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Imagining Sri Lanka, Derick Kirishan Ariyam
Imagining Sri Lanka, Derick Kirishan Ariyam
Master's Theses, Dissertations, Graduate Research and Major Papers Overview
Analyzes the works of three Sri Lankan expatriates, the writers, Shyam Selvadurai and Michael Ondaatje, and the artist, M.I.A., giving particular attention to Selvadurai's Funny Boy and Ondaatje's Running in the Family, Anil's Ghost, and The Cinnamon Peeler. Though all three have been charged as "inauthentic" due to their dislocated positions, uncovers the various productive and complicated ways Sri Lanka has been configured by those outside its shores.
California As Music To American Ears: Migration, Technology, And Rock And Roll In The Golden State, 1946–2000, Toby T. Willett
California As Music To American Ears: Migration, Technology, And Rock And Roll In The Golden State, 1946–2000, Toby T. Willett
Master's Theses
Migrations and technological advances in California following World War II, spurred radical changes in the production and development of popular music, most notably rock and roll. California largely lacked the entrenched traditions of the American Northeast, and in many ways its exploding population translated into the growth of a culture built around embracing newer methodologies, whether technological innovations or radical artistic departures. In large part owing to its increasing ethnic diversity during the economic expansion, California was uniquely poised to become a center of incredible postwar dynamism, especially when seen in the production, consumption, and stylistic development of music. Nevertheless, …
The Only Common Thread: Race, Youth, And The Everyday Rebellion Of Rock And Roll, Cleveland, Ohio, 1952-1966, Dana Aritonovich
The Only Common Thread: Race, Youth, And The Everyday Rebellion Of Rock And Roll, Cleveland, Ohio, 1952-1966, Dana Aritonovich
ETD Archive
This thesis is a social and cultural history of young people, race relations, and rock and roll music in Cleveland between 1952 and 1966. It explores how the combination of de facto segregation and rock and roll shaped attitudes about race for those coming of age after the Second World War. Population changes during the Second Great Migration helped bring the sound of southern black music to northern cities like Cleveland, and provided fertile ground for rock and roll to flourish, and for racial prejudice to be confronted. Critics blamed the music for violence, juvenile delinquency, and sexual depravity, among …