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Likeness In Utopia: Situation And Metaphor From Thomas More To Edward Bellamy, Sage Rachmiel Bard Gilbert
Likeness In Utopia: Situation And Metaphor From Thomas More To Edward Bellamy, Sage Rachmiel Bard Gilbert
Electronic Theses and Dissertations
As a literary genre, utopia is notably didactic. It seeks to teach desire and to educate hope. As such, utopia provides a unique site to examine the way metaphor and imagination enable one to be convinced, and the way those same elements facilitate misunderstanding. Following the theorization of Ernst Bloch, the goal of critiquing these literary utopias is not to reject hope but, rather, to educate our own daydreams, to learn and move forward. These chapters examine didacticism and the development of colonial metonymy in Thomas More’s Utopia, the way metaphor operates through time in Edward Bellamy’s Looking Backward: …
Angels Of Many Houses: Reconciling Domesticity In 19th-Century Victorian Literature, Amanda Vierra
Angels Of Many Houses: Reconciling Domesticity In 19th-Century Victorian Literature, Amanda Vierra
College Honors Program
The rise of the Victorian middle class is known for solidifying a separation of gender roles, with women operating in the private, domestic sphere and men in the public sphere. This historical value placed on domesticity is reflected in the rise of domestic fiction, the dominant genre of Victorian literature, which commonly depicts young, middle-class women making their way in the world. The plot of these narratives revolves around women perfecting or contending with their place in the domestic sphere through courtship, marriage, and family. Scholars on domestic fiction have continued to argue over whether domestic fiction reflected the oppressive …
The Revolting Monster - A Consideration Of Existentialist Themes In Mary Shelley's Frankenstein Through A Comparison To Albert Camus' The Stranger, Felipe Rodriguez Ii
The Revolting Monster - A Consideration Of Existentialist Themes In Mary Shelley's Frankenstein Through A Comparison To Albert Camus' The Stranger, Felipe Rodriguez Ii
Theses and Dissertations
This Master’s thesis is concerned with analyzing key themes and ideas in Mary Shelley’s Frankenstein through an existentialist lens which is made possible through a comparison to themes and ideas in Albert Camus’ The Stranger. I aim to make a contribution to my field by fulfilling a comparison that has long been made since the late 1960s when conversations about British Romanticism and Existentialism were still common. The purpose of my first chapter is to elucidate a new argument about the relationship between these two novels. There is a discernable element of Camusian Revolt exhibited by the Creature in …
Men, Women, And Italians: The Masquerade Of Narrative And Identity In Richardson's Sir Charles Grandison, Ruth A. Holmes
Men, Women, And Italians: The Masquerade Of Narrative And Identity In Richardson's Sir Charles Grandison, Ruth A. Holmes
English Theses & Dissertations
The chaotic masquerades that proliferated during the British long eighteenth century punctuated the period’s preoccupation with order and categorization. The identity categories that the masquerade disrupted, the novel reinforced, or perhaps even created. It was in the middle of this period, in the political center of Britain, that Samuel Richardson published his third and final novel, The History of Sir Charles Grandison (1753), a novel which centers England and was also centered by England, a national treasure entangled in literary and cultural history. Tracing the nexus of gender and nationalism in Grandison then becomes important given the novel’s active entanglement …
Robert Burns’ Poetic Style Through His Poetry, Songs, And Correspondence, Abigail Druckenmiller
Robert Burns’ Poetic Style Through His Poetry, Songs, And Correspondence, Abigail Druckenmiller
Senior Theses
This thesis explores connections and contradictions within the songs, correspondence, and poems of Scotland’s bard, Robert Burns. A selection of works from each of these categories is presented to compare the ways Burns writes verse, lyrics, and letters. Through this thesis, I analyzed his work looking at subject matter, use of the Scots dialect, structure, and poetic devices in order to offer holistic commentary on Burns’ style in a way that includes his letters more heavily than most other Burns scholarship. Overall, I thought Burns remained a consistent man of conviction and societal criticism throughout my findings, as well as …
"I Remember!": Irish Postcolonial Memory In The Early Short Stories Of Seán O'Faoláin, Rebecca Norden-Bright
"I Remember!": Irish Postcolonial Memory In The Early Short Stories Of Seán O'Faoláin, Rebecca Norden-Bright
Honors Projects
Seán O’Faoláin (1900-1991) was an Irish writer, cultural critic, and editor of the literary magazine The Bell. He wrote prolifically throughout the twentieth century, and while his short stories are often anthologized, much of his work is now out of print. This project will examine O’Faoláin’s first two short story collections, Midsummer Night Madness (1932) and A Purse of Coppers (1937), within the context of the post-independence period in Ireland. The 1930s is a period often glossed over in both political and literary histories of Ireland, overshadowed by the Literary Revival and primarily characterized by deepening conservatism and political strife. …