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Noir Westerns After World War Ii, Kenneth Estes Hall, Chritian Krug
Noir Westerns After World War Ii, Kenneth Estes Hall, Chritian Krug
Kenneth Estes Hall
Excerpt: Towards the end of Ethan and Joel Coen's Academy-Award winning No Country for Old Men (2007), Carla Jean Moss's life depends on the toss of a coin. Heads or tails will decide whether she lives or dies.
The Scars Of War: The Demonic Mother As A Conduit For Expressing Victimization, Collective Guilt, And Forgiveness In Postwar Japanese Film, 1949-1964, Sophia Walker
Honors Projects
Contemporary American viewers are familiar with the vengeful and terrifying ghost women of recent J-Horror films such as Ringu (Nakata Hideo, 1998) and Ju-On (Shimizu Takashi, 2002). Yet in Japanese theater and literature, the threatening ghost woman has a long history, beginning with the neglected Lady Rokujo in Lady Murasaki’s 11th century novel The Tale of Genji, who possesses and kills her rivals. Throughout history, the Japanese ghost mother is hideous and pitiful, worthy of fear as well as sympathy, traits that authors and filmmakers across the centuries have exploited. This project puts together four films that have never before …