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“The Worlding Game”: Queer Ecological Perspectives In Modern Fiction, Sarah D'Stair
“The Worlding Game”: Queer Ecological Perspectives In Modern Fiction, Sarah D'Stair
Doctoral Dissertations
Cultural and literary theorists have been increasingly advocating for a posthuman ethic that challenges oppressive binaries of all kinds. In turn, the field of queer ecology, which investigates discourses of sex and nature for implicit heterosexism and androcentrism, has come to the fore. This dissertation, rooted firmly in this newer branch of ecocriticism, focuses on various inter-species environments imagined by early twentieth-century queer women writers. Each of their works, in different ways, challenges the naturalization of social hierarchies based on gender, sexuality, race, class, and species being reinforced in the burgeoning fields of sexology, psychology, and evolutionary biology. Their novels …
Theatres Of War: Performing Queer Nationalism In Modernist Narratives, Elise Swinford
Theatres Of War: Performing Queer Nationalism In Modernist Narratives, Elise Swinford
Doctoral Dissertations
Queer writers in Britain during the early twentieth century found themselves in a fraught geopolitical context formed by imperial violence and the First World War. In this dissertation, I argue that many queer modernist artists employed performative strategies in order to navigate the increasingly narrow vision of WWI-era British national culture that accompanied this historical context. While performance allowed them to express queer politics and desires without risking total exposure and persecution, their performative aesthetic depended on a problematic use of racial tropes through which these desires were channeled. By attending to moments of national and gendered performances in the …
Cultural Subtexts And Social Functions Of Domestic Music-Making In Jane Austen’S England, Lidia A. Chang
Cultural Subtexts And Social Functions Of Domestic Music-Making In Jane Austen’S England, Lidia A. Chang
Masters Theses
Barring a few notable exceptions, English music between the eighteenth and twentieth centuries earns scant notice in music history textbooks, despite overwhelming evidence that England enjoyed a vibrant musical culture, especially during the Georgian era. However, I will argue that the English of this period were, in many respects, even more committed to music than their continental counterparts. The problem, for England, was not that it made no music during this period, but that it made the wrong kind of music, and enjoyed it in the wrong ways. At a time when Germanic critics like E.T.A. Hoffmann and A.B. Marx …
A National Style: A Critical Historiography Of The Irish Short Story, Andrew Fox
A National Style: A Critical Historiography Of The Irish Short Story, Andrew Fox
Doctoral Dissertations
This dissertation examines the artistic, historical and theoretical concerns that, for the past century, have shaped the Irish short story, the Irish nation and the body of criticism that mediates between the two. In Ireland, I argue, the prevailing critical narrative of the short story’s emergence and ongoing literary purpose has been bound up with the political narrative of the nation state’s decolonization. This process I view as symptomatic of a broader critical tendency to view Irish cultural narratives as inextricable from national ones, whereby literary interventions either are viewed as mere reflections of, or are assimilated to systems of …