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University of New Mexico

Black Panther Party

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“For All You Know, I Might Be A Black Panther”: How The News Media Cultivated White Anxiety In The United States And Became A Modern Panopticon For Black Power, Caitlin Grace Leishman May 2022

“For All You Know, I Might Be A Black Panther”: How The News Media Cultivated White Anxiety In The United States And Became A Modern Panopticon For Black Power, Caitlin Grace Leishman

History ETDs

Building upon French philosopher Michel Foucault’s analysis of Jeremy Bentham’s Panopticon, I argue that throughout the late 1960s and early 1970s, the news media and resulting culture nurtured and reinforced the postcolonial narratives that associated Blackness with criminality. I analyze the national newspaper coverage for their narrative portrayal of the Black Panther Party for Self-Defense (BPP). The national media and U.S. government targeted the BPP and Black Power politics to discredit them and the overall movement for Black Liberation. I argue that this media-state project only intensified during the 1970s and into the 1980s with the country’s turn to …


"For All You Know, I Might Be A Black Panther": How The News Media Cultivated White Anxiety In The United States And Became A Modern Panopticon For Black Power, Caitlin Grace Leishman Apr 2022

"For All You Know, I Might Be A Black Panther": How The News Media Cultivated White Anxiety In The United States And Became A Modern Panopticon For Black Power, Caitlin Grace Leishman

History ETDs

Building upon French philosopher Michel Foucault’s analysis of Jeremy Bentham’s Panopticon, I argue that throughout the late 1960s and early 1970s, the news media and resulting culture nurtured and reinforced the postcolonial narratives that associated Blackness with criminality. I analyze the national newspaper coverage for their narrative portrayal of the Black Panther Party for Self-Defense (BPP). The national media and U.S. government targeted the BPP and Black Power politics to discredit them and the overall movement for Black Liberation. I argue that this media-state project only intensified during the 1970s and into the 1980s with the country’s turn to …