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Men, Women, And Italians: The Masquerade Of Narrative And Identity In Richardson's Sir Charles Grandison, Ruth A. Holmes
Men, Women, And Italians: The Masquerade Of Narrative And Identity In Richardson's Sir Charles Grandison, Ruth A. Holmes
English Theses & Dissertations
The chaotic masquerades that proliferated during the British long eighteenth century punctuated the period’s preoccupation with order and categorization. The identity categories that the masquerade disrupted, the novel reinforced, or perhaps even created. It was in the middle of this period, in the political center of Britain, that Samuel Richardson published his third and final novel, The History of Sir Charles Grandison (1753), a novel which centers England and was also centered by England, a national treasure entangled in literary and cultural history. Tracing the nexus of gender and nationalism in Grandison then becomes important given the novel’s active entanglement …
Theatres Of War: Performing Queer Nationalism In Modernist Narratives, Elise Swinford
Theatres Of War: Performing Queer Nationalism In Modernist Narratives, Elise Swinford
Doctoral Dissertations
Queer writers in Britain during the early twentieth century found themselves in a fraught geopolitical context formed by imperial violence and the First World War. In this dissertation, I argue that many queer modernist artists employed performative strategies in order to navigate the increasingly narrow vision of WWI-era British national culture that accompanied this historical context. While performance allowed them to express queer politics and desires without risking total exposure and persecution, their performative aesthetic depended on a problematic use of racial tropes through which these desires were channeled. By attending to moments of national and gendered performances in the …
I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski
I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski
ETD Archive
In recent years, there has been a trend in young adult adaptations of Wuthering Heights to amend the plot so that Catherine Earnshaw chooses to have a romantic relationship with Heathcliff, when in Bronte’s novel she decides against it. In the following study, I trace the factors that contribute to Catherine’s rejection of Heathcliff as a romantic partner in the original text. Many critics have argued that her motives are primarily Machiavellian since she chooses a suitor with more wealth and familial connections than Heathcliff. These are indeed factors; however, by engaging with contemporary research on adolescent development, I show …
Gender And Power In Waiting For Godot, Ryan Wright
Gender And Power In Waiting For Godot, Ryan Wright
The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English
No abstract provided.
Romantic Transports: Tabitha Tenney's Female Quixotism In Transatlantic Context, Rachel Carnell, Alison Tracy Hale
Romantic Transports: Tabitha Tenney's Female Quixotism In Transatlantic Context, Rachel Carnell, Alison Tracy Hale
English Faculty Publications
A literary criticism of several books including "Female Quixotism" by Tabitha Tenney, "The Female Quixote" by Charlotte Lennox, and "Angelina" by Maria Edgeworth is presented. According to the authors, these novels constitute a transatlantic genre which highlights the moral and cultural complexities faced by women in the 18th and 19th centuries. Particular focus is given to the novels' political contexts. Realism, the French Revolution, and republican government are also discussed.