Digital Commons Network^™

From Half-Free To Property: The Evolution Of Slavery In Dutch New Netherland And English New York, 1621-1712, Sarah E. Hendrickson

Theses and Dissertations

Between 1621 and 1712, Dutch and English colonists imported African slaves to present-day New York to help create a profitable colony. This thesis explores why the Dutch created a society with slavery and how the English transformed New York into a slave society during this period.

The Inconspicuous Lives Of Dr. Susan Smith Mckinney Steward And Dr. Elizabeth Blackwell, Alexandra W. Bogdanovich

Theses and Dissertations

This paper examines trailblazing American female doctors of the nineteenth century in New York. Through the lives of Dr. Susan Smith Mckinney Steward, who is black, and Dr. Elizabeth Blackwell, who is white, this analysis tries to understand what motivated these women and how they succeeded in spite of the confines of women’s prescriptive role in nineteenth-century America.

“Matrimonio”: Italian Brides, Grooms And Birthplaces At Our Lady Of Pompei In Greenwich Village, 1924-1933, Brendan O'Hagen

Theses and Dissertations

This study analyzes marriage patterns at Our Lady of Pompei (OLP), an Italian Catholic parish in New York City, during the 1920s and 1930s. It investigates whether intermarriage increased at OLP, but also links changes in marital practices to forces including government policies and demographic changes in the local community.

Power Dressing: Feather Fans And The Visual Language Of Female Portraiture, Charlotte Svetkey

Theses and Dissertations

Feather fans in sixteenth-century portraiture not only allowed the female sitter to express her own claims to wealth, status, and power but also acted as a visual indicator of changes that were occurring on the global stage. Both fans and sitters will be evaluated through ideas of gender and class.

Yankee Go Home: Roci In Latin America, Vitoria Hadba

Theses and Dissertations

In 1984, at an event hosted by the United Nations, American artist Robert Rauschenberg announced his most ambitious and controversial project to date: the Rauschenberg Overseas Culture Interchange—or ROCI. Blending primary source documents with social art history, I retrace the artist’s steps—and missteps—during the first leg of his tour through Mexico, Chile, and Venezuela. This thesis investigates the convoluted political implications of ROCI in Latin America during the transitional period in which binary Cold War politics were ebbing amidst the rise of a global free-market economy.

An Infinite Horizon: Space, Time, & Mind In The American Imaginary From Thomas Cole To Agnes Pelton, 1825-1961, Jason Friedman

Theses and Dissertations

This thesis examines how artists, intellectuals, spiritual seekers, and industrialists represented the American horizon across the nineteenth and twentieth centuries. The purpose of this inquiry is to show how art transmuted ideological and religious beliefs across time and to demonstrate the interdependence of esoteric self-perceptions and American hegemonic power.

Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry

Theses and Dissertations

Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.

Eagle Eye Vs. Gear Jammer, Jessica Danielle Ellis

Theses and Dissertations

Where similarities in class struggle have historically operated as a unifying force globally, the American crafted mythos isolates the individual and dehumanizes those that do not fall within the parameters of the cowboy archetype. The national protagonist is turned into a class traitor and an extension of government power.

Morkovcha [Korean Carrot Salad], Lidiya A. Kan

Theses and Dissertations

Morkovcha, Korean Carrot Salad is a short documentary that tells a story of ethnic Koreans from Russia and the post-Soviet territories making their new home in New York City. The history of the diaspora is told through conversations with my mother, personal stories, fragmented memories, and my family photo archive. This very personal film is my attempt to revisit the 160-year history of the Russian Korean diaspora and to record and preserve our unique fusion of cultures in the melting pot that is the United States. Its purpose is to help to process and accept the tragic past of my …

Article 6.21, Tatiana Stolpovskaya

Theses and Dissertations

Article 6.21 is a short documentary film that aims to examine the state of censorship around queerness in Russia today and its effects on personal lives in the queer community.

Twenty years after Russia decriminalized homosexuality, on June 30th in 2013, President Vladimir Putin signed Article 6.21 "for the Purpose of Protecting Children from Information Advocating for a Denial of Traditional Family Values", also known as the "Gay Propaganda Law". Its broad and ambiguous wording allows the government significant leeway in deciding what kind of public queerness is punishable.

In 2020 Russia passed multiple constitutional amendments that affect many areas …

The National Interest And The Roots Of American-Saudi Diplomacy, Oliver B. Wiegel

Theses and Dissertations

This paper analyzes the beginnings of diplomacy between the United States and Saudi Arabia during the interwar years and World War II. It explores how national interest was decided upon, how oil companies affected American foreign policy, and the American government’s strategic interest in Saudi oil reserves.

Us, Abundantly: From Africa To The Americas, Karisma Jay

Theses and Dissertations

"Us, AbunDantly," a Live theatrical dance performance and film, delves into the African Diaspora and its influences. An artistic and academic project built upon the amplification of Black excellence and Black pride, this paper contextualizes a work within the oral histories and contemporary dance studies of a powerfully ancestral community.