Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 9 of 9
Full-Text Articles in Entire DC Network
Stillnoticing, Roberta Ann Massuch
Stillnoticing, Roberta Ann Massuch
LSU Master's Theses
The installation stillNoticing contains ceramic still lifes and drawings that illustrate and bring permanence to ephemeral and fleeting moments. The work is an attempt to share my experience of being captivated by the phenomenon of light affecting the perception of objects and spaces. These moments are often found in familiar spaces, with familiar objects. Each work addresses a particular type of looking: one in which the act of noticing an object transforming from one moment to the next becomes a silent, almost meditative experience.
Interiors Imagined And Remembered, Andrew Brown
Interiors Imagined And Remembered, Andrew Brown
LSU Master's Theses
My paintings are about the concept of home and how this notion constantly evolves with each successive experience, changing how I perceive and experience interior spaces. The imagery in my work is limited to common forms such as cardboard boxes and shelving, as these are elements that are easily related to, and that speak to everyday experiences. Color, space and form are manipulated to work within and at times subvert the implied narrative of each painting. Although memory remains an active part of my process, imagination and the exploration of paint’s physical and expressive possibilities have risen to the fore. …
Domestic/Terror, Charles Russell Durio
Domestic/Terror, Charles Russell Durio
LSU Master's Theses
The focus of my studio work is an exploration of my interest in the physical and mental dynamics that take place within the confines of my home versus the world outside. The home, spatial arrangements (architecture, passageways), maritime disasters, and the ambiguity of abstract expressionism all have an identifiable impact on my images. Abstraction allows me to maintain a visual ambiguity that often reflects the ambiguity of the real-life situations on which they are based. My drawings are rooted in remembrances of events and interior architecture culled from childhood memories. It also explores the juxtaposition of domesticity and fear, both …
Color Locality, Michael Frederick Secor
Color Locality, Michael Frederick Secor
LSU Master's Theses
Secor, Michael, B.A. Art, Centre College, 2006 Master of Fine Arts, Spring Commencement, 2012 Studio Art Color Locality Thesis directed by Professor John Malveto Pages in thesis, 10. Words in abstract, 188. ABSTRACT I go outside to make small drawings and sketches of the local landscapes. My paintings are created in my studio. I use the lines and shapes from the drawings as a guide in making a design of color and space. This practice allows me to relate my enjoyment of the outdoors to my interest in color relationships. It is very important to me to spend time outside, …
Course Over Ground, Kyle James Bauer
Course Over Ground, Kyle James Bauer
LSU Master's Theses
This exhibition, Course Over Ground, cohesively combines a metaphorical reference to maritime navigation with sculptural forms that convey balance, tension, and control. My mixed media sculptures are conceived with an adherence to the formalist perspective of objects. Each sculpture exists as an honest form. The work, and my intention in making it, is evidence of the process of breaking down selective images or objects into what I understand to be their purest representational forms, such as a squares, cylinders, pyramids, and rectangles. I allude to themes and the metaphor of a journey, which coupled alongside my continual quest for self-discovery, …
Wiggle Veil (Or, Love Needs Objects), Adrienne Lynch
Wiggle Veil (Or, Love Needs Objects), Adrienne Lynch
LSU Master's Theses
The six sculptural works that comprise my thesis exhibition emerged from a prolonged series of investigations into the intricately interconnected phenomenon of embodied experience in the world as we know it. These works explore the connections between mysteries in our inner and outer worlds, taking as inescapable fact the notion that our bodily vessels, in all their complexity and subtlety, are the vehicles through which we encounter the world. As such, this work posits embodiment as both frame and anchor for all knowledge and experience. These sculptures, made from ceramic materials and mixed media such as sugar, salt, string, and …
A Shared Silence, Jessica Alice Mowers
A Shared Silence, Jessica Alice Mowers
LSU Master's Theses
I took a journey home to Western New York and turned the camera’s lens on both my family and myself. This thesis is a story about my family and me. I photographed my family to confront the tragic car accident that took my brother’s life and my mom’s sanity. I also acknowledged the present state of my family with these photographs by exploring the root of many of my fears and anxieties that stem from the tense and stressful atmosphere within my home as a result of this car accident.
Everyday, Jill Tucker Moore
Everyday, Jill Tucker Moore
LSU Master's Theses
In our everyday lives we are bombarded with thousands, even millions, of images. Suffering information overload, we filter out the vast majority of these impressions – the person we pass on the street or sitting in the car next to us at a stop light. We only ‘see’ those people, places and things that ‘matter’, all else becomes ‘noise’; filtered into the background of consciousness – vaguely familiar, yet simultaneously foreign, creating a ‘manageable paradigm’ or construct of the world we inhabit. I take photographic portraits every day. Not of the ‘important’ in my life, but the nondescript, often overlooked …
Eve's Prisoners, Tara Rene Ratliff
Eve's Prisoners, Tara Rene Ratliff
LSU Master's Theses
All women are the children of Eve and the children of the earth. With the work of Eve’s Prisoners, my aim was to create imagery about the transient stages of womankind and the timeless relationship the feminine ideal has with nature. We are born innocent and able to see the truth of things, but eventually we all imprison ourselves in our bodies, in language, and in our own nature. My pictures want to reconcile the innocence and the pain and to say that by accepting aging and death as part of life, we free ourselves from our own prisons.