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Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek
Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek
Theses and Dissertations
This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.
The Intersection Of Art And Public History: Schmucker Art Gallery’S Newest Exhibit, Jeffrey L. Lauck
The Intersection Of Art And Public History: Schmucker Art Gallery’S Newest Exhibit, Jeffrey L. Lauck
The Gettysburg Compiler: On the Front Lines of History
“‘Pray For the People Who Feed You’: Voices of Pauper Children in the Industrial Age” is the newest exhibit to be featured in the Schmucker Art Gallery at Gettysburg College. The exhibit was curated by Gettysburg College senior Rebecca Duffy ’16, and is the culmination of her three semester International Bridge Course (IBC) program. At its opening on Friday, October 2, Duffy discussed her experiences with the IBC program and the process she went through in putting together this unique project [excerpt].
Beer And Brewing In German Culture: Bridging The Gaps Within Steam, John D. Sundquist
Beer And Brewing In German Culture: Bridging The Gaps Within Steam, John D. Sundquist
The STEAM Journal
A university-level course on science, history, and culture of beer and brewing offers students from a wide range of disciplines a unique opportunity to learn from each other. They gain an appreciation for STEAM and the interaction of a number of disciplines while examining a subject of growing interest. This paper provides a brief description of such a course and includes specific examples of ways in which students explore science, engineering, humanities and the arts, as these areas of research come together in the study of beer and brewing.
The Art Looting Investigation Unit: Finding Their Place In World War Two History, Marykate Farber
The Art Looting Investigation Unit: Finding Their Place In World War Two History, Marykate Farber
Honors Theses
This thesis examines the work done by the Art Looting Investigation Unit (ALIU) during World War Two. The ALIU was created as a subdivision of the Office of Strategic Services (OSS), an American intelligence unit created during the war that was the predecessor of the Central Intelligence Agency. The ALIU men sought to collect and build on information regarding the Nazi “art looting machine”. As such, they bore a strong resemblance to the activities of the Museum and Fine Arts and Archives (MFAA) commission (known as the “Monuments Men”). Thanks to a recent movie starring Matt Damon and George Clooney, …
Interview With Harry Dalton, Harry Dalton
Interview With Harry Dalton, Harry Dalton
Winthrop University Oral History Program
In his May 12, 2015 interview with Rebecca Masters, Harry Dalton shares his time at Winthrop as a student from 1976-1986 and how he remained involved with Winthrop ever since. Recalled are the accomplishments of DiGiorgio, Dalton’s thoughts on President Mahony, and how Winthrop has changed from his time as a student. This interview was conducted for inclusion into the Louise Pettus Archives and Special Collections Oral History Program.
Reflections On A Collection: Revisiting The Uwm Icons Fifty Years Later, Laura Jean Louise Sims
Reflections On A Collection: Revisiting The Uwm Icons Fifty Years Later, Laura Jean Louise Sims
Theses and Dissertations
The University of Wisconsin–Milwaukee Art Collection is home to a sizable donation of Byzantine and post-medieval icons and liturgical objects. Central to this thesis exhibition catalogue are the thirty-two Greek and Russian icons from this collection and their history with collector Charles Bolles Bolles-Rogers. Reflections on a Collection: Revisiting the UWM Icons Collection Fifty Years Later contextualizes the history of icon collecting in the United States and examines the collecting history of these icons.
By first focusing on icon collecting and scholarship in Greece and Russia towards the end of the nineteenth and into the twentieth centuries, this catalogue traces …
Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden
Butler Journal of Undergraduate Research
How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …
Jacques-Louis David And The Enlightenment: The Intersection Of Art And Politics In Prerevolutionary France, Ashley B. Mullen
Jacques-Louis David And The Enlightenment: The Intersection Of Art And Politics In Prerevolutionary France, Ashley B. Mullen
Senior Theses and Projects
An analysis of Jacques-Louis David's art and politics before and during the French Revolution.
The Art Of Censorship, Mark Sieber
The Art Of Censorship, Mark Sieber
Geifman Prize in Holocaust Studies
This work seeks to show a similarity between censorship of Art in Nazi Germany and the censorship of John Adam’s The Death of Klinghoffer. By analyzing historical facts surrounding Nazi policy and comparing them against criticisms of Klinghoffer, a connection is found. Censoring a work of art, regardless of its message, is detrimental not only to the art itself, but also to the culture, voice, and ideas it represents.
Hidden Heroes Of The Big Sandy Valley, Jonathan Jeffrey, Contributor, James Gifford, Editor
Hidden Heroes Of The Big Sandy Valley, Jonathan Jeffrey, Contributor, James Gifford, Editor
SCL Faculty and Staff Book Gallery
"This book contains twenty-two biographical essays and one cultural essay by seventeen authors. The people who are profiled in this book are true representatives of millions of people who have populated the Big Sandy Valley for more than two hundred years. I invite you to read their stories and discover the reality of a great regional people." - See more at: http://www.jsfbooks.com/products/hidden-heroes-of-the-big-sandy-valley#sthash.lwPTCTM4.dpuf
Inspiring Piety: The Influence Of Caravaggio’S Paintings In Santa Maria Del Popolo, Cara Coleman
Inspiring Piety: The Influence Of Caravaggio’S Paintings In Santa Maria Del Popolo, Cara Coleman
Williams Honors College, Honors Research Projects
This article looks at the way Italian Baroque painter, Michelangelo Merisi da Caravaggio broke from the artistic conventions of the Renaissance and Mannerist styles in his religious paintings to create an entirely new style that reflected the needs of the post-Tridentine Catholic Church. Caravaggio pushed painting throughout Europe in a new direction, away from the idealization of the Renaissance and the artistic extremes of Mannerism, by popularizing realism in art. Caravaggio’s unique style is examined through comparisons of his paintings, The Conversion of Paul, c.1601 and The Martyrdom of Saint Peter, c.1601 in the Roman basilica, Santa Maria del Popolo …
Voz Alta: The Sound Of A Collective Memory, Sarah E. Kleinman
Voz Alta: The Sound Of A Collective Memory, Sarah E. Kleinman
Graduate Research Posters
Voz Alta is a participatory, voice-activated public light installation designed by Rafael Lozano-Hemmer as a memorial for the Tlatelolco massacre, which occurred on October 2, 1968 in the Plaza de las Tres Culturas in Tlatelolco, Mexico. In the Plaza, Lozano-Hemmer has synchronized a megaphone with a 10 kW Xenon robotic searchlight. As each participant speaks into the megaphone, the searchlight shines to the uppermost floor of the towering Centro Cultural Tlatelolco (CCT) building where three additional searchlights instantaneously strobe, dim, and brighten, illuminating the nocturnal landscape in horizontally fixed, tangential beams. Although the aesthetic, social, historical, and political aspects of …