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What If The Key To Climate Change Is Hiding Under The Sea?, Shira Feder
What If The Key To Climate Change Is Hiding Under The Sea?, Shira Feder
Capstones
“We know more about outer space than we do the ocean,” says Vicki Ferrini, a research scientist at Columbia University with over 20 ocean expeditions under her belt. And as the woman leading Seabed 2030, the charge to map the world’s oceans—which are 85% unexplored—she knows how vital this is to combat climate change and exactly how she’s going to do it. Read it here: https://medium.com/@shira.feder/what-if-the-key-to-climate-change-is-hiding-under-the-sea-4503565c33a2
The Living Archive In The Anthropocene, Nora Almeida, Jen Hoyer
The Living Archive In The Anthropocene, Nora Almeida, Jen Hoyer
Publications and Research
This paper presents the concept of the living archive as a system which reflects how social behavior and cultural production are part of the Anthropocene. The authors explore how dominant narratives of both the Anthropocene and the archive work to consolidate power and maintain cultural and disciplinary divisions. The authors refute conceptions of the Anthropocene as a purely biophysical phenomenon that is alienated from cultural practice and of the archive as a comprehensive and nostalgic space. They then introduce the living archive as an alternative representational, creative, and reactive space and illustrate how the living archive can intervene in ecological …
Nature's Queer Negativity: Between Barad And Deleuze, Steven Swarbrick
Nature's Queer Negativity: Between Barad And Deleuze, Steven Swarbrick
Publications and Research
This essay offers a critique of the vitalist turn in queer and ecological theory, here represented by the work of Karen Barad. Whereas Barad advances an image of life geared towards meaningful connection with others, human and nonhuman, Deleuze advances an a-signifying ontology of self-dismissal. The point of this essay isn’t to separate their two views, but to draw out the consequences of their entanglement. Insofar as Barad’s work conceptualizes life (and art) as a vitalizing encounter, it cannot, this essay argues, account for the queer negativity at play in environmental politics, including the politics of climate change.