Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Entire DC Network
Interface Of Glass And Topology, Travis Adams
Interface Of Glass And Topology, Travis Adams
Theses and Dissertations
Interface of Glass and Topology is a supportive statement for a collection of blown glass sculptures that employ principles of continuous surface topology along with line and color applications to create a perceptual visual experience. These forms address issues of balance and continuity as well as space relationships of both inside to outside and object to self. This supportive statement will discuss topology as a basis for composition and larger questions of interconnectivity with our environment that serves as a guiding theme of my work.
A Vestige Of The Ultimate Force Of Time And Space, Jiyoung Megan Lee
A Vestige Of The Ultimate Force Of Time And Space, Jiyoung Megan Lee
Bachelor of Fine Arts Senior Papers
This art statement is rooted in an idea that the existential quality is independent of absence and presence (synonymous to appearing and disappearing, and real and recognition) and distilled physicality of human body creates a parallel relationship between the two. In search of a proof and logic for articulating the central idea, –that the absence does not define evanescence of existence— the application of physical interactivity in my art, also known as relational aesthetic, enables the work to invite viewers in a way that the interactors leave their traces by physically interacting with the work. These individual traces are eventually …
Emotional Reverberations, Kirsten Heteji
Emotional Reverberations, Kirsten Heteji
Theses and Dissertations
Projecting psychological mindscapes onto domestic objects allows for an emotive and bodily connection to the domestic realm. Body, for me, is the clay and how it holds touch and softness indexically recording the actions of making in the final forms. Pushing, pulling and pinching clay evokes sensations that connect the maker’s body as well as the observer of the work to participate. I shift expectations by experimenting between the hard and softness of bodily material like clay, giving it emotional fragility in how it contrasts the original structure it imitates. I think about creating objects and the arrangement them of …