Digital Commons Network^™

Undead Empire: How Folklore Animates The Human Corpse In Nineteenth-Century British Literature, Charles Hoge

Electronic Theses and Dissertations

This dissertation explores representations of the human corpse in nineteenth-century British literature and ephemeral culture as a dynamic, multidirectional vehicle used by writers and readers to help articulate emerging anxieties that were complicating the very idea of death. Using cultural criticism as its primary critical heuristic filter, this project analyzes how the lingering influence of folklore animates the human corpses that populate canonical and extra-canonical nineteenth-century British literature.

The first chapter examines the treatment of the human corpse through burial and mourning rituals, as specific developments within these procedures provide interpretive windows into how the idea of death was quickly …

Pastoral Unity: Constructions Of Nostalgic Retreat Space In Charlotte Brontë'S Shirley, Joel Tyre Lewis

Electronic Theses and Dissertations

This thesis seeks to address questions of unity within Charlotte Brontë's Shirley. From the time of its publication, Shirley has been criticized for major characters and themes that do little to contribute to the work as a unified whole. Critics focused on the caricatured portrayal of religious figures, the ongoing industrial conflict, and the reconciliation of one of the novel's heroines to her mother as justification for the novel's lack of unity. In this thesis I hope to reconcile these criticisms and propose a unifying framework in which the characters and themes in question act as necessary components. Through …

Functional Violence In Martin Mcdonagh's The Lieutenant Of Inishmore And The Pillowman, Lindsay Shalom

Electronic Theses and Dissertations

While Martin McDonagh’s plays have engendered laughter, disgust, and fear, he might be best known as part of a long line of Irish playwrights who faced controversy due to their art. Much like Synge, Shaw, and O’Casey, McDonagh has faced criticism and even outrage due to the violence and misunderstood portrayals of the Irish in his plays. Though the violence in plays like The Pillowman and The Lieutenant of Inishmore has been labeled gratuitous, we might better understand the purpose of that violence by examining them in light of Michel Foucault’s concepts of knowledge and power. Foucault’s approaches best highlight …