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Documenting Internationalism: The Instituto Cubano Del Arte E Industria Cinematográficos As A Cultural Extension Of Cuban Foreign Policy, Vella V. Voynova

Theses and Dissertations

This thesis examines the connection between the Instituto Cubano del Arte e Industria Cinematográficos and the Cuban Revolution's internationalism and argues that it made ICAIC documentarians, their methods of production, and their documentary films a valuable asset to Cuban foreign policy in the 1960s and 1970s.

The Exile Of Assata Shakur: Marronage And American Borders, Joe Kaplan

History Theses

Former Black Panther, Assata Shakur, now living in exile in Cuba after breaking out of a U.S. prison, is a self-described escaped slave, or maroon. Shakur has adopted this identity to underscore how practices and ideologies developed under slavery continue to structure Black life in the Americas, and how resistance strategies produced by this historical milieu remain salient in critiques of modern U.S. state power. The transnational nature of Shakur’s flight points to the use of borders as a highly effective, yet overlooked, tactic of Black resistance that has both historical and contemporary relevance. For maroons, borders mark hard distinctions …

To Be Magic: The Art Of Ana Mendieta Through An Ecofeminist Lens, Elizabeth Ann Baker

Honors Undergraduate Theses

Ana Mendieta was a Cuban-born American artist whose unique body of work incorporated performance, activism, Earth art, installation, and the Afro-Cuban practices of Santería. She began her career at the University of Iowa, were she initially received her degree in painting in 1969. It was not until 1972 that Mendieta shifted radically to performance art.

Though she was raised Catholic, she developed an interest in the rituals involved with Santería, a culturally predominant Cuban religion, and it deeply influenced her work in her choice of materials and settings. Santería is one of the major faith-based lifestyles of Cuba …