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Shōjo, Kawaii, And Yōkai Iconographies In Chiho Aoshima's Strawberry Fields And How They Relate To Contemporary Gender Dynamics In Japan, Neo Sim Yee

Theses

This paper analyzes the shōjo, kawaii, and yōkai iconographies in Chiho Aoshima’s digital painting Strawberry Fields and examines how they relate to contemporary gender dynamics and anxieties in Japan. The painting bears the artist’s distinctive, characteristic style, which includes elements that are childlike and monstrous, cute and dark. The work, rich in layered context, simultaneously reminisces about the innocence and freedom of adolescence, and critiques the prominent the unequal, rigid, and highly restrictive gender roles dictated by the Japanese patriarchal system. The distinct two halves of Strawberry Fields depict the dichotomous vision of Japanese women—innocent and girly versus defiant and …