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Robert Burns’S Life On The Stage: A Bibliography Of Dramatic Works, 1842–2019, Thomas Keith Dec 2021

Robert Burns’S Life On The Stage: A Bibliography Of Dramatic Works, 1842–2019, Thomas Keith

Studies in Scottish Literature

This article traces the changing history of how the Scottish poet Robert Burns has been portrayed on stage, both in Scotland and elsewhere, discussing the the issues playwrights have faced and some of the approaches they have used, and provides an annotated chronological bibliography of ninety plays about Burns's life written or first staged between 1842 and 2019, with information on first known performance and on any published versions or known manuscript or typescript, and with brief notes where information is available on the style of the play and critical reaction.


Women’S Acts Of Childbirth And Conquest In English Historical Writing, Emma O. Bérat Dec 2021

Women’S Acts Of Childbirth And Conquest In English Historical Writing, Emma O. Bérat

Medieval Feminist Forum: A Journal of Gender and Sexuality

This essay explores how female characters in historical literature written in high to late medieval England shape land claims, political history, and genealogy through their acts of childbirth. Recent scholarship has shown how medieval writers frequently imagined virginal female bodies – religious and secular – in relation to land claim, but less work exists on how they also used the non-virginal bodies of mothers and vivid descriptions of childbirth to assert rights to land and lineage. This essay examines three birth stories associated with conquest or claims to contested lands from Geoffrey of Monmouth’s Historia Regum Britanniae, William of …


Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang Oct 2021

Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang

CLCWeb: Comparative Literature and Culture

The absence of female characters and their voices in William Golding’s Lord of the Flies (1954) has been previously examined. On the surface, this fiction focuses on the struggle and survival of a group of boys who are left alone on a Pacific island against the background of nuclear warfare. The only presence of women in the story seems to be the aunt via a boy’s narration. However, when approaching the fiction through the lens of ecofeminism, we can find a range of feminized entities which are metaphorically embodied in the natural surroundings of the secluded island. The boys’ interactions …


The Natural-Supernatural Solway, Fiona Stafford Oct 2021

The Natural-Supernatural Solway, Fiona Stafford

Studies in Scottish Literature

Explores, through discussion of Burns's letters from Annan Water on the Solway, and in his poems, Burns's treatment of the supernatural, specifically his references to treatment of Kelpies, the mythical Scottish waterhorses seen in the destructive force of Solway tides and storms, carrying this forward to the work of Allan Cunningham, including his story “Judith Macrone, the Prophetess” (1821) and his poem "The Mermaid of Galloway" (1810).


Introduction: Literary Geographies: The Solway Firth, Gerard Lee Mckeever Oct 2021

Introduction: Literary Geographies: The Solway Firth, Gerard Lee Mckeever

Studies in Scottish Literature

Introduces the symposium that follows by describing the Solway Firth, its shores and its significance in the late 18th and early 19th century, defining the perspective of the symposium as "critical regionalism," examining the theme through an 1821 magazine story-series about a steam-boat on the Solway and through Allan Cunningham's novel Lord Roldan (1836), and reviewing the other symposium papers to highlight their contributions to this theme.


The Boy In The Text: Mary Barber, Her Son, And Children's Poetry In Poems On Several Occasions, Chantel M. Lavoie May 2021

The Boy In The Text: Mary Barber, Her Son, And Children's Poetry In Poems On Several Occasions, Chantel M. Lavoie

ABO: Interactive Journal for Women in the Arts, 1640-1830

The Boy in the Text: Mary Barber, Her Son, and Children’s Poetry in Poems on Several Occasions

This paper reconsiders the work of Dublin poet Mary Barber, whose collection of poems appeared in 1733/34. There she acknowledges the assistance of Jonathan Swift, and frames her poetry as a pedagogical aid to her children’s education—particularly that of her eldest son, Constantine. Barber’s relationship with Swift has received much critical attention, as has her focus on her own motherhood—sometimes in critiques that suggest both of these hampered the quality and scope of her work. This paper asks readers to look at her …