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Morkovcha [Korean Carrot Salad], Lidiya A. Kan
Morkovcha [Korean Carrot Salad], Lidiya A. Kan
Theses and Dissertations
Morkovcha, Korean Carrot Salad is a short documentary that tells a story of ethnic Koreans from Russia and the post-Soviet territories making their new home in New York City. The history of the diaspora is told through conversations with my mother, personal stories, fragmented memories, and my family photo archive. This very personal film is my attempt to revisit the 160-year history of the Russian Korean diaspora and to record and preserve our unique fusion of cultures in the melting pot that is the United States. Its purpose is to help to process and accept the tragic past of my …
Us, Abundantly: From Africa To The Americas, Karisma Jay
Us, Abundantly: From Africa To The Americas, Karisma Jay
Theses and Dissertations
"Us, AbunDantly," a Live theatrical dance performance and film, delves into the African Diaspora and its influences. An artistic and academic project built upon the amplification of Black excellence and Black pride, this paper contextualizes a work within the oral histories and contemporary dance studies of a powerfully ancestral community.
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
Theses and Dissertations
After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.
Exorcising Power, John Jarzemsky
Exorcising Power, John Jarzemsky
Theses and Dissertations
This paper theorizes that authors, in an act I have termed “literary exorcism,” project and expunge parts of their identities that are in conflict with the overriding political agenda of their texts, into the figure of the villain. Drawing upon theories of power put forth by Judith Butler, I argue that this sort of projection arises in reaction to dominant ideas and institutions, but that authors find ways to manipulate this process over time. By examining a broad cross-section of English-language literature over several centuries, this phenomenon and its evolution can be observed, as well as the means by which …