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Snowstorm, Caleb Shafer
Snowstorm, Caleb Shafer
Masters Theses
This thesis explores the connection between memory and place-building, focusing on how personal narratives and physical models compress details to reveal their core essence. Memories serve as a bridge between time and space, allowing for a non-linear experience of time and offering a unique perspective on the existence and transformation of places. Although this compression involves some loss, it generates new narratives and insights into life while examining the power structures and cultural systems inherent in representation.
Umbrales (Thresholds), Maureen Scally
Umbrales (Thresholds), Maureen Scally
Masters Theses
Umbrales is Spanish for Thresholds.
Thresholds are by nature ambivalent spaces, inviting two distinct realities into play. As an artist, I materialize my experiences as a migrant into an architectural form. A series of textile walls shape a space that is simultaneously interior and exterior so that the audience circulates in the negative space in between. It is in the construction of this threshold condition — a simultaneous placement, neither here nor there — that a complex narrative of place unfolds.
Vanitas, Sae Jung Oh
Vanitas, Sae Jung Oh
Masters Theses
Vanitas is a tribute to the missing pieces within the reconstruction of human memory, places, and data. It is a cartography of words, including home, apartment complex, reconstruction, mourning, archive, memory, memorialization, a god within, collective memory, photogrammetry, cyberspace, omnipresence, meandering, heterotopia, alleyway, construction site, and mirror. I invite readers to meander in the map of relations and be lost in the topography. What can you discover when you meander? What happens when you renounce being a subject and become an object seamlessly blended into the topography?
Rooted In Topsoil, Jiaying Wang
Rooted In Topsoil, Jiaying Wang
Masters Theses
Disillusioned by my transnational identity, I have come to realize that my sense of belonging is no longer attached to any physical location, but instead to a state of mind, to an intimacy with the world. My notion of home is an obscure and unsettled—at times utopian—idea, which can be infinitely decoded, re-positioned and re-established psychologically. This thesis is an investigation of that liminal state, questioning the paradoxical place at the intersection of longing and belonging, interior and exterior, rootedness and uprootedness. Through a collection of short essays that accompany projects, I seek to unpack the precarious emotional complexities that …
What The Water Says As It Runs, Jeanette Cosentini
What The Water Says As It Runs, Jeanette Cosentini
Masters Theses
During the last two years, I have been examining the importance of vulnerability, memory and empowerment within my work as it relates to archival silence. The archive is presumed to be an objective record but what is chosen and discarded is an inherently political act. When there is archival silence, what then becomes missing from our collective histories? My exploration has spread across many forms of media, including sound, video, textiles, sculpture and writing . I have sought to understand the ways that these different mediums embody sentiment and concept, while establishing an open-ended record within which others can explore …
Everything Comes Full Circle, Lilan Yang
Everything Comes Full Circle, Lilan Yang
Masters Theses
Following Wim Wenders’ Paris, Texas (1984) filming locations from Houston, Texas to Los Angeles, California, I use a 16mm Bolex camera to capture the vastness of the American West. The footage draws me to reminisce about snippets of my everyday life. I contemplate how we perceive the world through analog optical apparatuses and how memories are multidimensional yet fragile. Our recollections of people and places can be distorted, unrecognizable, and fictitious. These memories would eventually diminish with the passing of time. By converting the filmmaking back and forth between analog and digital filmmaking, with the loss of information during the …
Finding Identity In Memories, Hyejun Youn
Finding Identity In Memories, Hyejun Youn
Masters Theses
What are the ways in which we form and build our identities and habits in both physical and digital spaces? How can our different uses of the digital expression which evolved from analog forms reveal traits and memories that we have forgotten or overlooked?
The way I define my identity through the analog media I collect correlates with the quality of the memories within my current schema, knowledge structures that represent typical instances of categories.
We interact with an infinity of objects from birth to death. Our collection of objects resonates more and more with memory and nostalgia as the …