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“Intimacy In The End Means Trouble”: Interracial Relationships In Britain From Interwar To Windrush, Stephanie Makowski
“Intimacy In The End Means Trouble”: Interracial Relationships In Britain From Interwar To Windrush, Stephanie Makowski
Dissertations, Theses, and Capstone Projects
The interwar period, World War II, and the Windrush era present three major turning points in the evolution of what has become known as the making of a “multiracial” Britain. During these years, British public discourse became increasingly preoccupied with relationships between Black men and white women. This discourse became global in scope and Black activists across the Anglophone world took part in shaping the narratives and meanings projected onto these relationships. By charting the shifting boundaries of racial acceptance and gendered mores, this project demonstrates the predominantly performative and extremely conditional nature of Britain’s “acceptance” of men of color. …
In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin
In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin
Dissertations, Theses, and Capstone Projects
American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …