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Fantasy Frontier: Old West Theme Parks And Memory In California, Amanda Tewes Nov 2017

Fantasy Frontier: Old West Theme Parks And Memory In California, Amanda Tewes

Doctoral Dissertations

This study examines sites of Old West tourism—specifically the three California theme parks of Knott’s Berry Farm, Calico Ghost Town, and Frontier Village—as avenues through which the myth of “the West” gets propagated, even among the people of the American West, and even if these sites do not reflect the actual history of the region. California’s Old West theme parks act as windows into mid-twentieth-century cultural conflicts of politics and identity within the state. But these sites are artifacts of a particular historical moment and their fantasy of the Old West memorializes mid-century renderings of the past rather than nineteenth-century …


Never Forgets: Traumatic Trace Within Public Space, Jan Descartes Sep 2017

Never Forgets: Traumatic Trace Within Public Space, Jan Descartes

Dissertations, Theses, and Capstone Projects

This paper will interrogate the ways in which ephemera from events affects the human and non- human environment and how the absence, manipulation or presence of traumatic trace weaves itself into the atmosphere of the past, present and future. It will look at space and the ways that trace manifests itself in hierarchal spaces and Lebbeus Woods’ concept of heterarchial spaces, which are organic and/or horizontally organized. A thread throughout is the question that if trace from trauma can exist in the visual field, i.e. the physical or digital landscape, in a way that maintains a discourse without perpetuating oppression. …


Conformity And Digression: Change Of Narrative In A Chinese Peasant's Personal Writing, Danping Wang Jul 2017

Conformity And Digression: Change Of Narrative In A Chinese Peasant's Personal Writing, Danping Wang

Masters Theses

Rural China has gone through dramatic transformation from the Mao era to the post-Mao era. China scholars have been studying the institutional changes closely in the past few decades. However, Chinese peasants’ living experience and their memory and understanding of the past have not yet received enough attention and discussion. By examining personal writings of a peasant named Luo Xuechang in Jiande, Zhejiang province, this paper discusses the complex interactions between the state and the individual. This paper attempts to unfold the juxtaposition of state narratives and personal narratives embedded in Luo’s unpublished memoir, almanacs from 1972 to 1980, notebooks …


The Unaccustomed Vanishing Point, Procheta Olson Jul 2017

The Unaccustomed Vanishing Point, Procheta Olson

Masters Theses

The Unaccustomed Vanishing Point is an exhibition of miniature paintings and installations that explore the irregular and fluid terrains of multicultural exchanges in India. Although drawing heavily from Mughal and Persian painting traditions, the paintings are rife with allegories of the postcolonial history, politics, and visual and material culture of contemporary India in the age of globalization. The installations, on the other hand, navigate the intersection of sensory experience and memory while simultaneously examining the dynamics of transnational experiences. Together they map the overlapping boundaries of the personal and social to probe into the complex interplay of cultural hybridity, class, …


Manipulated Museum History And Silenced Memories Of Aggression: Historical Revisionism And Japanese Government Censorship Of Peace Museums, Benjamin P. Birdwhistell May 2017

Manipulated Museum History And Silenced Memories Of Aggression: Historical Revisionism And Japanese Government Censorship Of Peace Museums, Benjamin P. Birdwhistell

University of New Orleans Theses and Dissertations

The Japanese government has a vested interest in either avoiding discussion of its war-torn past or arguing for a revisionist take. The need to play up Japanese victimization over Japanese aggression during World War II has led to many museums having their exhibits censored or revised to fit this narrative goal. During the 1990’s, Japan’s national discourse was more open to discussions of war crimes and the damage caused by their aggression. This in turn led to the creation of many “peace museums” that are intended to discuss and confront this history as frankly as possible. At the beginning of …