Digital Commons Network^™

Reading Times: Exploring The Temporalities Of Reading, Paulette Rothbauer, Lucia Cederia Serantes

FIMS Publications

Purpose

The purpose of this paper is to explore various concepts of time and temporal dimensions in the context of everyday reading experiences.

Design/methodology/approach

The study uses theoretical bricolage that puts existing reading research into conversation with theories of time and temporalities.

Findings

Three registers of time in reading are put forward: (1) libraries and books as places that readers return to again and again over time, (2) temporalized reading bodies and (3) everyday reading as a temporalized practice.

Research limitations/implications

Using lenses of time and temporalities, everyday reading is shown to be central to ways of being in time. …

Writing And Reading The Results: The Reporting Of Research Rigour Tactics In Information Behaviour Research As Evident In The Published Proceedings Of The Biennial Isic Conferences, 1996 – 2014, Lynne Ef Mckechnie, Roger Chabot, Nicole K. Dalmer, Heidi Julien, Cass Mabbott

FIMS Publications

Introduction. This study examined if and how information behaviour researchers include research rigour tactics in reports of their research projects. Method. A content analysis was conducted of the 193 research reports published in the 1996 – 2014 ISIC proceedings.

Analysis. Articles were coded for author affiliation, rigour tactics reported, and whether or not enough information was presented to allow readers to assess the quality of the research and replicate the study. Both quantitative (frequencies) and qualitative (excerpts from the articles) data are reported.

Results. In total 698 research rigour tactics were reported for an average of 3.6 per paper, a …

The Synthespian’S Animated Prehistory: The Monkees, The Archies, Don Kirshner, And The Politics Of “Virtual Labor”, Matt Stahl

FIMS Publications

This article explores the political-economic “prehistory” of the “synthespian” by tracing the emergence of the rock and roll cartoon The Archies (1968—78) from the ashes of the live-action sitcom The Monkees (1966—68) through the career of music publisher and producer Don Kirshner. Drawing on original interviews with the producers of The Archies, it argues that early experiments in “fixing” variable entertainment capital through the organization of divisions of nonproprietary authorship contributed to the development of rights-free “virtual labor.” This analysis brings to light the logics and politics that are never far from “purely technical” advances in entertainment production. The trajectory …