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Women Surrealists: Muses Or Seekers?, Noor A. Asif
Women Surrealists: Muses Or Seekers?, Noor A. Asif
Scripps Senior Theses
Surrealism has often been labeled as a misogynistic movement that sought to provide man with an avenue into a higher reality at the expense of the humanity of women. By perceiving the opposite sex as their muses, Surrealist men rendered women as mysterious sources of the marvelous, the name given to the higher realm, which they desired to attain. I propose that Surrealist women were empowered by the fact that ‘woman’, as an abstract concept, and femininity were synonymous with the marvelous. This entailed that Surrealist women had the advantage of being “sources of revelation, as provokers of wonder, dreams, …
Gynecologists, Bureaucrats, And Stoners: The Rise Of Women In Television Comedies And Critiquing The Postfeminist Perspective, Victoria Montecillo
Gynecologists, Bureaucrats, And Stoners: The Rise Of Women In Television Comedies And Critiquing The Postfeminist Perspective, Victoria Montecillo
Scripps Senior Theses
This thesis looks to explore the rise of women in television comedy and the accompanying implications of this phenomenon. Using a historical framework, this thesis looks at the progression of representations of women in television comedies beginning in the 1950s up to today. Considering factors such as the rise of social media, as well as online television streaming services such as Hulu and Netflix as more legitimate avenues to distribute content, this thesis traces women’s place within television comedy, and argues that shows such as Parks and Recreation, The Mindy Project, and Broad City serve as examples of the progress …
Nostos: On Recollecting Loss And The Physical Manifestation Of Loss, Stephanie M. Huang
Nostos: On Recollecting Loss And The Physical Manifestation Of Loss, Stephanie M. Huang
Scripps Senior Theses
This paper examines nostalgia in photo-poetry book Nostos, and nostalgia’s existence as a theoretical global condition arising from displacement, looking at nostalgia specifically not as a yearning for home, but a yearning for a lost sense of feeling at home. It traces the lineage of image-text hybrid art practices and examines the significance of conveying meaning through both synergistically. It studies the psychoanalytic process of transforming loss into object, or absence into presence, ultimately using the object as a lens to view oneself and the way in which nostalgia manifests itself.
Old Masterpieces, New Mistress-Pieces: Cindy Sherman's Reinterpretations Of Renaissance Portraits Of Women, Caitlyn D. Marianacci
Old Masterpieces, New Mistress-Pieces: Cindy Sherman's Reinterpretations Of Renaissance Portraits Of Women, Caitlyn D. Marianacci
Scripps Senior Theses
This thesis examines a selection of eight photographs in the History Portraits series by American photographer, Cindy Sherman, produced from 1989 to 1990. The photographs are based on Renaissance paintings of biblical and secular women painted by old master artists such as Leonardo da Vinci, Sandro Botticelli, and Raphael. Sherman focused on the female types of Biblical mother and femme fatale, as well as wives and models. These types are defined in their relation to men and are depicted by men. In Sherman’s reinterpretations of their portraits, she retells the stories of these women in ways that reaffirm their independence …
A Skin-Deep Analysis On Deconstruction: How Transforming The Modern Surface Transformed Notions On Gender, Elise K. Young
A Skin-Deep Analysis On Deconstruction: How Transforming The Modern Surface Transformed Notions On Gender, Elise K. Young
Scripps Senior Theses
While focusing on high fashion and architecture, this thesis explores an aesthetic transition between the early 20th century’s “modern” style and the later 20th century style of “deconstruction.” We believe the style of “deconstruction” revolutionized visual metaphors for modern gender identity through the manipulation and experimentation of surfaces. These metaphors were accomplished through transformation relationships between surface, structure, and ornament. This study exclusively uses examples from women’s fashion and building façades for its analysis