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The Elevator Only Goes Up, Jordan Mitchell
The Elevator Only Goes Up, Jordan Mitchell
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: This letter takes Paul Laurence Dunbar back to when he was not proud of his work. In high school, he thought all of his writing was one big joke. He could not afford much, which led to him being forced to take a job as an elevator hopper. In the end, it was a situation that should be seen as a positive. When talking in the elevator with people, he was able to learn how they spoke and put it into his writing. …
Come In, A Very Clever, Aaron Swerlein
Come In, A Very Clever, Aaron Swerlein
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: The typeset I chose was in the families of Ten Oldstyle VF, designed by Robert Slimbach, and PestoFresco, by Giuseppe Salerno and Paco Gonzalez.
In letter 198, Paul Laurence Dunbar is sitting in his bed suffering from tuberculosis as he writes a letter to Dr. Fisher. Throughout this letter, Dunbar writes about how he isn’t able to do much because of the tuberculosis disease in his lungs. Dunbar wrote this letter the year before he died, letting Dr. Fisher know his whereabouts and …
The Uneventful Life, Hannah Schultz
The Uneventful Life, Hannah Schultz
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: Letter 85 provides Paul Laurence Dunbar’s negative viewpoint on his successes. Although we are unsure who he is writing to, he writes of his accomplishments from early childhood to the present and calls it all uneventful. He starts off by mentioning how he was only published at age 14 and quickly calls it positive trash. He continues to discuss how he was widely loved in high school and was the editor-in-chief of the school newspaper, but he wrote the paper a month late …
Grateful But Discouraged, Noah Davisson
Grateful But Discouraged, Noah Davisson
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's narrative: Letter 21 is from Paul Laurence Dunbar to Frederick Douglass, expressing his thanks to Douglass for his help in Chicago. Dunbar was showing his gratitude toward him and his wife and how he would not forget their kindness. Dunbar goes on to explain that he is not doing well mentally and that the people in his town did not support him — especially after he came back from Chicago. Dunbar explains how news of him getting thrown out of a hotel for being …
The Gratitude I Really Feel, John Maloney
The Gratitude I Really Feel, John Maloney
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Work displayed here as a diptych
Artist's narrative: In Letter 10, Paul Laurence Dunbar articulates his gratitude to a friend, Dr. James Newton Matthews, on the day before Thanksgiving. Matthews was a doctor and poet and one of the cofounders of the Western Association of Writers (WAW). When Dunbar read his poetry at the annual conference of the WAW, Matthews was so impressed that he wrote a newspaper article about him. The story was widely republished, bringing greater attention to Dunbar and his work. This …
Don't Be Startled, My Dear Mother, Jon Quiroz
Don't Be Startled, My Dear Mother, Jon Quiroz
Life in Letters: A Typographic Poster Exhibition Featuring Paul Laurence Dunbar
Dimensions: 30 inches wide, 36 inches tall
Inkjet on matte paper, printed on both sides
Artist's statement:
In Letter 66, Paul Laurence Dunbar aims to reassure his mother, Matilda Dunbar, not to be so concerned about his whereabouts. He emphasizes that he will return home as soon as he can. Within the letter, he sends a $2 bill to give financial support during his busy schedule of recitals, particularly in the South—a gesture that underscores his devotion to his family’s well-being even in his absence. Dunbar reassures his mother that after gaining great success from his writing, all the financial …