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Publishing Networks In Edo Japan, Hisako Kobayashi
Publishing Networks In Edo Japan, Hisako Kobayashi
Masters Theses
The publishing business in the Edo period (1603 – 1868) was very unique since it was divided into two genres: shomotsu mononohon and jihon kusazōshi. Publishers had their specialties and their business strategies varied. In this research paper, I examine the publishing strategies from the view of the network system. First, I state the definition of this network. Next, I study the publishing history of the Edo period to gain a general understanding. Lastly, I examine the network systems of the shomotsu publishers and the jihon kusazōshi publishers. I use examples from Tsutaya Jūzaburō, Suharaya Mohē, Tsuruya Kiemon, …
The Unnatural World: Animals And Morality Tales In Hayashi Razan's Kaidan Zensho, Eric Fischbach
The Unnatural World: Animals And Morality Tales In Hayashi Razan's Kaidan Zensho, Eric Fischbach
Masters Theses
Kaidan is a genre of supernatural tales that became popular during Japan’s Edo period. In 1627, Hayashi Razan translated numerous supernatural tales from China and collected them in five volumes in a work known as Kaidan zensho, the “Complete Collection of Strange Works.” Hayashi Razan was an influential Neo-Confucian scholar and was instrumental in establishing Neo-Confucianism as a dominant ideological force in Tokugawa Japan. As his teachings and stories reached a wide audience, and the government was supportive of Neo-Confucian ideas in Japan, his Kaidan tales, which contained subtle didactic elements, enjoyed success. However, Kaidan zensho was never translated into …
The Demonic Women Of Premodern Japanese Theatre, Jasmine C.E. Umeno
The Demonic Women Of Premodern Japanese Theatre, Jasmine C.E. Umeno
Scripps Senior Theses
This thesis aims to examine the ways in which women are used as vehicles within the noh and kabuki theatre traditions to perpetuate moral and religious doctrine. Using the theoretical frameworks of Michel Foucault, Judith Butler, and Jill Dolan, I examine two plays which feature a female demon as their antagonist, Momijigari and Dojoji, and focus on the ways they incorporate Buddhist and Neo-Confucian ideology in their respective noh and kabuki renditions.