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Poetic Tracks And Treading On Indigenous Lands: Examining Marlatt And Warland’S And Akiwenzie-Damm’S Literary Travels To Australia And Aotearoa, Christine C. Campana
Poetic Tracks And Treading On Indigenous Lands: Examining Marlatt And Warland’S And Akiwenzie-Damm’S Literary Travels To Australia And Aotearoa, Christine C. Campana
The Goose
This paper considers the work of poets who travel from the area of the Indigenous land of Turtle Island now known as Canada to the Indigenous territories of Australia and Aotearoa. The poets engage in different forms of movement on the land that reveal varying degrees of awareness of and respect for Indigenous sovereignty. In particular, I put “17:00 / coming into Port Pirie” and “30/5 8:50 / past Menindee” from Daphne Marlatt and Betsy Warland’s 1988 Double Negative, an understudied collection of poetry in which the lesbian poets traverse Australia by train while reflecting on travelling through “(ab) …
Sôhkêyihta: The Poetry Of Sky Dancer By Louise Bernice Halfe And Why Indigenous Literatures Matter By Daniel Heath Justice, Chad Weidner
Sôhkêyihta: The Poetry Of Sky Dancer By Louise Bernice Halfe And Why Indigenous Literatures Matter By Daniel Heath Justice, Chad Weidner
The Goose
Review of Louise Bernice Halfe's Sôhkêyihta: The Poetry of Sky Dancer and Daniel Heath Justice's Why Indigenous Literatures Matter.
No Tv For Woodpeckers By Gary Barwin, If Pressed By Andrew Mcewan, And Ecology Without Culture: Aesthetics For A Toxic World By Christine L. Marran, Michael D. Sloane
No Tv For Woodpeckers By Gary Barwin, If Pressed By Andrew Mcewan, And Ecology Without Culture: Aesthetics For A Toxic World By Christine L. Marran, Michael D. Sloane
The Goose
Review of Gary Barwin's No TV for Woodpeckers, Andrew McEwan's If Pressed, and Christine L. Marran's Ecology without Culture: Aesthetics for a Toxic World.