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Prometheus & The Body Beautiful: Arno Breker And The Weaponization Of The Greco-Roman Tradition In The Größe Deutsche Kunstausstellung, Sophia Maldonado

Student Research Submissions

During the Third Reich (1933-1945), Hitler and the Nazis turned to the visual arts as a tool for propaganda to promote Hitler’s conception of the ideal people, i.e. the ‘Aryan’ race. Rooted in a calculate understanding of Greco-Roman civilization and culture, this conception of the ideal appropriated the visual vocabulary of the Classical period in Ancient Greece. Within the 1937 inaugural exhibition of the Große Deutsche Kunstausstellung, a propagandistic effort designed to promote this ideal, Arno Breker, chief sculptor of the Nazi Party, would exhibit his Prometheus. Breker’s interpretation of this mythological figure stood as a representation of …

How We Talk About Archaeology In The Digital Age, Michael Messina

Student Research Submissions

Abstract

Archaeology is known for the research, study, excavation, and exploration of the past. Often the present advancements at hand are not thought about when it comes to this field of study. This paper aims to shine a light on how the digital era has progressed the ways in which the archaeological field opened up like never before due to the all of the social mediums in which archaeologists can share their research and findings. Theory is explored both new and old on globalization within the field and how everything arrived to where it is now. Questions are researched through …

Performative Disability: The Objectification Of Atypical Physiognomy In The Self-Portraits Of Egon Schiele, Sophia Maldonado

Student Research Submissions

By the early-twentieth century, developments in medicine and psychology tremendously influenced the visual arts. From the medical photography of the Salpêtrière to the psychoanalytic theories of Sigmund Freud, the cultural attitudes and understandings of illnesses and treatments were available to artists whose work engaged with the medical community during this time. The oeuvre of Viennese Expressionist Egon Schiele demonstrates this influence by utilizing iconography related to disability. In order to construct his identity as an artist, Schiele turns to representations of atypical physiognomy that allow him to assert the identity of a ‘tortured artist’ and establish himself among the Viennese …