Open Access. Powered by Scholars. Published by Universities.®
- Institution
Articles 1 - 9 of 9
Full-Text Articles in Entire DC Network
Identites Of Women In Indian Art And History, Nalini Rao
Identites Of Women In Indian Art And History, Nalini Rao
Monsoon: South Asian Studies Association Journal
The stereotypical image of Indian women portrayed in the art of stone sculpture is often interpreted as images of beauty that are sensuous, religious as well depict social life. There are historical reasons for depicting her as such. This paper inquires into the changing depiction and social forces that influenced feminine imagery. This paper examines the portrayal of beauty through idealization of female body which has evolved over the centuries in India. It also aims to understand their changing status and explores issues of feminine identity, status, and empowerment largely in ancient and medieval India. It also provides a brief …
Myth, Soul, And The Feminine
Journal of Conscious Evolution
What are some of the root causes that have caused the subjugation of women? Could it all have begun with the fantastical and alluring myths we were told? If so, how does myth become truth for societies as a whole? If that does happen, then it must be true that the mythic is where the emergence of the soul is found; the soul of humanity? Thereby, creating the realities found in the society of today. Even more intriguing is how consciousness and art find their way in merging with myth producing awareness, wonder, and connection in society. Thus, revealing the …
Women Of The Dalit Unrest: Rewriting Bodies, Reinforcing Resistance, Suddhadeep Mukherjee
Women Of The Dalit Unrest: Rewriting Bodies, Reinforcing Resistance, Suddhadeep Mukherjee
Tête à Tête: Journal of Francophone Studies
The paper aims to take the scholarship on corporeal feminism and Dalit Studies forward by focusing on the Dalit woman’s body. The body is not treated as an inert surface in this paper but is considered as a transformative medium that can alter its embedded codifications and significations through transgressive performances in the face of systemic and systematized caste violence. In doing so the gendered body not only challenges to rewrite the Dalit epistemology from the vantage of resistance but also initiates a rethinking of Indian feminism. The paper begins with a discursive discussion on the importance of the gender …
Pulling Out Of Afghanistan, Suzanne Riskin
Pulling Out Of Afghanistan, Suzanne Riskin
be Still
This piece was written on a casual day at work when there was not any particular event happening. I realized how much of an impact a decision made so far away from home could have on my personal growth as a medical educator.
Harlots And Hooligans: The Representation Of Women In Hogarth’S Strolling Actresses Dressing In A Barn (1738), Hannah Arnold
Harlots And Hooligans: The Representation Of Women In Hogarth’S Strolling Actresses Dressing In A Barn (1738), Hannah Arnold
The Kennesaw Journal of Undergraduate Research
The Licensing Act egregiously hindered the English theatrical community when it was placed into effect by King George II in 1737. Strolling actors were thereby forbidden to perform in new plays for profit, forcing acting troupes to disband. This act was widely protested throughout England at the time, most notably by artist William Hogarth in his etching titled Strolling Actresses Dressing in a Barn. This etching cleverly protests the Licensing Act as well as a myriad of quandaries that plagued 18th-century English society, namely, gender roles both on and off the stage. Yet, what exactly is the …
Women Artists' Salon Of Chicago (1937-1953): Cultivating Careers And Art Collectors, Joanna P. Gardner-Huggett
Women Artists' Salon Of Chicago (1937-1953): Cultivating Careers And Art Collectors, Joanna P. Gardner-Huggett
Artl@s Bulletin
This article reconstructs the history of the Women Artists’ Salon of Chicago, which was founded as an exhibition society in Chicago in 1937, and argues that the Board of Directors turned to the 19th century precedents of the Palette Club and the Woman’s Building at the World’s Columbian Exhibition as models for their organization. The essay also traces how members of the Women Artists’ Salon deliberately exhibited traditional artworks associated with the feminine and domestic and coordinated social events in order to cultivate greater sales and a new generation of female art collectors.
An Exhibition Of One’S Own: The Salón Femenino De Bellas Artes (Buenos Aires, 1930s-1940s), Georgina G. Gluzman
An Exhibition Of One’S Own: The Salón Femenino De Bellas Artes (Buenos Aires, 1930s-1940s), Georgina G. Gluzman
Artl@s Bulletin
From the late 1920s on, Buenos Aires witnessed the emergence of exhibition spaces of a separatist character for women artists. In spite of their importance, these regular shows have not received any attention from art history literature. Their vast development, the extensive coverage by the press, and their links to feminist institutions have gone completely unnoticed. Focusing on the Salón Femenino organized by the Club Argentino de Mujeres, the purpose of this article is to reconstruct the organization of these events, to examine their reception by art critics, and to analyze the careers of some of the participating women …
Pilihan Kata Dan Konstruksi Perempuan Sunda Dalam Majalah Manglè: Kajian Linguistik Korpus Diakronik, Susi Yuliawati, Rahayu Surtiati Hidayat, F X. Rahyono, Deny A. Kwary
Pilihan Kata Dan Konstruksi Perempuan Sunda Dalam Majalah Manglè: Kajian Linguistik Korpus Diakronik, Susi Yuliawati, Rahayu Surtiati Hidayat, F X. Rahyono, Deny A. Kwary
Paradigma: Jurnal Kajian Budaya
Gender identity, one of the most important social categories in people’s lives, is socially constructed, and language is claimed to have a significant role in constructing the gender identity. This paper studies the construction of Sundanese women through five Sundanese nouns referring to women found in the corpus of Manglè magazine, published between 1958–2013. The research employs a mixed-method design in which quantitative analysis is combined with qualitative analysis to investigate how the nouns referring to women are used to construct Sundanese women from the periods of Guided Democracy (1958–1965) to Reform Era (2004–2013). The quantitative analysis is used to …
Magic As A Form Of Oppression Towards Women: Gender Ideology In Maleficent (2014), Thalia Shelyndra Wendranirsa
Magic As A Form Of Oppression Towards Women: Gender Ideology In Maleficent (2014), Thalia Shelyndra Wendranirsa
Paradigma: Jurnal Kajian Budaya
Previous studies propose that female protagonists in Disney movies are represented based on gender construction that causes oppression towards women, but in 2014, Disney produces Maleficent which offers different characterization and theme opposing the aforementioned gender construction. By focusing on its different female main character and theme, this paper aims to see what kind of oppression occurs and how Disney presents their gender ideology in the movie. The findings reveal that even though Maleficent is portrayed as a powerful woman, she is also oppressed. Her magical power becomes a trigger of her oppression since men consider Maleficent’s power as a …