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Articles 1 - 15 of 15
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One Two One, Brianna Morgan Ozanne
One Two One, Brianna Morgan Ozanne
LSU Master's Theses
These things, they speak in whispers. Come close, lean in, listen up. Whisper back. Tell me everything. I know you’ve been here, too. I know you’ll understand. I know you have a shoebox full of memories just like these hidden deep inside your closet. I know.
Collecting And Selecting, Masy Hebert
Collecting And Selecting, Masy Hebert
LSU Master's Theses
In Collecting and Selecting, I am exploring the way others adorn their lives and how these elements add up to emblematize the keeper of the treasures. With linoleum relief prints and drawings, I compose a unique type of portraiture that reveals the parallel identity between the way we dress ourselves and our living spaces. Within my process, I capture moments with photographs, draw, carve, print, and cut out the elements that hold a presence of the owner. Utilizing a heightened sense of contrast with black and white images, the textures and details of these objects come alive. Each gallery wall …
After;Life, Morgan Lynn Anderson
After;Life, Morgan Lynn Anderson
LSU Master's Theses
After;life is an exploration of the time and space between life and death. The installation, created from dozens of woodcut prints, creates this imaginary place, and encompasses viewers through sight, smell, sound, and touch. All elements of this installation are heavily influenced by Southern Louisiana culture and wildlife, and are meant to be familiar enough to provoke personal memory and experience. A set of rituals in the form of three poems, corresponding to three different spirit guides: The Black Dog, The Alligator, and The Opossum, lead the reader through the space from life, through liminal, into death.
Coasteering, Adam James Meistrell
Coasteering, Adam James Meistrell
LSU Master's Theses
Coasteering: (noun) An adventure sport tasked with defining and exploring boundaries and coastlines. Adam Meistrell’s artwork is an invitation to interpret evidence and inspiration through making, investigation, and utility. He utilizes a variety of working methods to interpret evidence and share his understanding.
Lines, Tina Korani
Lines, Tina Korani
LSU Master's Theses
Sometimes one is unaware of one thing: a rule, a boundary, a difference — all of which we cannot see with our eyes, but learning certainly present. When one rcognizes the reality of it, decisions are made. Those decisions shape the world as we know it. “Beyond the Lines” is an exploratory project that aims to increase one’s awareness and reveal that humans are whole beings that can surpass barriers that life places in front of them. This thesis explores human connections and separations, by using the concept of dots and lines, in ways both literally and metaphorical. Through visual …
Reach, Abigail Lauretta Smithson
Reach, Abigail Lauretta Smithson
LSU Master's Theses
During the past three years, I have asked the same two questions over and over again: What is a photograph capable of communicating? What is a document of a place? My thesis exhibition and paper explore these questions using basketball, an art form and creative outlet that I have loved since childhood, as a starting point. Basketball is the lens that I have chosen to look through when approaching my work and a metaphor for larger societal issues, such as racism and gun violence.
Dig, Spin, Repeat, Brittany Anne Sievers
Dig, Spin, Repeat, Brittany Anne Sievers
LSU Master's Theses
Dig, Spin, Repeat, is a body of process based installation objects that uses minimalistic aesthetics placed strategically in the gallery to highlight the architecture of the room. By connecting these unique architectural elements, the work aims to achieve mindfulness similar to the research of Ellen Langer: encouraging active observation. Drawing from my background in sports and factory work, I create multiple repetitive forms out of hand-spun yarn and sourced clay. The room-sized installation objects produced from these raw materials explore the value of staying in the present moment for both the viewer and myself.
The Truth About Your Monsters, Cassidy Creek
The Truth About Your Monsters, Cassidy Creek
LSU Master's Theses
The Truth About Your Monsters is an immersive and dialogical exhibition formatted as a walk-through storybook environment. Viewers are transported into a child’s make believe world through hands-on stations. By building on the skeleton of an archetypal narrative, audience members are encouraged to tap into their own experience as they contribute imagery and action to the narrative. I call on audience members to discuss personal or universal fears by prompting them to draw images of monsters that represent their fear.
Damon Hill, Elizabeth Welch
Damon Hill, Elizabeth Welch
LSU Master's Theses
“Damon Hill” acts as a physical record of the family folklore of a group of people formed by landscape and kinship. As a member of this group, I have translated my family’s stories into a visual narrative as a way to process my own identity in relation to our shared identity. The focus of “Damon Hill” rests primarily on the lives of my female predecessors, as a way for me to contribute their unique voice to the overarching feminine narrative. I incorporate the visual representation of traditionally feminine handicrafts in order to relay their stories through the primary means of …
Baby's Day Out, Andrea Nicole Berg
Baby's Day Out, Andrea Nicole Berg
LSU Master's Theses
Baby's Day Out explores the world through a phenomenological newness that is expressed within abstract figurative painting. Fact and fiction blend in this fantastical array of emotions and real-world referents. I relied on quick mark-making, intuition, and gestural brushwork to explore representations of psychic and emotional states. The results are reminiscent of dreams, poems, secret whispers, unconscious fantasies, and delusions. The viewer is left to navigate the aporia of the space, by gingerly extending each limb forward and backward, to wander from piece to piece. Meaning is relative as the content of each painting is dependent on the interpretive lens …
Dislocation, Brian Randall Deppe
Dislocation, Brian Randall Deppe
LSU Master's Theses
This photographic project, Dislocation, seeks to document the current state and decline of Cortana Mall in Baton Rouge, Louisiana. The mall was built in 1976 during the height of shopping mall construction and was one of the largest shopping centers in the country with five anchor stores and 139 retail spaces. Now, just 48 stores and two anchor stores remain open. This high vacancy rate and deterioration of the mall is due to suburban flight, the building of new shopping centers in southern Baton Rouge, and changing consumer trends, which has led to malls closing across the country. My photographs …
Trace, Naomi Katy Louise Clement
Trace, Naomi Katy Louise Clement
LSU Master's Theses
The pots in the exhibition Trace speak both to my desire to belong, to connect to my beginnings, and yet to still trace my own path forward; they are about making connections and missing connections. Through these pots I ask questions of myself and the world around me in an attempt to negotiate the edges of my life. How do I feel connected and present in my own life and relationships? How do I feel connected to my family and my roots, while still finding my own path? What does it mean to belong in a family that is divided …
Oblivion, Michael Stumbras
Oblivion, Michael Stumbras
LSU Master's Theses
I am fascinated by the myriad ways humans construct meaning in the face of existential uncertainty. For the exhibition Oblivion, I endeavor to provide a gallery experience, a body of metaphorically charged functional vessels, and a number of ritualistic accoutrements that address death, futility, and the passage of time as it inexorably flows toward obsolescence. The process of handcraft and the method of firing that I employ highlights the absurdity of the endeavor of the handmade: the seemingly futile and interminable quest for perfection and meaning. This futilitarian pottery exaggerates the errors of the hand and flaunts artifacts of the …
Chronicle & Character, Taryn Moller Nicoll
Chronicle & Character, Taryn Moller Nicoll
LSU Master's Theses
In this thesis paper, I argue that the works in the exhibition 'Chronicle & Character' aim to demonstrate artistic citizenship and can contribute positively to society by provoking conversation about universally applicable (but often uncomfortable) topics. Experts such as David J. Elliot state that being an artistic citizen means that one’s concerns as an artist must shift from issues constrained to the artist alone to those of the artist’s surrounding community. The exhibition 'Chronicle & Character' contains works that serve as detailed chronicles of the medical or physiological experiences of my loved ones. This body of work presents how three …
Urban Illusions, Haley R. Hatfield
Urban Illusions, Haley R. Hatfield
LSU Master's Theses
Urban Illusions is an immersive and interactive documentary experience that curates moments of reality in virtual environments to educate and expose viewers to a string of social and political issues that have been exposed in Baton Rouge. These moments also reflect a transformative time across the United States. The research and exhibition experiments with 360-degree videos and virtual reality to document issues occurring from racial tension stemming from prejudicial police violence and residual segregation that is still present in Baton Rouge. The intent of this work is to establish a methodology benefiting from modern technology in order to document real …