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Creatures Del Monte, Alejandro Arauz Jan 2008

Creatures Del Monte, Alejandro Arauz

LSU Master's Theses

To visually represent the multifaceted hybrid identity; a multidimensional artistic approach was necessary. I considered all the physical, psychological and cultural truths of my family. I explored our relationships, our behaviors and our responses as we simultaneously identify with the Latino and Anglo North American cultures and exist within its ever-changing parameters. Two streams of thought emerged in my artwork. One explores the characteristics and bi-cultural composition of my immediate family. The other looks at recalling past and distant members of my extended family as our points of origin while identifying the visible and invisible forces that shape our characters. …


The Lower Ninth Ward, New Orleans: Vestiges Of A Neighborhood, Adam N. Hess Jan 2008

The Lower Ninth Ward, New Orleans: Vestiges Of A Neighborhood, Adam N. Hess

LSU Master's Theses

The Lower Ninth Ward, New Orleans: Vestiges of a Neighborhood is a photo-documentary of the remnants of one of America’s most unique and culturally distinct neighborhoods. Three years after Hurricane Katrina devastated this neighborhood, it lies in ruin, slowly returning to nature. All that remains of the community that once occupied the Lower Ninth are the dilapidated buildings, the crumbling homes, and the small possessions left behind. For the past three years I have explored the Lower Ninth Ward, discovering the remains of a community rich in tradition, family, and religion. Through the use of black and white photographs and …


Eve's Prisoners, Tara Rene Ratliff Jan 2008

Eve's Prisoners, Tara Rene Ratliff

LSU Master's Theses

All women are the children of Eve and the children of the earth. With the work of Eve’s Prisoners, my aim was to create imagery about the transient stages of womankind and the timeless relationship the feminine ideal has with nature. We are born innocent and able to see the truth of things, but eventually we all imprison ourselves in our bodies, in language, and in our own nature. My pictures want to reconcile the innocence and the pain and to say that by accepting aging and death as part of life, we free ourselves from our own prisons.


Add, Subtract, And Multiply: Paintings, Elizabeth Lorena Noble Jan 2008

Add, Subtract, And Multiply: Paintings, Elizabeth Lorena Noble

LSU Master's Theses

Noble, Elizabeth Lorena, B.A., University of Central Arkansas, 2005 Master of Fine Arts, Fall Commencement, 2008 Major: Studio Art Add, Subtract, and Multiply: Paintings Thesis directed by Professor Edward Smith Pages in thesis, 44. Words in abstract, 209. ABSTRACT This thesis chronicles the daily rituals involved in personal grooming, adornment, and cosmetic use. As a woman and a painter, I appropriate the female figure in my work and use the body to provoke thought and conversation about the concept of the body as a workable surface. I see the body surface similarly to how I see the painting surface. In …


Drift, Emily Jane Cook Jan 2008

Drift, Emily Jane Cook

LSU Master's Theses

Drift is a movement by, or as if by, a current of air or water . It can mean the depositing of debris by such a current. It can also connote a veering off from a projected path. What interests me about the word is that it suggests a slight loss of control, but not a devastating one. Most importantly, for this body of work, it implies a passive movement, a transition in which one is not able to control every part. We can perhaps choose the river we get into but not the direction of its flow. Using properties …


A Sweeter Life: A Celebration Of Desserts, Jennifer Gawronski Jan 2008

A Sweeter Life: A Celebration Of Desserts, Jennifer Gawronski

LSU Master's Theses

My thesis show, A Sweeter Life: A Celebration of Desserts is an exploration in using clay to create a celebratory event. Throughout my graduate studies I have been interested in creating memorable moments for my audience through the use of functional ceramic objects. The utilitarian forms are inspired by specific foods. This body of work celebrates the pleasures of springtime desserts through the use of unique table settings. Each setting has its own theme of fruit or delicacy to highlight the joy of desserts. I am interested in how desserts can be enhanced by their serving pieces and how a …


Land Alive!, Or Metamorphosis In The Sportsman's Paradise, Adam Tourek Jan 2008

Land Alive!, Or Metamorphosis In The Sportsman's Paradise, Adam Tourek

LSU Master's Theses

"Land Alive!" is best described a multimedia work. The produce of travels to the area of the Mississippi River delta, along with text-based research, formed the materials from which two evenings of participative performance were crafted. Personal narratives were used alongside evaluations of administrative programs, and the space in the Backyard Gallery was transformed using shovels, buckets, and teamwork. Found chairs, rope, and other objects, through ritualized interaction, became an aesthetic formation; everyone present worked together in the assembly of a boat, which contained the results of these interactions between myself, six volunteers, and an audience turned participants. The evenings …


Nature Vs. Nurture, Renee' Noel Smith Jan 2008

Nature Vs. Nurture, Renee' Noel Smith

LSU Master's Theses

My work utilizes the metaphor of the family garden gone wild to represent growing up in a difficult family environment. The plants struggle in an environment that turns the typical, quiet backyard garden into a chaotic jungle. This body of work illustrates a variety of printmaking techniques such as mezzotint, silkscreen, drawing, and etching. The vibration and saturation of intense colors create imaginary plants that are highly illusionistic. The troubled environment is represented by the nocturnal background.


Daily Record, Jacques Pierre Gasquet Jan 2008

Daily Record, Jacques Pierre Gasquet

LSU Master's Theses

The paintings in this master’s thesis exhibition represent my daily encounters over the past three years. The hurricanes of 2005 made me realize how nature can be ugly and destructive one day and peaceful and beautiful the next. My paintings are abstractions of imagery representing the disrupted landscapes and personal obstacles left behind by the storms, along with my optimistic vision of a harmonious world. I describe my experiences through the search for a delicate sense of balance that excites and then quiets the mind. The painting is created through an intense interaction between me, the materials and the surface, …


Exhibition Next: The Future Of Exhibition Design, Santanu Majumdar Jan 2008

Exhibition Next: The Future Of Exhibition Design, Santanu Majumdar

LSU Master's Theses

ABSTRACT The ubiquitous presence of design guides our day-to-day actions, determining our awareness, configuring our environment, and modifying our lives. We must acknowledge the power and the opportunity of this dynamic force of design. “At the very least,” Peter Lunenfeld says, “design research saves us from reinventing the wheel. At its best, a lively research methodology can reinvigorate the passion that so often fades after designers join the profession.” Lunenfeld inspires me to consider the evolution of exhibition design. My thesis is about the future of exhibition design, enabling me to explore the changes this area of design is now …


We Believe In The Systems That Keep Us Alive, Ezra Kellerman Jan 2008

We Believe In The Systems That Keep Us Alive, Ezra Kellerman

LSU Master's Theses

ABSTRACT We Believe In the Systems That Keep Us Alive is a body of work that uses parallels identified between writing and media critique of contemporary events. The parallels are labeled as four specific systems: nutritional, administrative, life-support, and nurturing. Through a combination of interactive and object based sculpture, each system is represented with visual metaphor and allegory to place the viewer in a direct and specialized paradox. Paradoxes audience members encounter are intended to illustrate to the audience what conflicts can arise by being included in a system where governing agency of any sort does not meet with individual …


Reservation For Two, Brian Patrick Dieterle Jan 2008

Reservation For Two, Brian Patrick Dieterle

LSU Master's Theses

Reservation for Two is an investigation of the ceramic dinner set and search to unlock its simplistic mystery. Most dinnerware settings available on the market satisfy and facilitate the action of eating, but they do not provide an experience to remember or a chance to fully taste the meal in all of its complexity. To challenge the participant and to produce a memorable experience, I have begun altering specific fundamental decisions within the traditional place setting attempting to create stimulation beyond physical gratification. Each of my experiments question specific design criteria that format the majority of dinner sets on the …


Culturally-Constructed Barriers, Hae-Jung Lee Jan 2008

Culturally-Constructed Barriers, Hae-Jung Lee

LSU Master's Theses

I have traveled to and lived in many different countries outside my native country of Korea. These opportunities have allowed me to meet diverse people and learn about their unique cultures. While living in the United States, I have experienced culture shock in such everyday activities as observing students eating food during class, wearing pajamas at school, and other similar displays of informal behavior. I was taught to follow Confucian ideas; the basic principles being to respect one¡¯s elders and to be considerate of other people. Compared to Korean culture, Western culture seems very open-minded and individualistic. Adjusting to the …


In The Wake: A Louisiana Memoir, Ryan Lindburg Jan 2008

In The Wake: A Louisiana Memoir, Ryan Lindburg

LSU Master's Theses

This thesis project was an exploration of narrative artwork through installation. Throughout the exhibit, I used multi-panel wall pieces, traditionally bound books, and fake walls to create an unbound book for the viewers to walk through. The pathway through the gallery provided my plotline; the works manipulated the pacing of this plot through their size and placement on the wall, with careful attention given to changing perspectives through the height of the hanging, as well as adjusting time by varying the space between the panels. Multiple print mediums were used in an effort to change the tone between pieces. This …