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Forests, Animals, And Ambushes In The Alliterative Morte Arthure, Jeremy Withers
Forests, Animals, And Ambushes In The Alliterative Morte Arthure, Jeremy Withers
Jeremy Withers
In the Alliterative Morte Arthure, the forest is often depicted as an ideal place for ambushing one's enemy. Such persistent attacks lead many warriors in the poem to encounter densely wooded areas with trepidation and even at times with explicit violence towards these places. However, through its use of several arresting locus amoenus passages, the Morte demonstrates alternative ways for soldiers to experience natural landscapes. Rather than suggest that forests are inherently malicious and forbidding places (as many medieval romances have done), the poem suggests that when cleared of an immediate threat of ambush, natural landscapes can be restorative and …
Review Of High Regard: Words And Pictures In Tribute To Susan Sontag, Barbara Ching
Review Of High Regard: Words And Pictures In Tribute To Susan Sontag, Barbara Ching
Barbara Ching
Susan Sontag's death on December 28, 2004, was marked, unsurprisingly, by an immediate outpouring of thoughtful memoirs and obituaries. Turning from words to pictures, the surprising tributes came later: Annie Leibovitz's book, A Photographer's Life, 1990–2005, and last year's Metropolitan Museum of Art show, On Photography: A Tribute to Susan Sontag, which ran from June 6 to September 4, 2006. Leibovitz's book opens with a picture of Sontag, back to the camera, dwarfed by the rock walls of Petra but emerging into the white open space before the temple. Leibovitz explains that she came across the photograph while searching through …
Artful Identifications: Crafting Survival In Japanese American Concentration Camps, Jane E. Dusselier
Artful Identifications: Crafting Survival In Japanese American Concentration Camps, Jane E. Dusselier
Jane E. Dusselier
"Artful Identifications" offers three meanings of internment art. First, internees remade locations of imprisonment into livable places of survival. Inside places were remade as internees responded to degraded living conditions by creating furniture with discarded apple crates, cardboard, tree branches and stumps, scrap pieces of wood left behind by government carpenters, and wood lifted from guarded lumber piles. Having addressed the material conditions of their living units, internees turned their attention to aesthetic matters by creating needle crafts, wood carvings, ikebana, paintings, shell art, and kobu. Dramatic changes to outside spaces of "assembly centers" and concentration camps were also critical …
Going Back To The Old Mainstream: No Depression, Robbie Fulks, And Alt. Country's Muddied Waters, Barbara Ching
Going Back To The Old Mainstream: No Depression, Robbie Fulks, And Alt. Country's Muddied Waters, Barbara Ching
Barbara Ching
In 1972, when Doctor Hook and the Medicine Show sang "The Cover of the Rolling Stone," they cast rock critics as arbiters of stardom. By the time Cameron Crowe used th is song in his 2000 film Almost Famous, it held little irony. Sex and drugs were good but they just couldn't compare to joining the magazine's anointed. Currently, some alternative country aspirant could sing the same tune about No Depression. The magazine, now in its eighth year, invariably uses its cover to showcase an alt.country artist. It has sponsored alt.country package tours (in which the editors indulge the fan's …
Turning Learned Authority Into Royal Supremacy: Elizabeth I'S Learned Persona And Her University Orations, Linda Shenk
Turning Learned Authority Into Royal Supremacy: Elizabeth I'S Learned Persona And Her University Orations, Linda Shenk
Linda Shenk
When the princess Elizabeth studied languages and rhetoric with William Grindal and Roger Ascham, she acquired more than practical skills. She earned the right to depict herself as a learned prince. Throughout the fifteenth and sixteenth centuries, the image of the educated monarch had gained particular political currency when humanist thinkers marketed the schoolroom as the necessary training ground for both king and counselor. Learned status served as proof that one was sufficiently wise and virtuous to hold political office.
The Feminization Of Magic And The Emerging Idea Of The Female Witch In The Late Middle Ages, Michael D. Bailey
The Feminization Of Magic And The Emerging Idea Of The Female Witch In The Late Middle Ages, Michael D. Bailey
Michael D. Bailey
The figure of the witch first appeared in Europe toward the end of the Middle Ages. That is, while all the separate components of witchcraft—harmful sorcery or maleficium, diabolism, heretical cultic activity, and elements drawn from common folklore, such as ideas of nocturnal flight—were widely believed to exist throughout much of the medieval period, only in the fifteenth century did these components merge into the single concept of satanic witchcraft. Also in the fifteenth century an aspect of witchcraft emerged that, to many modern minds at least, is perhaps the most striking and compelling element of the stereotype—the pronounced association …
Readers' Theatre As A History Teaching Tool, Sandra D. Harmon, Pamela Riney-Kehrberg, Susan Westbury
Readers' Theatre As A History Teaching Tool, Sandra D. Harmon, Pamela Riney-Kehrberg, Susan Westbury
Pamela Riney-Kehrberg
LAST YEAR marked the one-hundred-and-fiftietha nniversaryo f the first women's rights convention held at Seneca Falls, New York. We wanted to celebrate the event with a dramatic presentation for our students. Lacking the skill to write a compelling play, we decided to put on a readers' theatre version of the convention. Such productions are engaging and relatively easy to stage as the actors read from scripts, usually without costumes or scenery. Readers' theatre also allows greater control over historical accuracy than a conventional play. Since history is only occasionally dramatic, the demands of theatre, whether on stage or in films …
Women, Technology, And Rural Life: Some Recent Literature, Pamela Riney-Kehrberg
Women, Technology, And Rural Life: Some Recent Literature, Pamela Riney-Kehrberg
Pamela Riney-Kehrberg
Historical study of American farm women has had a relatively short life, reaching back approximately twenty years. Rural women rarely existed in earlier scholarship that reserved the categories of farmer and farming for males. Agricultural history thus manifested itself as a story of men and their tools, stretching back historiographically into the early days of the 20th century. Although in 1953 Jared van Wagenen described in careful detail many of the physical processes of farming in The Golden Age of Homespun, the women's work from which he derived his title occupied less than twenty pages at the end of his …
Jane Howell And Subverting Shakespeare: Where Do We Draw The Lines?, Linda Shenk
Jane Howell And Subverting Shakespeare: Where Do We Draw The Lines?, Linda Shenk
Linda Shenk
When Ralph Berry asks RSC director Bill Alexander to explain how a director chooses to do a Shakespearean play in a certain manner, Alexander replies: "For me, it all boils down to this: how best can I reveal this play, how best can I release my own perception of the play, my own feeling of what it's about, and what it says and why he wrote it" (Berry 178). To fulfill these goals, directors often choose to set a play in a different historical context, devise a thematic doubling scheme, and/or cut lines to emphasize a specific concept. Such decisions …