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Travel To Cuba: A Case Study Of Media Branding In A Politicized Context, Yaneisis Infante
Travel To Cuba: A Case Study Of Media Branding In A Politicized Context, Yaneisis Infante
Student Theses and Dissertations
The purpose of this research is to detail a case study of U.S. tourism to Cuba in a politicized context; specifically, to compare and contrast the Obama and Trump administrations. This study seeks to examine how the Cuban “brand” and the island’s overall tourism strategy is formulated, circulated, shaped and reshaped by various actors and the public in the changing context of the newly antagonistic bilateral U.S.-Cuba political relationship. The research questions explore issues of how diplomatic relations impact Cuban tourism and advertising messaging. This paper also discusses the changes in the U.S. news media coverage of Cuba as a …
Choteo Cubano: Humor As A Critical Tool In Twentieth-Century Cuban Theater, Rebecca L. Salois
Choteo Cubano: Humor As A Critical Tool In Twentieth-Century Cuban Theater, Rebecca L. Salois
Dissertations, Theses, and Capstone Projects
This project analyzes the incorporation of choteo in specific Cuban theater texts written during three distinct periods in twentieth-century Cuban history, all of which coincide with specific moments of social, political, and/or economic unrest or transition. Choteo in the theater has served as a tool to demonstrate discontent and frustration with authority figures in various contexts. As that need has altered over time, so too has the approach that playwrights have taken to speak out about these issues. I suggest that by responding to changing circumstances with choteo, confronting a difficult situation is more palatable to audiences or readers than …
Paris And Havana: A Century Of Mutual Influence, Laila Pedro
Paris And Havana: A Century Of Mutual Influence, Laila Pedro
Dissertations, Theses, and Capstone Projects
This dissertation employs an interdisciplinary approach to trace the history of exchange and influence between Cuban, French, and Francophone Caribbean artists in the twentieth century. I argue, first, that there is a unique and largely unexplored tradition of dialogue, collaboration, and mutual admiration between Cuban, French and Francophone artists; second, that a recurring and essential theme in these artworks is the representation of the human body; and third, that this relationship ought not to be understood within the confines of a single genre, but must be read as a series of dialogues that are both ekphrastic (that is, they rely …