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Irish Harps, Scottish Fiddles, English Pens: Romantic Satire And British Nationalism, Shannon Raelene Heath
Irish Harps, Scottish Fiddles, English Pens: Romantic Satire And British Nationalism, Shannon Raelene Heath
Doctoral Dissertations
"Irish Harps, Scottish Fiddles, English Pens: Romantic Satire and British Nationalism" discusses the intersection between satire and nationalism in late eighteenth- and early nineteenthcentury British Romantic poetry. Using case studies of three prominent satirists, Robert Burns, Thomas Moore, and George Gordon, Lord Byron to represent marginalized nationalities within the British state, I examine the ways in which each poet expresses a sense of dis-ease or uncomfortableness with their own national identity, an anxiety caused either by the ways in which their nationality was perceived within the British public, or by their own ability or inability to express that nationality. Thus, …
Re-Mapping The Space Of The Sacred In The Nowell Codex, Teresa Marie Hooper
Re-Mapping The Space Of The Sacred In The Nowell Codex, Teresa Marie Hooper
Doctoral Dissertations
The most recent codicological studies of London, British Library Cotton MS Vitellius A.xv, part 2, also known as the Nowell Codex or Beowulf-Manuscript, have looked to its many depictions of monsters as an explanation for why it was compiled. Nicholas Howe, however, proposed that the Nowell Codex functioned as a “book of elsewhere,” treating the five texts as a “gathering” particularly invested in a reappraisal of the cultural implications of geography. This dissertation describes the three prose texts of the Nowell Codex as one such “gathering” which explores alternative ideas of spiritual geography, specifically in regards to the religious …
Innocent Artists: Creativity And Growing Up In Literatures Of Maturation, 1850-1920, Whitney Elaine Jones
Innocent Artists: Creativity And Growing Up In Literatures Of Maturation, 1850-1920, Whitney Elaine Jones
Doctoral Dissertations
This project combines three subgenres of the novel—children’s literature, the Bildungsroman, and the Künstlerroman—under a new comprehensive category I term “literatures of maturation,” or texts that share a concern with the inner and outer formation of the individual, with growing up, and with childhood. By reading British literatures of maturation from both the Victorian and modern eras (that is, within the time frame of the Golden Age of children’s literature), I reveal that, creativity disrupts literary plots of growth and development, and that social integration and artistic maturation battle for dominance in the child’s journey to adulthood, resulting …
When Family And Politics Mix: Female Agency, Mixed Spaces, And Coercive Kinship In Sir Gawain And The Green Knight, The Awntyrs Off Arthure At Terne Wathelyne, And “The Deth Of Arthur” From Le Morte Darthur, Lainie Pomerleau
Masters Theses
In this paper I will be examining the relationship and rivalry between Morgan and Guinevere, sisters by law, and the intricate combination of love, family loyalty, and political obedience they both elicit from their shared nephew, Gawain through the systemized use of coercive kinship. I will be arguing that Morgan and Guinevere are connected by a desire to exert control and influence on the masculine, chivalric world of Camelot. In order to do so, Guinevere accesses and utilizes the masculinized, political forms of influence available to her, while Morgan is dependent on the more traditionally female modes of access through …
Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman
Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman
Doctoral Dissertations
Gothic Modernism: Revising and Representing the Narratives of History and Romance analyzes the surprising frequency of the tones, tropes, language, and conventions of the classic Gothic that oppose the realist impulses of Modernism. In a letter F. Scott Fitzgerald wrote about The Great Gatsby, he explains that he “selected the stuff to fit a given mood or ‘hauntedness’” (Letters 551). This “stuff” constitutes the “subtler means” that Virginia Woolf wrote about when she observed that the conventions of the classic Gothic no longer evoked fear: “The skull-headed lady, the vampire gentleman, the whole troop of monks and monsters …