Digital Commons Network^™

Peruvian Antiquities And The Collecting Of Cultural Goods, Terrence H. Witkowski

Markets, Globalization & Development Review

Ancient art, artifacts, and architecture have long excited the intellectual curiosity and acquisitive passions of private and institutional collectors who, in turn, have funded archaeological research, preservation initiatives, and public education. Yet, the procurement of these goods also has encouraged looting and trafficking activities. Supplying collectors has destroyed much cultural evidence in source countries and has raised questions about who should control heritage and history. This article investigates the market for Peruvian antiquities, the surviving material culture created by the country’s inhabitants before the Spanish Conquest. It briefly reviews Peru’s early history and the history of collecting its artifacts, and …

Finding Lost & Found: Designer’S Notes From The Process Of Creating A Jewish Game For Learning, Owen Gottlieb

Articles

This article provides context for and examines aspects of the design process of a game for learning. Lost & Found (2017a, 2017b) is a tabletop-to-mobile game series designed to teach medieval religious legal systems, beginning with Moses Maimonides’ Mishneh Torah (1180), a cornerstone work of Jewish legal rabbinic literature. Through design narratives, the article demonstrates the complex design decisions faced by the team as they balance the needs of player engagement with learning goals. In the process the designers confront challenges in developing winstates and in working with complex resource management. The article provides insight into the pathways the team …

Oscar Brousse Jacobson: The Life And Art Of A Cosmopolitan Cultural Broker, Anne Allbright

History Theses and Dissertations

As a graduate student studying art at Yale, Oscar Brousse Jacobson (1882–1966) pinned his career on the hopes of someday opening an art school in the American West. Jacobson was a Swedish immigrant, but he felt a deep connection to the West because he spent much of his youth on a ranch in Kansas and roamed the greater Southwest by horseback during the late 1800s. Jacobson believed that after he completed his graduate studies in New England, he would eventually return West. He planned to bring great works of art, produce his own paintings, instruct young artists, and foster art …

Jared French's State Park: A Contextual Study, Emily Sachar

Theses and Dissertations

Jared French's State Park (Whitney Museum of American Art, 1946) uses the language of magic realism in mid-20th-century America, the egg tempera technique of the Quattrocento, and the theories of Carl Jung to explore a variety of themes: homosexuality, family and power. This thesis considers State Park within the contexts of the artist's circle and liaisons with Paul Cadmus and George Tooker; his photography work with Pajama; his friendship with E.M. Forster; and homophobia at mid-century.

Stasi Brainwashing In The Gdr 1957 - 1990, Jacob H. Solbrig, Jacob Hagen Solbrig

University of New Orleans Theses and Dissertations

This thesis examines the methods used by the Ministerium für Staatssicherheit (MfS), more commonly known as the Stasi, or East German secret police, for extraction of information from citizens of the German Democratic Republic for the purpose of espionage and covert operations inside East Germany, as it pertains to the deliberate brainwashing of East German citizens. As one of the most efficient intelligence agencies to ever exist, the Stasi’s main purpose was to monitor the population, gather intelligence, and collect or turn informants. They used brainwashing techniques to control the people of the GDR, keeping the populace paralyzed with fear …

Iran At The Venice Biennale 1956–1966: A Rediscovery Of The Country’S Participation And Its Role In The Development And Legacy Of Iranian Modernism, Lauren Pollock

Theses and Dissertations

This thesis reconstructs Iran’s participation at the Venice Biennale from 1956–1966. In examining the trajectory of artists represented, art works exhibited, and the critical reception, I argue that Iran’s presence at Venice during these years is crucial to an understanding of the development and legacy of Iranian modernism.

“A Desperate Pioneerism:” Laura Márquez’S Art And Social Engagement In 1960s Paraguay, Susan Breyer

Theses and Dissertations

This thesis examines the art and social engagement of Laura Márquez in 1960s Paraguay. Despite the challenging economic, political, and social contexts that Márquez encountered throughout the decade, she acted as an invaluable “transmitter” – both carrying international artistic forms and concepts into Paraguay, and diffusing her experience of local reality.

Purism And The Object-Type: Tradition And Modernity, Art And Society, Jamie Morra

Theses and Dissertations

This thesis examines the Purist object-type as a formal and social tool in interwar Paris. It’s establishment, definition, and use is analyzed through the work and writings of Amédée Ozenfant, Charles-Édouard Jeanneret and Fernand Léger, via painting as the primary practice, and its further conceptual applications in architecture and film.

Franz Roh And Visual Juxtaposition In Foto-Auge, Irini Zervas

Theses and Dissertations

This study of Foto-Auge (1929) is grounded on the approach of Franz Roh and aims to unlock the book’s meaning through an analysis of layout and visual sequence. This thesis also demonstrates how Foto-Auge proclaims photography’s ability not merely to record, but to disrupt any sense of reality in images.

Caspar David Friedrich, The Romantic Hero, And Early German Nationalism, Morgan D. Ward

Art and Art History Theses

Like many artists, Caspar David Friedrich was affected by the events of his time: the defeat of Prussia by the forces of Napoleon (1806), the following occupation of the German lands (1810), the struggles of the Wars of Liberation (1813-1814) and their disappointing aftermath. He was also greatly influenced by the literary trends of the time, especially the concept of the Romantic hero and the cult of the heroic soldier, ideas that he was exposed to among his circle of friends. The paintings that Friedrich created between 1808 and 1821 display the tensions of the era, emphasizing the feelings of …

Invisible Invisibility, Eugina Song

Theses and Dissertations

White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.

Curating Contemporary Japanese Art: Exhibition Catalogue Production For Hidden Landscapes: Yasuaki Onishi And Invisible Space, Emily Lawhead

Master's Projects and Capstones

In the last decade, there has been a telling increase of attention given to contemporary Asian artists exhibited in the United States and Europe. Since 2008, artists from China, Japan, South Korea, and Central Asia have been featured in exhibitions from the Venice Biennale to the Whitney Biennale, and are becoming ever more present on the Western art stage. Meanwhile, curatorial practice, once focused on the care of objects, is shifting to encompass a wider range of creative activity. Curators are taking time to engage with living artists in a collaborative setting, rather than as impartial facilitators. This capstone seeks …

The Indigenous Sovereign Body: Gender, Sexuality And Performance., Michelle S. Mcgeough, Michelle Susan Mcgeough

Art & Art History ETDs

Gender variance and artist production are not topics that are often discussed within the discipline of art history. In fact gender variance and in particular its relationship to sexual orientation was not a topic studied, much less discussed outside of the medical community until the mid-twentieth century. It was generally thought that sexuality and gender were “biologically determined” and deviation from the heterosexual norm was considered pathological. In contrast, Indigenous nations in Canada and the United States had a very different understanding regarding the relationship between gender, biology, and sexual object of choice. One area that provides us with a …

Transformations Of The Turkish Headscarf: An Exploration Of The Political Meaning, Socio-Economic Impact, Cultural Influence, And The Art And Craft Of The Hijab, Kelsey Gabrielle Leuenberger

Honors Program Theses and Projects

The wearing of hijab by Muslim women is a divisive issue around the world. The history of veiling by Turkish women is important because it is so controversial and because of its global relevance in contexts of economics, politics, and culture. The headscarf, as a form of art and power, has significant influence on the freedoms of women. The goal of this research project is to elevate Western understanding of Turkish women’s headscarf veiling as it is located in economic, political, cultural, and socio-historical contexts and as it intersects with artistic influence and design. This research on the contradictions and …

Offside, Maryamsadat Amirvaghefi

Graduate Theses and Dissertations

OFFSIDE highlights the parallels between artists and athletes, as well as the professional communities in which both operate. Through the use of sports related imagery, the artwork explores notions of ethnicity, gender, and politics. While much of the work is autobiographical, OFFSIDE is able to consider the political and personal views surrounding a young Muslim woman while lives with constant uncertainty in the United States and trying to start a career in one of the most competitive cultural fields.

Finney's "The Eerdmans Encyclopedia Of Early Christian Art And Archaeology" (Book Review), Jill Botticelli

The Christian Librarian

No abstract provided.

Perspectives On Video Games As Art, Jeroen Bourgonjon, Geert Vandermeersche, Kris Rutten, Niels Quinten

CLCWeb: Comparative Literature and Culture

In their article "Perspectives on Video Games as Art" Jeroen Bourgonjon, Geert Vndermeer­sche, Kris Rutten and Niels Quinten engage in discussing whether or not video games can be considered a form of art. Although this question has already been discussed elaborately, the debate is guided by many differ­ent and often conflicting positions. The aim of this article is to revisit this debate by mapping out a range of perspectives on video games as art. The authors explore the relation between games and differ­ent definitions and functions of art, different motives of artists, and the potential impact of the arts. The …

Farmscapes : Picturing Land Transformation In Nineteenth-Century America., Eileen L Yanoviak

Electronic Theses and Dissertations

This dissertation examines American farmstead imagery of the nineteenth-century and how those images reflect the environmental history of the North. In this study, images of farms illustrate, through the landscape, the transition from subsistence farming to agribusiness that fundamentally changed American life and the land over the century. By comparing the actual ecological and economic conditions of the farm and farmer to the images depicted by artists, it is possible to see both representations of change and the persistence of the agrarian myth in spite of dramatically different realities. This study focuses on the process of change in the American …

The Parallel Of Briseis And The Classical Athenian Women, Savannah Redfern

Savannah Redfern

Digital Art History “Beyond The Digitized Slide Library”: An Interview With Johanna Drucker And Miriam Posner, Miriam Kienle

Artl@s Bulletin

Johanna Drucker and Miriam Posner were two of the organizers of the Getty/UCLA Summer Institute in Digital Art History “Beyond the Digitized Slide Library” that took place in the summers of 2014 and 2015. With their extensive expertise in the field, they developed a program that challenged participant to think about the broad theoretical implications of their respective projects and to gain practical tools in digital art history. In this interview, they will describe some of their thinking behind the institute and the state of the field of digital art history, including a discussion of the impact of network visualizations …

“What You See Is What You Get: The Artifice Of Insight”: A Conversation Between R. Luke Dubois And Anne Collins Goodyear, Anne C. Goodyear

Artl@s Bulletin

The metaphorical relationship between sight and knowledge has long been recognized: the double-entendre of “illumination” promises both light and understanding; “I see” signifies that one “gets it” intellectually. This conversation between R. Luke DuBois and Anne Collins Goodyear addresses how data accrues meaning through pictorial structures that represent it. An artist, DuBois has consistently played with conventions for depicting information visually, revealing the intersections between data and desire they represent. Reexamining the interfaces through which we view the world, DuBois and Goodyear consider what our filters threaten to hide.

La relation métaphorique entre la vue et la connaissance a longtemps …

Network Analysis And Feminist Artists, Michelle Moravec

Artl@s Bulletin

This article examines the benefits and drawbacks of using social network analysis to study feminist artists’ networks. Looking at two of the author’s digital humanities projects, it explores the systemic and structural barriers that limit the utility of social network analysis for feminist artists. The first project on the social network of artist Carolee Schneemann analyzed her female circles through a correspondence network. The second project attempted to trace the circulation of feminist art manifestos in American feminist periodicals. Three factors are identified as constraining network analysis in these case studies, the lack of feminist artists’ archives, an insufficient amount …

Workshop As Network: A Case Study From Mughal South Asia, Yael Rice

Artl@s Bulletin

Over the course of Emperor Akbar’s reign (1556–1605), an exceptionally high volume of illustrated manuscripts was produced. The manuscript workshop was staffed accordingly: between the 1580s and early seventeenth century, over one hundred painters found employ at the Mughal court. Thanks to contemporaneous ascriptions found in the margins of the manuscripts’ illustrated pages, the artists’ names and the capacities (designer or colorist) in which they worked are known. This essay uses digital and sociological methods to examine networks of artistic collaborations across select manuscript projects, arguing that the structure of workshop production teams—in which membership frequently fluctuated—facilitated the formation of …

Keeping Our Eyes Open: Visualizing Networks And Art History, Stephanie Porras

Artl@s Bulletin

Network visualizations have the potential to translate messy archival work into clouds of connection, powerful maps of relations that can reveal hidden agents or nodes of production. But network visualizations must also be understood as artifacts of our own visual culture, laden with the biases and limits of both past and present knowledge systems. Rather than seeing networks as uniform webs of connection, social network analysis must productively interrogate how biopolitical, cultural and social power are manifested within these visualizations, reinforcing the biases and lacunae of the archive.

Continuity And Disruption In European Networks Of Print Production, 1550-1750, Matthew D. Lincoln

Artl@s Bulletin

Computational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities interacted between 1550 and 1750, highlighting the powerful impact of demographic forces and calling in to question narratives based on single key individuals or the emergence of specific national schools.

Between Nodes And Edges: Possibilities And Limits Of Network Analysis In Art History, Miriam Kienle

Artl@s Bulletin

This article examines a number of prominent network analysis projects in the field of art history and explores the unique promises and problems that this increasingly significant mode of analysis presents to the discipline. By bringing together projects that conceptualize art historical networks in different ways, it demonstrates how established theories and methods of art history—such as feminist and postcolonial theory—may be productively used in conjunction with quantitative/computational approaches to art historical analysis. It argues that quantitative analysis of art and its networks can expand the qualitative approaches that have traditionally defined the field, particularly if theorizing is not positioned …

Why Munch?, Robert Jensen

Art and Visual Studies Presentations

Why Munch? was a keynote lecture for the conference "Marketing the North," sponsored by the society Munch, Markets and Modernism, in November 2017. In asking the question, the paper explores Munch's canonical status, especially vis-a-vis other Scandinavian artists of his time. In particular, the essay addresses the evolving nature of artistic professionalism at the end of the 19th century, and how Munch's personal and artistic behavior evoked a new definition of bohemianism that resonated deeply with the rise of European modernism and the post-1900 avant-gardes.

Precolumbian Textile Conference Vii / Jornadas De Textiles Precolombinos Vii, Lena Bjerregaard, Ann H. Peters

Zea E-Books Collection

Contents:

Introduction — Lena Bjerregaard and Ann Peters

Mexico

1. Mesoamerican Archaeological Textiles: An Overview of Materials, Techniques, and Contexts — Laura Filloy Nadal

2. Urdimbres enlazadas de Mesoamérica. Textil de la Cueva del Gallo, Morelos, México — Patricia Ochoa Castillo & Rosa Lorena Román Torres •

3. Los textiles procedentes del actual estado de Guerrero, México: una revisión a su estudio desde la perspectiva arqueológica y etnohistórica — Elizabeth Jiménez García

4. Classic Textiles from Cueva del Lazo (Chiapas, Mexico). Archaeological context and conservation issues — Davide Domenici & Gloria Martha Sánchez Valenzuela

5. Textiles y otros materiales arqueológicos …

Classic Textiles From Cueva Del Lazo (Chiapas, Mexico): Archaeological Context And Conservation Issues, Davide Domenici, Gloria Martha Sánchez Valenzuela

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

The excavation of Cueva del Lazo, a cave on the cliffs of the Río La Venta River canyon in the Zoque region of Western Chiapas (Mexico), led to the discovery of a complex Late Classic post-sacrificial context where eleven children were buried wrapped in textile bundles. The environmental conditions of the dry cave allowed an extraordinary preservation of perishable materials including textiles, cordages, botanical remains, etc. In the first part of the paper we provide a brief introduction to the archaeology of the Selva El Ocote, as well as a description and interpretation of the Cueva del Lazo archaeological context. …

Trajes De Poder. Los Conjuntos Chimú Con Borlas, Victòria Solanilla

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

A raíz de la puesta en marcha del Museo de Culturas del Mundo (MCM) de Barcelona, inaugurado en febrero de 2015, y conocedores de que entre las piezas procedentes de América precolombina había una camisa con borlas Chimú perteneciente a la Colección Folch, creímos que sería interesante estudiarla. Por otro lado, en una reunión que se realizó en Basilea en marzo de 2014, con motivo de la puesta al día del grupo que formamos los integrantes del proyecto Corpus Antiquitatum Americanensium perteneciente a la Unión Académica Internacional, en la que participaron conservadores de las secciones de América de los principales …