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La Résistance: An Original Screenplay, Luke Griffin
La Résistance: An Original Screenplay, Luke Griffin
WWU Honors College Senior Projects
La Résistance is an original screenplay set in 1944 France, focused on a protective young woman struggling to keep her resistance group united and alive as they hunt, and are hunted by, a cold, calculating Milice captain. This first draft explores the ideological divide within the French Resistance alongside the more abstract ideas of why someone fights and what they do when they lose sight of what they fought for to begin with.
Growth And Poverty Traps: Examples From Literature, Danielle Chaloux
Growth And Poverty Traps: Examples From Literature, Danielle Chaloux
Honors Scholar Theses
The writings of Charles Dickens, Emile Zola, Knut Hamsun, and Laura Ingalls Wilder capture humanity on the page. The characters in the works of these authors are confronted by realistic or autobiographical situations and make choices based on history, personal preferences, societal pressures, and economic constraints, just as real-life individuals do. They can thus serve as data for illustrating the implications of economic models, specifically poverty traps. To do so, I will draw from Great Expectations (1861) by Charles Dickens, The Fat and the Thin (1873) by Emile Zola, Hunger (1890) by Knut Hamsun, and The First Four Years (1971) …
Translations From Allada And Experience D'Edward Lee, Versailles By Gérard Gavarry, Gérard Gavarry, Katina Rogers
Translations From Allada And Experience D'Edward Lee, Versailles By Gérard Gavarry, Gérard Gavarry, Katina Rogers
Publications and Research
At the heart of Gérard Gavarry’s writing are the questions of what power language holds, and what remains beyond the reach of expression. The two translations included here, excerpts from Allada (P.O.L, 1993) and Expérience d’Edward Lee, Versailles (P.O.L, 2009), share little with each other in terms of setting or structure, but explore similar questions of the role and limits of language in relation to defamiliarization, power, and fear. The inventive reflection on the nature of language, identity, and power that, woven into the fabric of the novel, makes Gavarry’s work some of the most compelling fiction coming out of …
Trauma And The Representation Of The Unsayable In Late Twentieth-Century Fiction, Katina Rogers
Trauma And The Representation Of The Unsayable In Late Twentieth-Century Fiction, Katina Rogers
Publications and Research
This dissertation explores the ways in which several fiction writers from France, the U.S., and Latin America experiment with the form of their works in writing about traumatic experience, as they navigate the tension between a propulsion toward expression and toward silence. Some of these traumas are vast, as in Edmond Jabès’ Le livre des questions (1963-1973), which addresses not only the Holocaust, but also questions of exile and identity. Others are on a smaller scale, such as Jacques Roubaud’s Quelque chose noir (1986), Julio Cortázar's Los autonautas de la cosmopista (1983), and Macedonio Fernández’s Museo de la Novela de …
Crosscurrents And Confluences: Echoes Of Religion In Twentieth-Century Fiction, Eamon Maher
Crosscurrents And Confluences: Echoes Of Religion In Twentieth-Century Fiction, Eamon Maher
Books/Chapters
No abstract provided.
Book Review: L'Oeuvre Romanesque De Jacques-Stephen Alexis, Marie-Denise Shelton
Book Review: L'Oeuvre Romanesque De Jacques-Stephen Alexis, Marie-Denise Shelton
CMC Faculty Publications and Research
No abstract provided.