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Beyond Their Smiling Faces: Reconstructing The Remojadas Ritual And Culture Through The Sonrientes Figurines From The Mpm Collection, Abigail Munoz
Beyond Their Smiling Faces: Reconstructing The Remojadas Ritual And Culture Through The Sonrientes Figurines From The Mpm Collection, Abigail Munoz
Theses and Dissertations
Sonrientes (Smiling Faces) scholarship has waned after a brief period of archaeological interest in the mid to late 20th century by both Spanish and English language scholars. Since then, brief attention to these figurines in the Remojadas style, or similar, has been given when discussing the Classic Period on the Gulf Coast and few direct studies on their interpretation or reinterpretation have been given within the last few years. The present study attempts to contribute my own interpretation of these Remojadas-style figurines and answer five major questions driving my research: What kind of rituals did Remojadas or other people carry …
Object Itineraries Of Metal Artifacts From The Stark Farm Site Complex (22ok778), Madeleine Marie Hale
Object Itineraries Of Metal Artifacts From The Stark Farm Site Complex (22ok778), Madeleine Marie Hale
Theses and Dissertations
This thesis focuses on creating a deeper understanding of European-made metal objects uncovered at a Late Mississippian period site by using an object itinerary theoretical framework. This theory allows for objects to be understood and analyzed without bias as it acknowledges Indigenous and archaeological perspectives by considering the many different contexts an object moves through. I apply this theory to these European-made metal objects that were transformed and used by the Chicasa as a way to introduce a more collaborative and holistic approach to the other analytical methods being used at Stark Farm (22OK778). This process was completed by using …
Death Becomes Her: Rejecting The Muse And Reclaiming The Female Body In Leonor Fini’S Skeleton Women, Janna Singer-Baefsky
Death Becomes Her: Rejecting The Muse And Reclaiming The Female Body In Leonor Fini’S Skeleton Women, Janna Singer-Baefsky
Theses and Dissertations
This thesis is organized through the varied ways Fini incorporated death imagery, like the skeleton, into her art. I trace how she changed her interpretations of death from being a symbol in earlier works to then rendering death as the subject itself and concluding with depicting herself as death.
Remedios Varo: Inspirations And Creative Strategies, Margaret Colbert
Remedios Varo: Inspirations And Creative Strategies, Margaret Colbert
Theses and Dissertations
Remedios Varo is best known for the narrative, if enigmatic and symbol-laden, paintings she produced while living in Mexico from 1941 to 1963. This thesis argues that Varo’s key creative strategy was to mine and mimic the subject matter and motifs of other artists—Hieronymus Bosch and Leonora Carrington – as well as the visual culture related to the occult and other esoteric practices that she found in published sources, specifically by Carl Jung and Kurt Seligmann.
Keeping Both History And Magic Alive: Judson Dance Theater: The Work Is Never Done (2018) At The Museum Of Modern Art, Beatrice M. Johnson
Keeping Both History And Magic Alive: Judson Dance Theater: The Work Is Never Done (2018) At The Museum Of Modern Art, Beatrice M. Johnson
Theses and Dissertations
This thesis examines the exhibition, historical reconstruction, and museum acquisition and conservation of postmodern dance, with the 2018 MoMA exhibition Judson Dance Theater: The Work Is Never Done as a case study. This exhibition considered the history and legacy of 1960s postmodern dance through a presentation of artifacts and archives alongside a continuous program of live, in-gallery performances. The Work Is Never Done catalyzed questions in the three areas of dance exhibition, reconstruction, and conservation and, as this thesis argues, represents a unique example of preserving canonical dance history while creating a generative context for spontaneity, experimentation, and reinvention.
One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-One. Twenty-One. Twenty-Three. Twenty-Four. Twenty-Five. Twenty-Six., Liza Lacroix
Theses and Dissertations
"One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-one. Twenty-one. Twenty-three.Twenty-four. Twenty-five. Twenty-six." is a biographical fiction of violence toward the protagonist. Comprised of writing, audio, documentation and intervention. This text is the first iteration, and the thesis work is the second iteration of the same.
The First Peoples Of The Lower Rio Grande Valley Of Texas And Northern Mexico: An Interdisciplinary Approach To Defining The Paleoindian Period, Starr Elena Hein
The First Peoples Of The Lower Rio Grande Valley Of Texas And Northern Mexico: An Interdisciplinary Approach To Defining The Paleoindian Period, Starr Elena Hein
Theses and Dissertations
The archaeological record of the Lower Rio Grande Valley of Texas and northern Mexico is poorly understood. There are few excavated sites at which Paleoindian cultural materials have been found, and in these cases the context is uncertain. In order to better understand the Paleoindian period, projectile points that reside in private collections are documented, and the time period they are assigned to, based on absolute dating from surrounding regions, is used to cross-date local materials. This is limited by the lack of named typology for Upper Paleolithic materials in the Americas. Clovis is well represented in the Lower Rio …
The Death And Rebirth Of The Feminine Muse: Edgar Allan Poe And Sylvia Plath, Noha Ibrahim
The Death And Rebirth Of The Feminine Muse: Edgar Allan Poe And Sylvia Plath, Noha Ibrahim
Theses and Dissertations
While drawing on mythology and a literary history that associated women with death as well as creativity, Edgar Allan Poe and Sylvia Plath experimented with binary oppositions such as masculine/feminine, composition/decomposition, and death/(re)birth. They gained inspiration from the same source, the dead muse, but how do they transform traditions that derive from classical and medieval literary precedent, perhaps in ways that are inherently critical of patriarchal modes of gender dynamics? Why is Poe fixated on a feminine dead muse while Plath is inspired by what she calls her “father-sea-god muse”? How do both authors represent the female body, and how …
Historical Trauma: Literary And Testimonial Responses To Hiroshima, Mariam Ghonim
Historical Trauma: Literary And Testimonial Responses To Hiroshima, Mariam Ghonim
Theses and Dissertations
The concept of trauma is controversial in literature. While one may be able to come up with ways to describe trauma in fiction, representing historical trauma is a hard task for writers. Some argue that trauma can not be described through those who did not experience it, while others claim that, provided some elements are added, one can represent trauma to the reader. This thesis focuses on twentieth-century historical traumas related to a nuclear catastrophe and explores the different literary and testimonial responses to the catastrophic man-made event of Hiroshima (1945). In this thesis, Kathleen Burkinshaw’s historical fiction The Last …
The Chicana Mural Movement: A Reclamation Of Mesoamerican Iconography, Jennifer Vander Els
The Chicana Mural Movement: A Reclamation Of Mesoamerican Iconography, Jennifer Vander Els
Theses and Dissertations
An examination of the deployment of indigenous Mexica iconography by Chicana artists during the Chicano Mural Movement. The ethno-national concept of Aztlan, corn and Corn Women, and the deities Coatlicue and Coyolxauhqui were restructured in Chicana murals to uplift and recognize the achievements of the women of the Chicano community.
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao
Theses and Dissertations
Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.
Simone Martini's St. Louis Altarpiece: Materiality, Franciscan Propaganda, And Sacral Angevin Dynastic Object, Charles Morrow
Simone Martini's St. Louis Altarpiece: Materiality, Franciscan Propaganda, And Sacral Angevin Dynastic Object, Charles Morrow
Theses and Dissertations
Simone Martini makes lavish use of gold, silver, gilt glass, paste pearls and gems in the St. Louis Altarpiece, and these materials carry underlying meanings that support the panel’s sacred, dynastic and Franciscan elements. Actor Network Theory is used to present visualizations of the networks in which the altarpiece participates.
To Love, And To Be Loved: The Art And Relationships Of Gwen John (1876-1939), Karina Grady
To Love, And To Be Loved: The Art And Relationships Of Gwen John (1876-1939), Karina Grady
Theses and Dissertations
Extremely close kinships that lasted decades, love affairs with other artists, a patron who fulfilled both her financial and cerebral needs, and a lifelong creative curiosity: these are the distinct relationships Gwen John carried throughout her life and, I maintain, that her art should be viewed as their reflection.
The Lives And Afterlives Of The Arenberg Gospels: Materializing Medieval Oaths, Sarah Ganzel
The Lives And Afterlives Of The Arenberg Gospels: Materializing Medieval Oaths, Sarah Ganzel
Theses and Dissertations
The “social life” of the Arenberg Gospels, a gospel book later used as an oath book in ecclesiastical officiation ceremonies, illuminates the impact and meaning of oath books in medieval Europe. This thesis traces the manuscript’s materiality throughout its life, showing why both words and flesh mattered to oath rituals.
Skin Echoes, Andreia Santana
Skin Echoes, Andreia Santana
Theses and Dissertations
Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.
Los Días De La Calle Gabino Barreda: The Social Circle Of Remedios Varo And Benjamin Péret In Mexico, 1941-1947, Esther R. Levy
Los Días De La Calle Gabino Barreda: The Social Circle Of Remedios Varo And Benjamin Péret In Mexico, 1941-1947, Esther R. Levy
Theses and Dissertations
This thesis explores the social circle of Surrealist exiles that formed at the home of Remedios Varo and Benjamin Péret on Calle Gabino Barreda between 1941 and 1947. This group is immortalized in Gunther Gerzso’s painting Los Días de la Calle Gabino Barreda (1944) and includes Gerzso, Varo, Péret, Esteban Francés, and Leonora Carrington. This thesis argues that the environment cultivated on Calle Gabino Barreda provided these artists with a place to expand on what they learned in Europe to develop their Surrealist practice in Mexico.
(Not) Knowing, Jared Friedman
(Not) Knowing, Jared Friedman
Theses and Dissertations
Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.
Leonora Carrington’S "Down Below": Transgressive Renderings Of The Grotesque Female Body, Kelsey King
Leonora Carrington’S "Down Below": Transgressive Renderings Of The Grotesque Female Body, Kelsey King
Theses and Dissertations
The classification of the bodily grotesque relies on the transgression of boundaries, marked by an openness to the world. Leonora Carrington’s memoir (1944) and painting (1940) that share the same name, Down Below, illustrate the grotesque body as a revisionist self-configuration, destabilizing traditional representations and eroticization of the female form.
Beyond Participation: Hélio Oiticica And Neville D’Almeida, Jocelyn Elliott Rodriguez
Beyond Participation: Hélio Oiticica And Neville D’Almeida, Jocelyn Elliott Rodriguez
Theses and Dissertations
The collaborative works by Brazilian artist Hélio Oiticica and filmmaker Neville D’Almeida responded to Brazil’s dictatorship and their self-imposed exile in New York between 1969-1974. Oiticica’s concept of crelazer and the artists elective “marginal” position converge to create a new cinematic language; challenging gender norms, and proposing new systems for living.
Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales
Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales
Theses and Dissertations
Graciela Iturbide’s career-defining engagement with indigenous subjects began with a commission by the Mexican government's Instituto Nacional Indigenista (INI) to document the Seri people. This thesis contextualizes the resulting photobook, Los que viven en la arena (1981), within the history of indigenous representation in Mexico and the controversial policies of the INI.
"Those Common Everyday Things We All Know": Roger Brown's American Art, Jake Brodsky
"Those Common Everyday Things We All Know": Roger Brown's American Art, Jake Brodsky
Theses and Dissertations
Roger Brown (1941–1997) was an American artist associated with the Chicago Imagists. Borrowing elements from American visual culture to construct an idiosyncratic language of motifs, Brown’s paintings demand a mode of attention—of looking, searching, recognizing, identifying—that parallels the structures of feeling that constitute being in America.
Negotiating Liberty: Fine Ceramics For The U.S. American Market Before 1860, Presley Rodriguez
Negotiating Liberty: Fine Ceramics For The U.S. American Market Before 1860, Presley Rodriguez
Theses and Dissertations
This thesis argues that the rise of the consumer market toward the end of the eighteenth century led to the production of decorated fine ceramics that became powerful modes of popularizing new ideas in the United States regarding independence, national symbols, and abolitionism.
Impressions Of An Urban Vision: Art Across The Park (1980 And 1982), Marie N. Catalano
Impressions Of An Urban Vision: Art Across The Park (1980 And 1982), Marie N. Catalano
Theses and Dissertations
This thesis examines Art Across the Park (1980 and 1982), a program of sculpture and performance conceived of by artist David Hammons sited throughout overlooked regions of New York City’s public parks. Amidst debates about the proper use of public space and the role of public art in the early 1980s, Art Across the Park asserted a more culturally expansive model of being in social space, one rooted in strategies of performance as an antidote to lasting effects of social control.
Tractatus De Herbis, Botanical Guide To The Universe: A Case Study For Morgan Ms M.873, Darya Badikova
Tractatus De Herbis, Botanical Guide To The Universe: A Case Study For Morgan Ms M.873, Darya Badikova
Theses and Dissertations
This thesis investigates the development of the late medieval pharmacopoeial treatise Tractatus de herbis illustrated in M.873, a fourteenth-century manuscript from the collection of the Morgan Library in New York. Particularly, the thesis considers the use and reception of this encyclopedic work by elite contemporary audiences of the Venetian Republic through material and medical history.
The Re-Emergence Of American Pastels, Mary Beth Drabiszczak
The Re-Emergence Of American Pastels, Mary Beth Drabiszczak
Theses and Dissertations
This thesis examines the production, exhibition, and reception of American pastels as both a process and product in conjunction with artist groups, societies, and institutions. The growing field of illustration influenced pastelists to produce work for print reproductions through commercial publications and advertisements. Despite this, a shift back to the fine arts developed later in the twentieth century with the rise of television and digital media, reducing the need for hand-illustrated ads. While pastel has been historically marginalized as a secondary medium reserved for preliminary work or sketching, recent scholarship by technical art historians like Thea Burns and Marjorie Shelly …
The Unusual Prominence Of The Burial Shroud In The Deponitur Christi Corpus E Curce From The Adnotationes Et Meditationes In Evangelia, Valerie Vespalec
The Unusual Prominence Of The Burial Shroud In The Deponitur Christi Corpus E Curce From The Adnotationes Et Meditationes In Evangelia, Valerie Vespalec
Theses and Dissertations
In this thesis, I analyze the iconography and the accompanied text of Hieronymus Wiericx’s Deponitur Christi corpus e cruce (Christ’s body is taken down from the cross; Image 132, Chapter 105; hereafter referred to as the Deposition) from Adnotationes et meditationes in Evangelia (Annotations and Meditations on the Gospels; hereafter referred to as Adnotationes et meditationes) by Jerome Nadal, originally published in 1595. I examine the unusual prominence of the burial shroud depicted behind Christ whereas in previous sixteenth-century deposition imagery, the burial shroud was either omitted or not given such prominence. Scholars in recent decades have devoted significant attention …
Negotiating Authenticity: Reproducing The Past For The Present, David Symanzik-Stock
Negotiating Authenticity: Reproducing The Past For The Present, David Symanzik-Stock
Theses and Dissertations
Negotiating Authenticity: Reproducing the Past for the Present explores how reproductions connect us to the past. From Rembrandt restrikes to plastic souvenirs, reproductions occupy an important chapter in an object’s biography. This exhibition considers the complex relationships between "original” artifacts and their reproductions, which historically has been the focus of scholarly debate. Walter Benjamin, in his 1936 essay The Work of Art in the Age of Technological Reproduction, highlights the intrinsic questions posed of this relationship – when an original work of art (or object) is reproduced, what relationship does both the reproduction and its model (the original) have with …
Body Bound, Rachel Allison
Body Bound, Rachel Allison
Theses and Dissertations
Body Bound is an exhibition catalog that corresponds to an exhibition of objects on display in the Emile Mathis Gallery that opened on February 23, 2023. The Exhibition traces the historically grounded and long-standing tradition of using bodily material as the basis for bookmaking. This practice has not subsided entirely in its traditional form but has also branched off and informed contemporary book-making practices. Contemporary books, specifically artist books, are a part of a longer history of using and presenting bodies with books. This exhibition includes historical books and contemporary artist books from the UWM special collections as well as …
Fortis Femina: Artemisia Gentileschi’S Treatment Of Cleopatra And Seventeenth-Century Italian Art, Rachel Shermock
Fortis Femina: Artemisia Gentileschi’S Treatment Of Cleopatra And Seventeenth-Century Italian Art, Rachel Shermock
Theses and Dissertations
Cleopatra is a historical figure with mythical fame; she has captivated the attention of artists over centuries and millennia. Two common themes of the myriad portrayals of her infamously purported death by asp are her sexualized figure and the masculine identities of the majority of artists. But, what about female artists? How did they depict Cleopatra? Did they similarly sexualize her figure? This paper seeks to partially address these previously little-answered questions by using the representative example of Artemisia Gentileschi’s ca. 1635 Cleopatra painting, which has not been as thoroughly examined as many of her other works featuring heroic or …
Aestheticization As A Type Of Erasure: An Ecocritical Examination Of Three Etchings From James Mcneill Whistler's 'Thames Set' (1859-1871), Sydney Ion
Theses and Dissertations
This thesis explores “A Series of Sixteen Etchings of Scenes on the Thames” (1859-1871), Thames Set, by James Abbott McNeill Whistler (1834-1903), a group of etchings that negotiates the effects of the “Great Stink” on the Thames riverbank and its people. I argue that the series exhibits a strange paradox: the intentional exclusion of accurate environmental elements and sensorial details to achieve a romanticized nostalgic framework that serves Whistler’s aesthetic ideals. This aestheticization of the environmental crisis is the foundation from which Whistler’s modernization grew. Recent research has understood the Thames Set as evidence of Whistler’s involvement in depicting lower-class …