins, who spent time serving in the Confederate military. Beall, however, had also quickly established himself as one of the preeminent Democrats in his home county of Jefferson, as well as both the Shenandoah Valley and the new state of West Virginia. Beall firmly believed in the institution of racial slavery and fought to …