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"A Vigorous Propaganda": The Peace Conferences Of 1899 And 1907, The Peace Palace, And Internationalism Through Design At The Hague, 1899–1920, Daniel Pecoraro
"A Vigorous Propaganda": The Peace Conferences Of 1899 And 1907, The Peace Palace, And Internationalism Through Design At The Hague, 1899–1920, Daniel Pecoraro
Theses and Dissertations
This thesis uncovers the history of the Peace Palace and The Hague’s role in the early days of the internationalist movement. In the process of localizing the early twentieth century history of The Hague, this thesis examines the development of international imagery and culture through design. The Peace Palace as we know it today was ultimately a result of tensions between internationalist ideas (cooperation, arbitration, modernity) and the pride of Old World nationalism. The final design by Louis Cordonnier and J. A. G. Van der Steur repudiates the feeling of modernity surrounding the idea of peace through arbitration. It is …
Documenting Internationalism: The Instituto Cubano Del Arte E Industria Cinematográficos As A Cultural Extension Of Cuban Foreign Policy, Vella V. Voynova
Documenting Internationalism: The Instituto Cubano Del Arte E Industria Cinematográficos As A Cultural Extension Of Cuban Foreign Policy, Vella V. Voynova
Theses and Dissertations
This thesis examines the connection between the Instituto Cubano del Arte e Industria Cinematográficos and the Cuban Revolution's internationalism and argues that it made ICAIC documentarians, their methods of production, and their documentary films a valuable asset to Cuban foreign policy in the 1960s and 1970s.
Isolationism, Internationalism And The “Other:” The Yellow Peril, Mad Brute And Red Menace In Early To Mid Twentieth Century Pulp Magazines And Comic Books, Nathan Vernon Madison
Isolationism, Internationalism And The “Other:” The Yellow Peril, Mad Brute And Red Menace In Early To Mid Twentieth Century Pulp Magazines And Comic Books, Nathan Vernon Madison
Theses and Dissertations
This thesis’ purpose is to demonstrate, via the examination of popular youth literature (primarily pulp magazines and comic books) from the 1920s through to the 1950s, that the stories found therein drew their definitions of heroism and villainy from an overarching, nativist fear of outsiders that had existed before the Great War, but intensified afterwards. These depictions were transferred to America’s “new” enemies following both the United States’ entry into the Second World War, as well as the early stages of the Cold War. This transference of nativist imagery left behind the ethnically-based origins of such depictions, showing that racism …