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Revolutionary Joy: Affect, Expression, And Community In Milton's England, Stephen Spencer
Revolutionary Joy: Affect, Expression, And Community In Milton's England, Stephen Spencer
Dissertations, Theses, and Capstone Projects
To express joy in revolutionary England was deeply paradoxical. English Protestants frequently described the experience as indescribable, owing more to the agency of God’s grace than the subject’s will. And yet, the public expression of joy was considered a Christian duty, an important means of affirming and galvanizing community. In Revolutionary Joy: Affect, Expression, and Community in Milton’s England, I argue that the constitutive paradox of Protestant joy renders its expression a potent form of political speech amidst mid-seventeenth century transformations to the English church, monarchy, and parliament. In an era where apocalyptic expectation put pressure on affective experience …
Roots And Repercussions Of Romantic Feeling: Sensation And Affect In The Poetry Of Samuel Taylor Coleridge And William Wordsworth, Mary K. Cotter
Roots And Repercussions Of Romantic Feeling: Sensation And Affect In The Poetry Of Samuel Taylor Coleridge And William Wordsworth, Mary K. Cotter
Theses and Dissertations
Enlightenment emphasis on rationalism in philosophy and the arts prefigures Samuel Taylor Coleridge’s and William Wordsworth’s Romantic recovery of a subject’s empirical relationship to nature and the phenomenal world. Coleridge and Wordsworth respond to philosophical precedents that emphasize rationalism and the autonomy of a subject while introducing empiricism and sensation as primary components of the speaker’s experience. The poets delineate a fluid shift from the Enlightenment to Romanticism through an interchangeable reliance on Kantian and Burkean philosophical methods. The philosophy of Immanuel Kant follows the Cartesian cogito toward a similar end of reducing human experience to circumstance bereft of empirical …