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(Special Section) The Hymn As Protest Song In England And Its Empire, 1819–1919, Oskar Cox Jensen

Yale Journal of Music & Religion

Hymns played a role in envoicing the politics of protest in England long before their integration in the established Church – and do so to this day. Yet it was nineteenth-century radical movements that embraced the hymn as in many ways the ideal musical form. From the bloody field of Peterloo to the secularising South Place Society, from the mass meetings of Chartists to the top-down productions of the Fabian socialists, the century resounded with this increasingly familiar music.

Many writers laid claim to the rhetoric of the hymn to advance causes from abolitionism to solidarity with Poles exiled to …

Review Of T. S. Eliot And The Christian Tradition, Stephen Barber

Sehnsucht: The C. S. Lewis Journal

A review of Benjamin G. Lockerd, ed., T. S. Eliot and the Christian Tradition (Lanham, Maryland, 2014). viii + 358 pages. $49.99. ISBN: 9781611477139.

C. S. Lewis And George Herbert’S The Temple, Don W. King

Sehnsucht: The C. S. Lewis Journal

This essay explores how George Herbert's The Temple serves as one of the most important “spiritual directors” in the poems, letters, and late prose of C. S. Lewis.

Jack Lewis And His American Cousin, Nat Hawthorne: A Study Of Instructive Affinities, D. G. Kehl

Sehnsucht: The C. S. Lewis Journal

When he was a student at Oxford University, C. S. Lewis wrote to a friend expressing his great admiration of and enthusiasm for the novels of Nathaniel Hawthorne, particularly The House of the Seven Gables and Transformation (British title of The Marble Faun). This study examines the parallels between these two kindred spirits and their works, focusing on their similar worldviews, their personal backgrounds and lifestyles, and the "Ultimates" they both pondered. It discusses common themes in their works, such as myth, scientism, and "the great power of blackness." Their respective attitudes toward these issues and others, such as faith, …